New releases

IZ – Kөlêngkê – 影子 Shadow (vinyl, WV Sorcerer Productions, Old Heaven Books)

“IZ is a Kazakh/Chinese band founded by Mamer, “IZ” means “footprint” in Kazakh. “Kөlêngkê 影子 Shadow” was recorded in 2010, when IZ was mutating from Kazakh folk / epics to post-industrial music, this classic album is a mixture of their recent experimental sound and early Kazakh traditional music instruments. Dombra, kobuz, mouth harp, with metal junk percussions. Previously released in CD and tape format, after 7 years, now “Kөlêngkê 影子 Shadow” is re-mastered by James Plotkin and finally released as a beautiful gatefold LP by Old Heaven Books & WV Sorcerer Productions.”
IZ樂隊在當代中國音樂中不可忽視,多年以來由哈薩克傳統音樂一直蛻變到現在的實驗工業聲響,參與過IZ的樂手也涵蓋了當下中國音樂圈很多重要的名字。IZ在不斷的否定自己,也在不斷的變異。除IZ之外,馬木爾和張東還有眾多的分支計劃,出品過大量的唱片,馬木爾個人也十分高產,從國內外的實驗音樂人到新疆乃至中亞多個國家的傳統民族音樂大師,探索的腳步從來沒有停止。《Kөlêngkê 影子》是2011年IZ以三人陣容錄制的唱片,當時IZ正處在從傳統哈薩克音樂到現在的工業噪音的轉變階段,這張專輯同時涵蓋了IZ後期的暴力聲響和早期的民間原聲樂器,獨一無二,也不會再次出現。
時隔7年之後,舊天堂書店攜手遊走在中法之間的音樂廠牌巫唱片/WV Sorcerer Productions將這張經典專輯首次出版為黑膠格式(180克),由著名美國制作人James Plotkin重新制作母帶。
“(WV Sorcerer Productions)


Sun Dawei – 僧侶與藝術家 / Monks & Artists (digital, Shanshui)

Active in the Chinese scene since the early 2000s, Sun Dawei (aka Sulumi, also member of breakcore duo Panda Twin) has since relocated to Osaka, Japan.
This new release is above all a very quiet and ambient album with gentle techno influences on the tracks Cliff / 崖壁 and Replace / 替代. (cdrk)


Fahmi Mursyid – The Actualising Self (digital, self-released)

The Actualising Self is the final year project done in Lai Wei Min’s final year at the NTU School of Art, Design and Media for their specialisation in visual communications. the soundtrack (that contains voice over by Lai Wei Min) has been composed by Fahmi Mursyid (aka Idiologikal) from Bandung, Indonesia. Both mixes featured on this release are meditative ambient tracks, you cal also watch the original audiovisual work on Youtube. (cdrk)


Xu Cheng – IN RED (digital, play rec)

Xu Cheng is an ex-member of Shanghainese noise project Torturing Nurse,  who co-founded in 2017 the label play rec with experimental musician Wang Changcun. The three pieces presented in this release are re-works and adaptations of music composed in 2012, 2013 and 2018. The first piece contains samples of a previous performance together with Huang Lei and Wang Tian, such as in the third piece, Xu Cheng operates in the field of drone and electroacoustic  with a pinch of soft noise ; the second piece was part of a theatre play called Ge Le Mountain (歌乐山) by Yao Bo. Zhao Chuan and co. and is a more meditative work. (cdrk)


Audrey Chen – Runt Vigor (vinyl & digital, Karlrecords)

“Audrey Chen’s long-awaited new solo album “Runt Vigor” is an adventurous sonic exploration of the voice, cello and analog electronics.

She began her relationship with sound through the cello and voice over 30 years ago and since the past 15 years, her predominant focus has been her solo work, joining together the extended and inherent vocabularies of the cello, voice and analog electronics.” (Karlrecords)


Konstrukt + Keiji Haino – A Philosophy Warping, Little By Little​ ​That Way Lies A Quagmire (Live) (vinyl & digital, Karlrecords)

“Second album by Turkish free jazz musicians Konstrukt and the Japanese avant-garde / noise icon Keiji Haino, this time recorded live in concert. Celebrating their 10th anniversary these days, Konstrukt have since been creating an impressive catalogue including collaborations / performances with significant musicians like Peter Brötzmann, William Parker, Akira Sakata, Evan Parker, Thurston Moore, Michael Zerang (and more) that gained them an ever growing audience and media attention.” (Karlrecords)


R.A.N. – Şeb​-​i Yelda (vinyl & digital, Karlrecords)

“R.A.N. is the dark electronic / rhythmic ambient music project by Hüma Utku. “Şeb-i Yelda” is available as 12” and download. Hailing from İstanbul and based in Berlin for a couple of years now, Hüma Utku has been a prolific artist lately: as R.A.N. (Roads At Night) she released her debut album ”Her Trembling Ceased”, followed by the remix album ‘Remixed: Stories Retold’ (both 2015, Partapart Records), and contributed several tracks and remixes to various compilations.” (Karlrecords)


Zhu Wen Bo – Duo with Jun-Y Ciao (digital, self-released)

