New releases – April 2020 (1)

Koko Uno – Beyinde Raks (1999 – 2009) (cassette & digital, Sitdownandance)

Koko Uno is a Turkish projects that operates in the field of electronica and other forms of danceable music, there is some kind of retro touch that reminds me of various projects such as Felix Kubin or Boards of Canada for example. This is a compilation of tracks recorded between 1999 and 2009, hence the old school vibe I suppose. [cdrk]


Edwin Lo – PALE FIRE (digital, self-released)

PALE FIRE is a two hours twelve minutes twelve seconds ambient and drone music piece made of stretched voices and other sounds by Hongkongese artist Edwin Lo. [cdrk]


Zhoobin Askarieh and Ali Sasha – Beyond Tribes (digital, Noise À Noise)

Zhoobin Askarieh is an instructor and player of native woodwind instruments and the founder-member of Pildam, a digeridoo  project from Tehran. Ali Kafashan a.k.a Ali Sasha, is a composer, arranger and dj. The Iranian duo presents two long improvised music pieces for electronics, effects and didgeridoo without falling in the cheesy or new age music trap.  [cdrk]


v.a. – Noise a Noise 20​.​1 (digital, Noise À Noise)

Iranian label Noise À Noise started to publish a series of compilations last year, here is the first one of the year 2020. As the previous ones, it mostly includes Iranian artists in the field of ambient, dark ambient, drone, electroacoustic music but also a few foreigners from Turkey and Italy. Known and less known names from the scene such as Hadi Bastani, Sohrab Motabar, Alireza Amirhajebi, Başar Ünder, Ali Taram, etc.
It includes a nice and united collection of composition, this time less eclectic, more dedicated to some specific genres than some of the previous volumes. [cdrk]


Ritesh Maharjan – resonance of empty head (digital, the nois society)

Ritesh Maharjan is a prolific musician from Kathmandu, Nepal, who explores noise music, distortion and feedback often with local folk music influences and percussiosn, that sometimes results in lo-fi industrial music pieces. [cdrk]


Takashi Masubuhi and Straytone – 2527 (digital, Zoomin’ Night)

“Takashi Masubuchi (acoustic guitar) and Staytone (modular synthesizer) are musicians based in Tokyo. Both of them are new generation involvers in post onkyo Japanese improvisation music scene, active in Ftarri, Otooto, Permian and other small, quiet, warm spaces. Takashi Masubuchi is also (one of) Permian’s runner, which is specially focus on free improvisation music. This duo has deep collboration for many years. 2527 are some selections from their 2018 recordings in Permian.” [Zoomin’ Night]


BEEATSZ v2.0999f – High Civilisation (cassette, digital, Brain Pussyfication)

Utku Tavil aka BEEATSZ v2.0999f (and other monikers) : no-input mixer circuits controlled with acoustic drums set enhanced with computer effects, voice, screams. Somehow close to noisegrind and noisecore, Utku developes his own style of distorted and fast music genre. [cdrk]


Normal Brain – Lady Maid (CD, cassette, vinyl, digital, WRWTFWW Records)

“Entirely imagined and brought to life by an inspired Yukio Fujimoto, the 6-track opus was conceived with a Korg MS-20, a Korg SQ-10, a Boss Dr. Rhythm DR-55, and…a Texas Instruments Speak & Spell! It’s elegantly minimalist, honest and witty, very playful, cleverly pop, and downright fascinating. The a-side captures the fun side of avant-garde electronica, lo-fi wave, proto-glitch, and IDM, a joyful ride beautifully interrupted by the cinematic mood switch of the b-side – a 20 minute ambient piece flirting with sci-fi, melancholy, and hints of metallic darkness.” [WRWTFWW Records]


Goh Lee Kwang – Clone37 (digital, self-released)

Malaysian composer and improviser Goh Lee Kwang publishes music on an almost daily basis. This 50 minutes composition seems pretty inspired by electronic music and contemporary classical music from the 1960s and 1970s. Very minimalistic, somehow repetitive but not entirely, rough  and melodic at the same time. [cdrk]


Darkness Of Rama – SĮeipnirr (digital, self-released)

One 22 minutes long dark psychedelic music from Singapore. [cdrk]


Jessop&Co. – Aluminium Teeth Supplements (digital, self-released)

Jessop&Co. is a duo from India that composes electronica, electroacoustic and experimental music, their new piece is a minimalistic 18 minutes track clearly inspired by academic electroacoustic music, highly recommended ! [cdrk]


Cedrik Fermont – Recordings for quarantined people and those flying to Mars (digital, Syrphe)

If you find yourself locked in a small space, whether it is because of a quarantine, or you have been jailed or you are sick and cannot move or you travel in the vacuum of space towards Mars or else, you will most likely miss the sounds of nature). [cdrk]


Azu Tiwaline – Draw Me A Silence Part. I (vinyl & digital, I.O.T Records)

Azu Tiwaline comes from the south of Tunisia, she blends electronic music with a pinch of techno and dub with Berber music and rhythms. [cdrk]


Impermanence – Melancholy of the Silent Apparition (digital, self-released)

Very hypnotic dark static drones from Thailand. [cdrk]


VAVABOND, Uneasy Chairs – VAVABOND•Uneasy Chairs (digital, self released)

Chinese electronic glitch music composer and US guitarist Uneasy Chairs remotely composed those four tracks that sometimes remind of a rougher version of Mind Fiber (VAVABOND and Li Jianhong) sometimes close to noise music with the exception of the last track that has a clear folk influence tinged with glitches and tiny noises. [cdrk]


Omar Fadel Hadi – Stillness (digital, self released)

Iraqi ambient music composer Omar Fadel Hadi is back with a new quiet piece made of dreamy drones and recordings of singing birds. [cdrk]


v.a. – HKH Cryosphere (digital, Chinabot)

“Chinabot will release their third annual compilation and 20th release, a 10-track compilation featuring contributions from countries that link the 10 major rivers to the water tower of Asia. The Hindu Kush Himalayas (HKH) encompasses an area of mountains in the eight countries of Afghanistan, Bangladesh, Bhutan, China, India, Myanmar, Nepal, and Pakistan.”

The music ranges from harsh noise (the noise society, from Nepal) to electronica (Ayankoko, from France/Laos) to spooky experimental music with spoken words (Yeshi Dem, Deki Wangmo and Amanda Terry, from Bhutan and Australia), dark ambient (Tavishi, from India, who used sounds generated from the satellite data on the rate of melting of the Hindu Kush Himalayan glacier since the 1970s to make her composition হিন্ডুকুশ আগুনে জ্বলছে (Hindu Kush is on fire)), psychedelic electronic influenced by Hindustani music (Ose | ओस, from India), and more by Laughing Ears (China), Li Yilei (China), Oblique (India), Ly Trang (Vietnam), Ramsha (Pakistan) and worth to notice it, the compilation’s gender ratio is about 50/50.