New releases (August 2019)

Mireille Kyrou / Vox Populi! – Experimental Lineage (digital, nostalgie de la boue)

“This release is composed of the only two recorded works by musique concrète pioneer Mireille Kyrou (1931-2017), and of ‘Koro Wild’, played and composed by her son Axel Kyrou, main member of Vox Populi!”

Mireille Kyrou was born in September of 1931 in the town of Cairo. Her mother was French and her father was part of a family that migrated from Palestine to Egypt.

The only available recorded track by Mireille Kyrou is ‘Etude 1’, released on the mythical album from 1964, ‘Musique Concrète’, edited by Philips, also featuring music from giants of musique concrète, such as Pierre Schaeffer, Iannis Xenakis, or Luc Ferrari. The main sound sources for this track were a comb and a feather. (Editor’s note : the track appeared on several electroacoustic music anthologies such as Archives GRM in 2004 and Traces One in 2012)

The second track featured here, ‘Film Musique’, is unreleased, and recorded in the same environment and historical period as ‘Etude 1’. It is the soundtrack of an experimental film, which nothing seems to be known about. Although Mireille thought that the track wasn’t supposed to be listened without the film, she eventually agreed to release it.

Mireille had a peculiar love for the Vox Populi! track called ‘Koro Wild’ and insisted that it would be played at her funeral. It proved to be a strong experience, felt by all friends and members of the family attending the ceremony.
‘Koro Wild’ was recorded over a long period, 1994 to 2007, in France, Japan and Burkina Faso. All field recordings and instruments done and played by Axel Kyrou. First released on taâlem.” (taken from Axel Kyrou’s note)


Yan Jun – Feedback (CD & digital, Yan Jun / ORAL_records)

“this is one of the first works i created in my new studio in beijing.
actually my first studio in beijing.
i enjoy to stay in the room without doing anything. except some cups of tea.
i let the feedback went on. without any of my manual manipulation.
when i started with this set up back to 2007, i’d rather play it, move it, discover its possibility. nowadays i have “feedback solo” performance that i move my body instead of the instrument. in this recording neither the body of mine nor the instrument.
thanx eric mattson! thanx taku unami!

这是我在北京的新工作室做的第一批作品之一。
这是我在北京的第一个工作室。
我很享受待在这个屋子里,什么都不干,可能喝几杯茶。
我让反馈自己进行。没有做任何的干涉。
2007年开始用这套设置的时候,我演奏它、移动它、探索它的可能性。现在,我有时候会表演“反馈独奏”,我移动自己的身体,不碰设备。在这个录音里,既没有动自己的身体,也没有碰乐器。
感谢eric mattson!感谢宇波拓!” (note taken from Yan Jun’s page)


Vo Ezn – Mo​.​ar (digital, self-released)

Georgia starts to be well-known for its techno scene but Mika Motskobili aka Vo Ezn is part of a more radical concept : she experiments with sound. Mo.ar is a extract of a live performed at Heart of Noise Festival, TRAMatic ride in Innsbruck, Austria. Her musical approach reminds of musique concrète, repetitive electronic minimalism and early noise music. (cdrk)


Phubber – Phun (digital, FunctionLab)

Phubber is a young Chinese electronic music artist who studied conputer graphics in Japan – a universe that can be reflected in his often dystopian ambient and electronica : science-fiction universes and Chinese music influences that sometimes reminds me of Zaliva-D‘s work but more gentle.


Grave Blankets/Gamnad737 – Split Tape (cassette, digital, Tenzenmen)

Split release including one collaboration between Thai noise wall artist Gamnad737 and drone-noise-punk (or something like this) project Grave Blankets. Nice mix of ambient, harsh noise wall and psychedelic-noise-punk with a touch of post rock at some point. (cdrk)


Rey Sapienz – Mushoro (cassette, digital, Hakuna Kulala)

“Hailing from the Nord Kivu, Democratic Republic of Congo, exiled Kampala based producer Rey Sapienz new 6 track ep continues to explore his unique style of weirdly abstracted soukous and kalindula. Fitting into a trajectory of Congolese artists who were fascinated by the possibilities of progressive electronic music of their time such as Denis Mpunga and Zazou Bikaye.