Chinese experimentalist Zhu Wen Bo (clarinet, founder of the cassette label Zoomin’ Night – 燥眠夜) and Jun-Y Ciao (sopranino saxophone), recently published three improvised music pieces performed live and infamous Beijing music venue fRUITYSPACE, in September 2018. (cdrk)


Domadana Kadodi Performers, Sun C, Bamba Pana – Kadodi (vinyl & digital, Nyege Nyege Tapes)

“After almost 15 years of peddling his own cd’s and tapes on the streets of Mbale, Robert Mugamba’s Kadodi finally get a proper introduction to the outside world thanks to the increasingly vital Nyege Nyege Tapes crew. ‘Kadodi’ pairs a transfixing percussive soundtrack with modern electronic contributions from Bamba Pana and Sun C, resulting in another remarkable document from the pearl of Africa.” (Boomkat)


Morego – Solivagant (digital, self-released & D.M.T. Records)

“Morego is the musical project founded by Tehran-based producer Morego Dimmer (aka Xerxes The Dark, Nyctalllz). Known for his cerebral and experimental vein of dark ambient music, Solivagant dips into peculiar, yet cohesive IDM/downtempo strains. Its nine tracks spanning just over 30-minutes, the release feels like an album with an extended player outer shell.” (D.M.T. Records)


BNSU – Brand New Shit Upcoming #1 (digital, Brain Pussyfication)

Noise ? Noisegrind ? Extreme industrial ? The Berlin-based Japanese-Turkish duo (Kazehito Seki : voice & BEEATSZ : drums, electronics) offers us ten radical live tracks recorded at Villa Kuriosum’s Krach Keller in Berlin earlier this year. The album clearly evokes Osaka’s radical japanoise scene of the 1990s, all for the best ! This is a pre-order. (cdrk)


sinin – V1 (digital, self-released)

Bengali electronic musician sinin just released four minimalistic gems, subtle intimate atmosphere that oscillates between gentle ethereal techno and ambient music. Don’t take me wrong, this is not minimal techno, fortunately ! (cdrk)


Jacqueline George (cassette & digital + magazine, Autogenesis)

Jacqueline George is a composer and field recordist from Cairo, Egypt. She is a member of the international collective Salims Salon. For this release (that comes with the first Autogenesis magazine), she was asked “to reflect on her coming to be, crossing individual and collective memory, in order to deliver a sonic piece to serve as a manifest of identity and empowerment.” The result is a sound scape made of field recordings, voices, whispers, cinematic atmospheres. Probably her most accomplished work until now. (cdrk)


v.a. – Anthology of Electroacoustic Lebanese music (CDr & digital, Unexplained Sounds Group)

Unlike the title seem to imply, the compilation is not about the electroacoustic music genre but music that blends electronics and acoustics. In any case, this is one more fine selection of artist done by the Italian label Unexplained Sounds Group : Tony Elieh, Marc Codsi, Jad Atoui, Youmna Saba, Fadi Tabal, Joseph Doumet, Sharif Sehnaoui, and more. Post-rock, free improv, musique concrète, ambient, drone, modular synthesis… Some of the biggest names of the Beirut scene on one album, there is nothing to complain about ! (cdrk)


v.a. – Girih: Iranian Sound Artists Volumes I – IV (cassette & digital, Zabte Sote)

This brilliant compilation comes in two different versions (apart of the digital ones) : one box set of four cassettes with booklet and the four cassettes releases individually. I would consider it to be a follow-up of four other great Iranian compilations : Visions of Darkness (Unexplained Sounds Group & Cold Spring, 2017), Dūr Untash (Unexplained Sounds Group, 2017) and Iran experimental underground 016 survey (Unexplained Sounds Group, 2016) and Kollektive 1 (BITROT, 2015) – a compilation published in Tehran which also includes a few foreigners. Nevertheless, Girih does not only explore the dark ambient side of Iran such as the Unexplained Sounds Group one did, they let the listener reflect on the great variety of electronic music that is being produced in Iran and by the Iranian diaspora. 42 pieces and artists in the field of ambient, industrial, techno, electroacoustic, drone, electronica, such as NUM, mHz, 9T Antiope, Pouya Pour-Amin, Saba Alizadeh, Mehdi Jalali, Leila, etc. Not to be missed ! (cdrk)


Vo Ezn – Live at Red Light Radio x Tbilisi (digital, self-released)

Mika Motskobili aka Vo Ezn is a composer, musician, sound artist, painter, video artist and sculptor from Georgia. She works with acoustic sounds, loops, electronics and composes a kind of repetitive music concrète, a form of sound art that evokes little machines operating in a parallel universe. Live at Red Light Radio x Tbilisi is devided in three parts, all recorded live. (cdrk)


Fung | Sudarshan Chandra Kumar | Goh Lee Kwang – Mou Tou Rooftop Artist Run Space, July 21st  (digital, self-released)

Goh Lee Kwang is obviously the most prolific sound artist and improviser in Kuala Lumpur. The live session recorded in two parts with two other improvisers, Sudarshan Chandra Kumar and Fung is in the vein of Lee Kwang’s work but not as repetitive as his latest compositions, still minimalistic but more eclectic, concrete sounds, no-input mixing desk screeching high pitched tones and some “wilder” moments where all three musicians surf around free improvisation for electronics. (cdrk)


Yuen Chee Wai and Ryoko Ono DUO – NEWDUO series 009 (digital, self-released)

The NEWDUO series are improvised duo recordings series initiated by Japanese alto saxophonist artist Ryoko Ono (小埜涼子) who presents this time a collaboration with Singaporean electronic improviser Yuen Chee Wai. Abstract sound art meets free improv. (cdrk)


Barkın Engin & Tuna Pase – Rest (digital, self-released)

Turkish composers Tuna Pase (electronics, flute, voice & glockenspiel) and Barkın Engin (electronics, guitar & glockenspiel) started to play together in 2014. They are now back with a second album, a pleasant mixture of partly improvised, electroacoustic and ambient music with a touch of ethereal pop. As the duo mentions it, improvisation forms  the backbones of the pieces, nevertheless these improvisations lead to neatly composed tracks. (cdrk)


More links about those mentioned artists can be found on Syrphe’s database.

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Back after two years on hold !

Hello,

After two years and a half on hold, too busy with other projects, I decided to reactivate this blog. This website will be run in parallel with the newsletter of Syrphe that is being sent at least once per month. Running the label, radio shows, composing music, doing some research and writing, as well as organising events keeps me very busy, so publishing or forwarding news, events, and releases here is time consuming for me hence, I’m looking for a collaborator or two if you think you could help, at least for posting some news and short reviews, interviews or new releases from artists from Asia, Africa and perhaps Latin America, feel free to contact me (preferably if you are from or live in Asia/the Mid East/Africa/Latin America), send me a few words about you and what you’d like to do. Reviews/news, perhaps articles would be published in English but could also be bilingual if you master another language such as  Indonesian, Chinese, Arabic, Farsi, Swahili, French, Spanish, etc. There is no money involved, unfortunately, I do this without any budget, I don’t pay myself and buy a lot of the music I speak about, each time I can.

cdrk

Cyprus for Syrphe WordPress_edit

Asian Music Network, an interview with DJ Sniff, by C-drík.

AMN 2016 artworks-000144010391-glpcx7-t500x500

In 1969, South Korean artist Seok Hee Kang founded the Pan Music Festival where himself and Hwang Byungki performed a piece for daegeum and tape, four years later, in 1973, the Asian Composers League was founded in Hong Kong with the aim of fostering contemporary music which uses both Western and Asian Pacific instruments.
Today in the 21st century, a new generation of composers, free improvisers, noise artists and turntablists cross the barriers again but this time in a less classical and conventional way : Far East Network (FEN), Asian Music Network, and more are reshaping the far east and south east music landscape…

19455802553_aa17d5f902_bPhoto by Kuniya Oyamada –  写真 小山田邦哉

The Asian Music Network festival 2015 took place in Tōkyō and Kyōto and was the first avant-garde festival in the region to include such a large variety of artists from east and south east Asia  : dj sniff (Hong Kong), Bin Idris (Bandung), To Die (Yogyakarta), Iman Jimbot (Bandung), Kok Siew Wai (Kuala Lumpur), Leslie Low (Singapore), Yuen Chee Wai (Singapore), Yui-Saowakhon Muangkruan (Bangkok), Nguyễn Hong Giang (Ho Chi Minh), Lương Huệ Trinh (Hanoi), Sachiko M (Tokyo), Tadashi Yonago (Osaka), Tatsuhisa Yamamoto (Tokyo), Kimiya Sato (Tokyo), Shinobu Kawai (Tokyo), Tamura Fumitake (Tokyo), KΣITO (Tokyo), Ai Watanabe (Tokyo), Ryoko Ōno (Nagoya), Ōtomo Yoshihide (Tokyo).

The 2016 festival will be held in Tōkyō, Kōbe and Kyōto, from the 5th until the 12th of February and featuring the following artists : Ōtomo Yoshihide (Tokyo), dj sniff (Hong Kong), Fiona Lee (Hong Kong), Okkyung Lee (New York), Pete TR (Bangkok), Skip Skip Ben Ben (Taipei), Natalie Alexandra Tse (Singapore), Krisna Widiathama (Yogyakarta), Son X (Hanoi), Yong Yandsen (Kuala Lumpur) and guest Japanese artists Umeda Tetsuya, True Oshiro, Takahiro Kawaguchi, Toshio Kajiwara, Doddodo, Yoko Higashino, Mizuuchi Yoshito, Katsura Mouri and more !
Feel free to listen to the following mix prepared by dj sniff that include the 2016 participants and some of their projects while reading the interview.

20094059991_73ac490eb6_bPhoto by Kuniya Oyamada –  写真 小山田邦哉

1. How did you and Yuen Chee Wai got the idea to create the pan Asian network ?

The idea originates from Ōtomo Yoshihide’s long standing work in trying to connect experimental musicians, in mainly East Asia, with Japanese musicians and the public.