Rey breaks down traditional Congolese pop music into its constituent elements of dramatic vocals, fluid bass chords and dark and slowed down Soukous Synth melodies.” (Hakuna Kulala)


Liew Niyomkarn – The Secret of Mountains and Tropical Fruits (CD & digital, self-released)

“Inspired by a novel, The classic of mountains and the sea. The secret of mountains and tropical fruits conjures an image of a warm-cool landscape and airy atmosphere that can drive us somewhere.” (Liew Niyomkarn)

Liew presents here a softer variation of her music than makes you travel between ambient, electronica and new age. Dreamy atmosphere, electronic glitch and melodies that reminds the listener of water, khaen (a Northern Thai and Lao mouth organ), cicadas and so on. (cdrk)


Wukir Suryadi – Industrial Mutant 01 Indiestrial Mutant live concert at Semeru Alt Space (digital, self-released)

Wukir Suryadi, one half of infamous Indonesian duo Senyawa has been involved in the improvised music, noise and experimental scene for more than a decade now, inventing and building new instruments, he then creates a form of improvised music that blends distorted sounds with classical Indonesian music influences and repetitive sequences that now and then remind of doom and industrial music. (cdrk)


Wukir Suryadi – Nginguk (digital, self-released)

Second live concert release for Wukir, this time perhaps a bit more in the field of ambient rock and drone with some parts that clearly remind of Senyawa. (cdrk)


Gabber Modus Operandi – HOXXXYA (digital, SVBKVLT)

Indonesia’s Gabber Modus Operandi comes back with a powerful hardcore techno album on Shanghai-based label SVBKVLT. The release includes strong influences of happy hardcore, dangdut koplo (a variation of dangdut music that emerge in the 1990s), gamelan and rave music, each track track presents its own variation of the genre, from more melodic pieces to pure fast beat oriented hardcore techno. (cdrk)

“For this album, we owe a lot to the metal/noise scene and to the small rapidly growing rave crew in Denpasar, while at the same time a ton of influence strongly came from all the sounds blasting out from our banjar (neighborhood) community, the loudest spirits of Dangdut Koplo and Indonesian happy hardcore, to gamelan sounds and everything in between.” (Gabber Modus Operandi)


Various artists – Noise À Noise 2019​.​2 (digital, Noise À Noise)

This is the second compilation published by Iranian label Noise À Noise run by experimental musician and organiser Soheil Soheili.
Twenty carefully selected tracks, mostly composed by Iranian artists Abtin Gholampour, Owrang ft. Ghodsea, Aruman, Yellow Cream, Xerxes The Dark, XSIX, but also German-Taiwanese duo Stampf! who recently toured the country and did this Music for bycicles project, Leonie Roessler, C-drík, etc.
Glitch, dark ambient, electronica, electroacoustic, field recordings, techno and more. (cdrk)


Omar Fadel Hadi – The Destiny (digital, self-released)

Four new tracks by Iraqi artist Omar Fadel Hadi : new age, ambient with a pinch of traditional Iraqi music influence. (cdrk)


Goh Lee Kwang – Operator (digital, self-released)

Due to his more than prolific, it is hard to review all Lee Kwang’s release but also hard to not at least present one or two now and then.
Operator is a noise-glitch 45 minutes piece, one of his numerous sound experiments published this month. (cdrk)


Mukta-feen – رحلة الضوء الأزرق – the Journey of the Blue Light (digital, self-released)

Palestinian artist Mukta-feen composes political ambient music that incorporates a lot of noises, field recordings, some electronics and voices.
According to Ahmad Zaghmouri, this work is a multi-layered philosophical installation exhibition. (cdrk)

 

Advertisements

New releases (June 2019)

Yikii – Flower’s Grave・花之墓 (digital, Genome 6.66Mbp)

Japanese project Yikii presents an album that includes elements of distorted techno dark ambient and above all horror film sound track, like a fairytale gone wrong. (cdrk)


KMRU – OT (digital, self-released)

Joseph Kamaru aka KMRU is a field recordist and ambient artist from Nairobi, Kenya. OT is a three-track release based on a same theme that include ambient strings, field recordings and minimalistic glitch and melodies. (cdrk)


Kenji Kihara – Dawn (CDr & digital, eilean rec.)

“Kenji Kihara is a Japanese musician based in Hayama, in Japan, a place surrounded by nature near to the sea and mountains.”
His electronic and ambient works are truly inspired by the sound of nature. His music oscillates between ambient and new age. (cdrk)


Aken’s Sleep – Beauty in Decay (digital, self-released)

Ambient guitar composition by two Egyptian composers : Ali Soliman & Mohammed Ashraf (aka Pie Are Squared), melancholic drones, subtle distortion, and a tiny touch of techno by the end of the release. (cdrk)


Edwin Lo – Field Recordings Archive: The Days in Queen Pier (digital, self-released)

“The recordings speak for themselves on the construction of Central–Wan Chai Bypass.” (In Hong Kong)


維度本身的結構 – Zukunft (digital, Shanshui)

維度本身的結構 one of the monikers of Chinese musician Sun Dawei aka Sulumi. Known for his techno and breakcore projects, Sun Dawei introduces us to a more intimate atmosphere : ambient guitar and electronics. (cdrk)


Don Zilla – From the Cave to the World (digital, Hakuna Kulala)

Two drastically different pieces by Kampala’s composer Don Zilla. The first track explores a dark side of Ugandan bass music, the second one is a twelve-minutes dark ambient piece that sounds like a soundtrack made in a submarine. (cdrk)


Jeritan – Chaos EP (digital, self-released)