Ōtomo worked extensively in Hong Kong during the early 90’s, and since early 2000’s he had been playing in China and Korea which evenly lead to his band FEN with Yan Jun, Ryu Hankil and Yuen Chee Wai. In 2005, he organised the first Asian Meeting Festival which was born out of both an optimism towards new communities enabled by the internet, and fear that it is also accelerating hate speech and xenophobia in Japan. Since my time at STEIM in Amsterdam, I was always trying to invite any Asian musician that was on tour in Europe, and Chee Wai was also active in organising events that featured Asian experimental musicians in Singapore. I moved to Hong Kong in 2012 after finding Europe being utterly dead, and wanting to tour more in Asia.

2. Do you have more logistic and financial ease and possibilities in Japan than in, let’s say Hong Kong or Singapore ?

For our project Ensembles Asia / Asian Music Network, yes, because we are funded by The Japan Foundation Asia Center (国際交流基金アジアセンター) which is a government cultural body. Ōtomo was invited to lead a new project that focussed on cultural exchange between South East Asia and Japan, and he invited me and Chee Wai. Japan also has a larger audience and generally better infrastructure than Hong Kong or Singapore, so that helps too.

19454000574_83842f32dc_bPhoto by Kuniya Oyamada –  写真 小山田邦哉

3. I noticed that step by step, some networks are being build in Asia, connecting musicians and organisers to each other : Asian Music Network, FEN, Border Movement. Seeking independence ?

It is still a challenge. Generally Asian people would rather work with people from the West for such cultural projects. It has to do with local prestige and also not wanting to be confronted with long history of dispute between neighbouring countries. For us we have to be very careful in running a project supported by Japan in Asia – scars from war don’t disappear that easily.

4. Does living in Hong Kong makes it easier for you to connect people together and travel around than when you were in Japan ?

I don’t know if it makes it easier, but it does give me an identity and edge within the scene. I haven’t lived in Japan for more than half of my life now, so I can get away with being “ignorant” to certain local conversions or political tension – that is quite convenient.

5. Would you organise the festival or some other events in other Asian countries and outside of Asia, such as FEN slowly does ?

Yes, we are trying to do this more. Our vision is that we develop programs and collaborations that take place initially in Japan, but can be brought to other cities. This is very challenging because each country has their own difficulties, but what we keep hearing is that it’s much more difficult than we think for South East Asian artists to connect with each other. We hope we can be a catalyst for new forms of collaboration within the region. Also we would like to bring these artists to Europe and North America as well. This is of course to introduce them to a wider audience but also playing in Western countries significantly helps them back home to receive recognition or funding.

19589047162_005d743b53_bPhoto by Ayane Morishita - 写真 森下綺音



Some recommendations, references and links.

Asian Music Network is part of Ensembles Asia, that also includes Asian Sound Research (a project started in 2014, directed by Japanese musician Sachiko M that focuses on sound art research, including Malaysia, Cambodia, etc.) and Ensembles Asia Orchestra (a project launched in 2014, with the mission of creating a free-form orchestra that engages with people who are not professional musicians. The project is organized by the Japan Foundation Asia Center, with musician Ōtomo Yoshihide as artistic director. Ensembles Asia Orchestra aims to uncover new and unprecedented ways of making music and connecting with people, by sharing the joy of making music and fostering communication with people from elsewhere in Asia – site in Thai, Japanese, Indonesia, Tagalog and English).
You can follow Asian Music Network 2015 on Soundcloud.
And see a few interviews and short live extracts here.

FEN (Far East Network) recently performed at the Festival All Ears in Norway. FEN is an improvised music project group made up of musicians from different parts of Asia. The quartet comprises Ōtomo Yoshihide (Japan), Ryu Hankil (South Korea), Yan Jun (China) and Yuen Chee Wai (Singapore). FEN was started by globally renowned musician Ōtomo Yoshihide and it made its debut in 2008 at MIMI Festival in Marseilles, France. Following its début, FEN has performed extensively throughout Europe and all across Asia.

Border Movement is a platform that aims to encourage interaction between the electronic music scenes of South Asia (Afghanistan, India, Bangladesh, Sri Lanka, Pakistan) and Germany. Border Movement tends to be more on the dance side than FEN and Asian Music Network but includes also a few sound experimentalists.

Syrphe contains a database which included more than 1500 references of artists, venues, radios, labels, magazines, networks working in the field of alternative electronic music, electro-acoustic, free improv, noise, electronica, chiptune, breakcore, industrial, ambient and more, it is regularly updated.

Some pan-Asian compilations (and beyond for one and we need more like this !).

Live at Htein Lin’s Studio / 7000 Padauk, Yangon, Myanmar, (Syrphe, 2014, digital), an compilation of live recording made in Yangon, Myanmar and featuring six artists mostly living there and coming from Asia and Europe. Free download.

Art of the Muses (Syrphe, 2012, CD and digital), an experimental music compilation featuring 10 female composers from far east Asia (Japan, South Korea, Vietnam, Indonesia, Singapore, Malaysia, Taiwan, China, Singapore).

Beyond ignorance and borders (Syrphe, 2007, CD and digital), an African, Middle-Eastern, Asian noise and electronic compilation which includes electronic, experimental and noise artists from 21 Asian and African countries (Vietnam, Hong Kong, Mongolia, Philippines, Thailand, Israel, Taiwan, China, South Korea, Lebanon, Indonesia, Turkey, Egypt, Morocco, Singapore, South Africa, Laos, Tibet, Algeria, United Arab Emirates, Malaysia).

Soundtracks For Bride Of Sevenless (Auscultare Research, 1998, CD), 12 noise and sound artists from Japan, Taiwan, Hong Kong.

Eternal Blue Extreme: An Asian Tribute To Derek Jarman (Somnus, 1994, CD), 9 noise, experimental and industrial artists from Japan, Hong Kong and Taiwan.


If you happen to be in Berlin in early February, I (C-drík) will give a lecture during CTM festival : An introduction to electro-acoustic, noise and experimental music in Africa and Asia, 2 February, 13h, Kunstquartier Studio 1 .

My new essay Power through networking : reshaping the underground electronic and experimental music scenes in East and South East Asia will also be available in CTM Magazine to be out very soon. More info soon !

 

Some news, music and video selection.

Meet the Barcelona DJ Who Played a Set at a Refugee Camp in France, an interview about Filastine and Indonesian singer Nova Ruth who played in Calais.
If you’ve never heard them, you can check this wonderful video clip.

For the Cairo Book-Launch of the Norient Book «Seismographic Sounds – Visions of a New World» (20.11.2015) the contributors Rami Abadir, Bosaina, Maha El Nabawi, Yara Mekawei, Angie Balata and Thomas Burkhalter collected some of their favorite current tracks from Cairo.
The playlist contain tracks that range from post rock to electronica, alternative hip hop, ambient and so on.

CTM4
CTM 2016 will host a special edition of the “Seismographic Sounds. Visions of a New World” exhibition, created with Norient (International Network for Local and Global Sounds and Media Culture), an innovative network that explores issues of globalisation and digitisation. For the exhibition’s presentation within CTM 2016, Norient and CTM curated additional works by Pedro Reyes, Tianzhuo Chen, Raed Yassin, Svetlana Maraš, Urs Hofer and hands on sound. More info here.

onebeat2016
Onebeat artist application 2016
Applications for the fall 2016 program open on January 4, 2016, and are due by February 5, 2016, 5:00 p.m. EST.
Applicants must be 19 or older at the time of the application and 35 or younger at the end of the program (October 2016) and come from one of the following countries :
Algeria, Bangladesh, Belarus, Bolivia, Brazil, Bulgaria, Burma, Colombia, Cuba, Ecuador, Egypt, Ethiopia, Ghana, Haiti, India, Indonesia, Iraq, Japan, Jordan, Kazakhstan, Kenya, Kosovo, Kyrgyzstan, Laos, Lebanon, Malaysia, Morocco, Mozambique, Nigeria, Panama, Pakistan, Palestinian Territories, Philippines, Russia, Senegal, Serbia, Slovak Republic, South Africa, Taiwan, Tajikistan, Tunisia, Turkey, United States, Venezuela, Zimbabwe.

Filipino avant-garde composer Jose Maceda leading an audience in San Francisco in his ritual-music composition “Udlot-Udlot”. Yerba Buena Gardens, April, 2003, in English and more mostly in Tagalog.

Upcoming events

I tried to use an iCalendar (you can see it on the right side of the page) but it doesn´t work so well : the hours are wrong even though my calendar shows the write time on other websites and it´s a bit of a pain to make updates here, sometimes some of the events don´t appear, so once or twice per week, I´ll post some events of interest connected to Asia and Africa and a few more.
There will be some big events and festivals later this and next month in Berlin, Oslo, Tokyo, Kobe and Kyoto, I will soon add them.
If you see something important missing, feel free to contact me.

5 January 2016, 20h30 (Hong Kong) NOISE to SIGNAL 0.33: Duality
28/F, Park Avenue Tower, 5 Moreton Terrace, Causeway Bay, Hong Kong. Dualism in action with Australian drummer / percussionist Will Guthrie.
Performers: Will Guthrie + Dennis Wong aka Sin:Ned (Drum & Stick / AU & HK) Jasper Fung + Wong Chun Hoi (Electronics / HK) Olaf Hochherz + Wilmer Chan (Electronics & Double Bass / DE & HK) Admission: Pay What You Want. Facebook.

5 January 2016, 19h (Tokyo)
高円寺 円盤 : 高円寺南3-59-11 五麟館ビル2F, Suginami-ku, Tokyo, Japan
共演者の方々のサイト。
植野隆司, 柳家小春, 飯田華子, JON(犬), 田畑 満, Hugues Vincent.
(Jon Yon Sun a.k.a Jon the Dog, Iida Hanako, Yanagiya Koharu, Ueno Takashi from Tenniscoats, Tabata Mitsuru from Acid Mothers Temple, Hugues Vincent).
Charge¥2,000 (1drink付き).
Facebook.

6 January 2016, 20h (Berlin) Syrphe Night 03
Maze : Mehringdamm 61, 10961 Berlin, Germany .
Lives : Jealousy Party (Italy-Germany), Eric Wong (Hong Kong-USA), Kunst Als Strafe (Germany)
DJ : C-drík aka Kirdec
Facebook.

7 January 2016, 21h (Hong Kong)
Unit 1406, Sea View Estate Block A, 2-8 Watson Road, North Point, Hong Kong
香港北角屈臣道2-8號海景大廈1406室

Wilmer Chan (Double Bass), Sin:Ned (Stick), Kung Chi Shing (Viola/Computer), William Lane (Viola), Ken Ueno (Voice), Thomas Rosenkranz (Piano)
Facebook.

8 January 2016, 20h (Bangkok) Fog Fire
Jam : 41 Soi Rong Nam Kang (Charoen Rat Soi 1), Sathorn, Bangkok, Thailand FOG FIRE presents : A night of synthesizers, saxophone, computer, drums, experimental collaboration and improvisation. with : STYLISH NONSENSE (Thailand) JULIEN BOUDART (France) MINT PARK aka BAKAH (Korea/USA) SPACE MONKEY III (Thailand).
Facebook.

8 January 2016, 29h30 (Taipei) Lacking Sound Festival 100 part 1
THE WALL : 公館 台北市羅斯福路四段200號B1 / THE WALL mansion Roosevelt Road, Taipei, 200號B1
DJ 林強 , 柯智豪 , 蛋 , fish.the
票價 (entrance) :NT.600(附專輯乙張)
More info here.

8 January 2016, 20h (Manila) New Musical Inventions
Pineapple Lab : 6071 R. Palma St., Brgy. Poblacion, Makati
Levy Ingles Lorenzo [US/PH]
solo electronics + percussion
PHP250 w/ 1 beer.
Facebook.

09 January 2016, 19h (Tehran)
اجرای بعدی Sote در سری رویداد‌های ‌صت، با همکاری آف استودیو و تماشاخانه‌ی موج نو، در تاریخ ۱۹ دی‌ برگزار می‌‌شود. به قطعه‌ای از آلبوم Arrhythmia گوش کنید تا با کارهای او آشنایی بیشتری پیدا کنید: https://soundcloud.com/sotesound/lacuna-1 یا اگر تمایل دارید مصاحبه ی مفصل او با مجله سرناد را بخوانید: http://tinyurl.com/hq3b5ng برای اطلات بیشتر با…

09 January 2016, 20h (Hanoi)
Goethe Institut Hanoi : 56-58 Nguyen Thai Hoc, Hanoi, Vietnam
Cao Thanh Lan (piano and electronics)
Facebook.

10 January 2016, 20h30 (Kuala Lumpur) Switch On
無限發掘 FINDARS : No.8, 4th Floor, Jalan Panggong, Kuala Lumpur, Malaysia.
Yong Yand Sen & Kok Siew Wai, Hans Koch, Thomas Peter.
Facebook.

 

 

Feminism in electronic and experimental music, the failure of most Westerners.

art of the muses

For a few years now, I see and meet plenty of feminist enthusiasts who try to develop new networks, events, workshops, festivals dedicated to women and feminism in the often male-centric experimental and electronic music scenes, where indeed, most djs represented are men, most famous electro-acoustic composers are males, most power electronics artists are males, most famous electronica artists are males and so on and so forth.

Many of those who call themselves feminists and quite rightly scream and shout that they want more equality, more exposure and recognition and want to offer women more opportunities to access the electronic and experimental music world have for most a western-centric vision of the scene.
Never did I see them promoting female artists in the field of electronic and experimental music who come from Asia and Africa (or even Latin America). The victims of exclusion exactly behave like their oppressors and should definitely admit that their fight is a failure and will remain so unless they include all women of the various scenes (including underground rock, metal, punk, grindcore, etc.), no matter what their ethnicities, nationalities, geographic locations, social classes are.

Of course, I hear some of you fulminating against me, accusing me of disempowering them, telling me : “But we didn’t know ! We never heard about them ! How could we imagine there were women doing this music in those places !?” (sic).
It sounds to me like those men telling :”Seriously ? You know of women building modular synthesizer ? I never imagined that it would be ever possible !”
Zero difference.
This is one of the problems of the Western World, it is so much self-centred that it often lacks of imagination and curiosity (even not going so far away as Asia or Africa, how many times did I hear some being surprised that there are musicians in Sardinia or Kosovo or whatever remote village lost in the Swiss mountains who do play underground music).

Now that we live in a more and more interconnected society, to me it is some kind of pure egotism and a certain form of social racism to imagine that only women (or people in general)  in the west do compose electronic, experimental music or punk, metal, oi, you name it… In the time of the invasive internet where those who want, especially those who pretend to fight for some rights, can search, deeply, all kinds of informations using search engines, social networks, databases, music streaming services, it is a shame to see that those born in the “wrong” place still often remain excluded.

I remember women from some networks I will not name here telling that they wanted full support and promotion for women´s projects but how many of them bought or promoted the works and publications I was telling them about ? How many of them attended the concerts I organised ? Very few ! Some even decided to work in closed circles, excluding men from their networks or activities, even those who supported them from the beginning. Some gave me the feeling that they were working for their own ego, that the feminist fight was an excuse for them to clime higher and reach the peak… I may be wrong, I wish so but this is how I perceive this situation for many years.

Now to conclude this small article, here are a few CD references among many others, and following those, you´ll find a non-exhaustive list of under represented women. The CD list is only a small sample that what is currently existing, of course.

Art of the Muses (CD and digital, Syrphe, 2012, international) with Alice Hui-Sheng Chang [Taiwan], Aki Ito [Japan], Itta [South Korea], Tomoko Sauvage [Japan], Kismett [Singapore], VAVABOND [China], Pei [Taiwan], Verita Shalavita Koapaha [Indonesia], Lương Huệ Trinh [Vietnam], Lau Mun Leng [Malaysia].

Egyptian Females Experimental Music Session (CD, 100Copies, 2013, Egypt) with Asmaa Azzouz, Shorouk El Zomor, Hala Abu Shady, Jacqueline George, Nina El Gebaly, Ola Saad, Yara Mekawei, details on 100Copies.

_Litter – Newfound Grids (CD and digital, Syrphe, 2013, Lebanon)

VAVABOND – HOLOGRAM OF sea (CD and digital, C.F.I Records, 2012, China)

PEI ‎– Normality Envision (CD, Sub Jam, Kwanyin Records, 2007, Taiwan), details and extracts here.

Leila Bela – Angra Manyu (CD, Ellahy Amen Records 2003, Iran/USA), details here.

Hui-Shen Chang Alice – When She Was Asleep (Cassatte, Antifrost, 2011, Taiwan).

Okkyung Lee – Noisy Love Songs (CD, Tzadik, 2010, South Korea), details at Discogs.

And one more western oriented ones that I anyway find worth to mention (and because most feminist activists I talked to in the scene told me they never heard about it and it´s a pretty good one !) :

Women Take Back The Noise (3xCD, UBUIBI, 2006) with Michiko Kawagoe, Dark Muse, BCO Women’s Auxiliary, Passiflora, Suzanne Quincey, Ava Mendoza, Meri von KleinSmid, Analog Tara, Fe-Mail, Experiment Haywire, Hertta Lussu Ässä, Cosey Fanni Tutti, etc.

This non-exhaustive list comes from this database I´m permanently working on, this database contains more than 1500 references for Africa and Asia. I could have added more of them but sorry, my time is limited at the moment !
Note I noticed that the formatting of the list appears incorrectly but I can´t correct it for some odd reasons…)

Algeria :
Rula El Bahr Soundcloud [electronic, sound art, lives in France, see Kamekaz]

Armenia/USA :
Farhadian, Thea Site [electro-acoustic, improv, video, lives in the USA]

China :

Arrebato (Li Huihui) Tudou Douban (豆瓣) Soundcloud (1) Soundcloud (2) Bandcamp [sound art, see lllllllllllHH, Hhiña, Kazorp, Arrebato]
Chen, Audrey MySpace Discogs [sound art, improv, free jazz, lives in Germany]
Chen Yi Discogs [electro-acoustic, classical, lives in the USA ?][1984]
Pan Daijing Soundcloud Tumblr Instagram [noise, industrial, ambient]
Shenggy (Cosmic Shenggy) MySpace1 Myspace2 Rock In China Discogs [sound art, noise, minimal techno, see White]
VAVABOND (Vavabond) Site MySpace Soundcloud Discogs [sound art, ambient, noise]

Egypt :
Azzouz, Asmaa Discogs [electronic]
Bosaina Site Soundcloud Facebook [electronica, electro-pop]
El Zomor, Shorouk Discogs [electronic]
George, Jacqueline Soundcloud [electronic, sound art]
Abu Shady, Hala Youtube Vimeo [sound art, video art]
Hani, Dina Soundcloud [electronic, field recordings]
Mattar Nahla Site [electro-acoustic, classical]
Mekawei, Yara (Yara Mekawi) Blogspot, Soundcloud, Facebook, MySpace Twitter Tumblr Meetphool [electronic, electro-acoustic, audio-visual, sound installation]
Saad, Ola Soundcloud [sound art]

Hong Kong :
Lee, Fiona Site Vimeo Tumblr Jux Soundcloud [sound art, audiovisual]
Lee, Ingrid Site Discogs [sound art, modern classical, lives in the USA]

India :
Desai, Poulomi Tumblr Facebook Facebook Youtube [audio-visual, sound art, lives in the UK]
Sandunes Site Bandcamp Soundcloud Facebook Twitter Instagram [electronica]

Indonesia :
Menstrual Synthdrone (Dyah “Woro” Isaka) Soundcloud [drone, noise]
Sabrina WordPress [noise]
Sarana Soundcloud Facebook [drone, noise]
Shalavita Koapaha, Verita Bandcamp [contemporary classical]

Iran :
Bela, Leila (ليلى بلا) Site MySpace Discogs [noise, sound art, lives in the USA]
Bigdeli Shamloo, Sara Soundcloud Twitter [electronic, sound tracks, lives in France]
Hatam, Farahnaz MySpace [sound art, lives in Germany]
Pazhutan, Honey Haq Site Soundcloud [see vH+] / vent aitcH Plus (vH+, V H +p) Site Soundcloud [ambient, drone, see Honey Haq Pazhutan]

Iraq :
Nadeem, Aida (Aïda Nadeem) Site Soundcloud Twitter Tumblr Wikipedia MySpace Discogs Youtube [electronica, traditional, contemporary lives in Denmark]

Israel :
Asher, Meira Site MySpace [industrial, sound art, lives in the Netherlands]
Elyakim, Dganit MySpace [electro-acoustic, classical]
Olivero, Betty Wikipedia [electro-acoustic, classical]
Rosenbaum, Keren Facebook Discogs [electro-acoustic, jazz, classical]

Lebanon :
Andraos, Joanna Site MySpace [electronica]
Chlela, Liliane (Queen Lil) Site Soundcloud Facebook [ambient, improv, psychedelic, improv, see Hezbel Taleta]
Dally, Rhéa (Rhea Dally) Facebook Soundcloud [chip tune, breakcore, lives in South Africa]
Sehnaoui, Christine MySpace Blogspot [jazz, sound art, lives in France]
Zaven, Cynthia Soundcloud Youtube [improv, modern classical, electronic]

Malaysia :
Kok Siew Wai WordPress Youtube [improv, experimental]
Lau Mun Leng Myspace Discogs WordPress [sound art, video artist and graphic designer]

Philippines :
Barrozo, Teresa Site Soundcloud [classical, electro-acoustic]

Singapore :
Ang, Lydia Soundcloud Youtube ReverbNation [film score, ambient, new age, electro-acoustic]
Cheryl Ong & Vivian Wang Youtube [drone, industrial]
Ding, Debbie Site Soundcloud Twitter [sound art, audiovisual]
Kismett Bandcamp [sound art]
Reiki, Jean (DJ Reiki) Site Bandcamp Soundcloud Twitter Facebook Youtube Mixcloud Indabamusic [ambient, electronica]
Tara Transitory Site MySpace Discogs Facebook [electronica, ambient, sound art, see One Man Nation, lives in Spain and Asia]

South Africa :
Beckmann, Inge MySpace Discogs Facebook [electronic, contemporary]
Isadora Dustmite Junk MySpace Bandcamp Facebook [electro-acoustic, noise, sound art]
Schneider, June [electro-acoustic, multi-media installations][1971 ?]

South Korea :
Itta (있다) https://www.youtube.com/user/TxNxGxRMySpace Facebook Twitter MySpace [sound art, ambient, minimal, member of 10 and Tengger]
Okkyung Lee Site MySpace [classical, improv, sound art, lives in Germany]
Shin, Amy Soundcloud [classical, sound art, post rock, etc., USA/South Korea] – she´s an American of Korean descent who migrated to Seoul.
Ha Jane Facebook [improv, see Pika & Pikasland] – from the US I think but lives in Seoul.

Syria :
Asma Shams (شمس أسمى, Asma Ghanem) Soundcloud [sound art, ambient, lives in Palestine]

Thailand:
Liew Pichanan Niyomkarn Site Souncloud [noise, sound art]

Taiwan :
Anchih Tsai [electro-acoustic] Youtube – unfortunately, she passed away a few months ago.
Betty Apple (ßetty ∆pple, Reiki Jelly, Yi-Ping Cheng, Xiao-Biao, 瀟薄 ) Site Soundcloud Twitter MySpace Tumblr Youtube Vimeo Mixcloud Soundcloud (Reiki Jelly) Facebook [sound art, noise, electronic, techno]
Hui-Chun Lin Site MySpace [improv, sound art, classical, lives in Germany]
Hui-Shen Chang Alice Site [electronica, sound art] – she mostly experiments with her voice when she plays solo.
Kueiju Lin [classical, improv, sound art]
Lai Chi-Hsia Site Soundcloud [sound art]
Pei Site1 Site2 [minimal sound art, onkyokei, lives in Switzerland]
Pei-Yu Shi Youtube Facebook [sound art, electronic, folk, audio-visual]
Luo Chao Yun (駱昭勻) Site MySpace [traditional, classical, improv, sound art]

Tunisia :
Abdelwahed, Deena Site Tumblr Facebook Arabstazy Mixcloud [electronic]
Houaïda (Miss Machine) Soundcloud Facebook [electronica, industrial, noise pop,lives in Germany]

Turkey :
Ah! Kosmos Site Soundcloud Soundkick Facebook Twitter Instagram Last.fm [electronica]
Gürkan, Gülce Özen Site Bandcamp MySpace Soundcloud Vimeo Discogs [electro-acoustic, sound art]
Pase, Tuna MySpace Facebook Soundcloud 1 Soundcloud 2 Soundcloud 3 [electro-acoustic]

Vietnam :
Cao Lan (Cao Thanh Lan) Site [electro-acoustic, sound art, free improv, classical, see Parallel Asteroid, Swiss Army Wife, lives in Germany]
Lương Huệ Trinh (Luong Hue Trinh) Soundcloud MySpace Facebook [sound art, electro-acoustic]
Ngọc Trần Thị Kim (Ngoc Tran Thi Kim) Weebly Youtube [sound art, electro-acoustic, classical]
Nguyễn Nhung (Nguyen Nhung) Site Bandcamp [dark ambient, drone, minimal electronic, noise, electroacoustic, classical, see Sound Awakener][2007]

And a list of female composers from Latin America here, thanks to Alma for providing the link.