Indonesian solo project Jeritan introduces us to a world of harsh noise, glitch and epileptic micro-loops. (cdrk)


Various artists – in his knotty ears, the donkey’s bells would jangle (cassette & digital, AqTushetii)

“in his knotty ears, the donkey’s bells would jangle’ is a selection of music either performed live, bootlegged, composed, or partly developed at AqTushetii artist residency & festival, summer 2018. Mirroring the diversity of the residents that took part, this compilation is an eclectic mix of genres and styles — musique concrete, computer music, Ashiq music, Circassian folk, post-industrial, modular synthesis, electro-acoustic music, tape collage, noise, drone, ambient, audiobook — from different parts of the world: Georgia, Sweden, Australia, Switzerland, North Caucasus, USA, UK.”
Georgian artists include Mess_montage, Vo Ezn, VAZHMARR, TeTe Noise, etc.


Various artists – place : georgia (digital, place)

“place : is country specific – electronic music compilations where the proceeds are donated to local human rights groups. Highlight the local producers, and bring awareness to the social causes that are important to the creative community there.
In May 2018, Georgian police raided multiple popular clubs in Tbilisi, using excessive force against workers and guests. The officially stated reason for the raid is due to recent drug-related deaths and accusations of drug trafficking.
Proceeds from this release will be donated to the Georgian organisation Human Rights Education and Monitoring Center (EMC).
The compilation includes a lot of Georgian artists from the local electronic music scene, mostly techno and ambient : Hanker, Benvol, Natalie Beridze, etc.
More information about the protest that happened in Tbilisi following this link The first protest expressed through massive rave to electronic music in Tbilisi (Georgian Journal).


Theo Nugraha & Tesla Manaf – Sikap Eksploratif (digital, Noise Bombing)

“This composition uses an improvised practice approach. Each artist responds to the sounds that are present and explores the possibilities.”
Sound collage influenced by Indonesian popular music, electroacoustic, free improv, noise, tape experimentation, electronics and film samples. (cdrk)


Dharma – Electric Animism (cassette & digital, self-released)

Dharma, member of famous Singaporean band The Observatory, is a brilliant guitar player, his new release composed with electric guitar, effects and objects i a powerful adventure into drone, free improvised and industrial music. (cdrk)


TENGGER – Spiritual 2 (CD, vinyl & digital, Beyond Beyond is Beyond)

“TENGGER is a traveling musical family, made up of Pan-Asian couple, itta and Marqido, who create their brand of psychedelic New-Age drone magic through the use of harmonium, voice, and toy instruments (played by itta) and analogue synths (played by Marqido). The duo originally started out with the moniker “10” but since the birth of their son RAAI (who joins them on tour and often on stage) in 2012, have called themselves TENGGER (meaning ‘unlimited expanse of sky’ in Mongolian) to mark the expansion of the family. It also means ‘huge sea’ in Hungarian.”
This new album is probably their most ambient and psychedelic release.


Various artists – Peninsula Volume 1 (digital, Liquid Frequency)

Liquid Frequency is an Indian label known for its psy trance releases but this time Yidam selected ten artists and duos who play ambient and new age music, among them, drill┼mallo, Subhas Mazumdar, Shivacult, and Coma Conscience. Field recordings, minimalistic atmospheres, drones, electronica, a lot of relaxing music. (cdrk)


Yan Jun – Plays John Cage (cassette, digital, foreign lands)

“Yan Jun is a musician and poet, based in Beijing. His work involves performative music, experimental composition, field recording, improvised music, experimental electronic music and relative presentation of exhibition.
He uses non-musical materials such as the body, blankness, in-situ conditions and everyday noise.
In further, he experiments on structure and concept of music.”


Koeosaeme – OBANIKESHI (vinyl, digital, Orange Milk Records)

Yoshizawa Ryu “Koeosaeme”‘s album is a very nice and diverse composition between collage and modern electroacoustic music that blends violin, sound design, glitch, deconstructed electronic beats and the likes. (cdrk)


aragorn23 – Desert Meditation Drone (digital, self-released)

South African artist aragorn23 aka Asqus composes generative music with modular synthesiser. Desert Meditation Drone is a 23 minutes long ambient piece. (cdrk)


Omar Fadel Hadi – The Room (digital, self-released)

Four compositions by Iraqi musician Omar Fadel Hadi. Mostly ambient, with a touch of post rock for the third track Minimal. (cdrk)


Farouk Adil – Continuum (digital, self-released)

Farouk Adil is an very prolific musician from Iraq who mostly works in the field of ambient music, sometimes techno or electronica and organises small events in Baghdad.
Continuum is a collection of field recordings, a project from The Institution Of Fine Art in Baghdad. (cdrk)


Hüma Utku – Gnosis (vinyl & digital, Karlrecords)

Turkish musician Hüma Utku aka R.A.N. just published her second vinyl on Berlin-based label Karlrecords. Far away from her electronica composition, she now composes hypnotic and ritualistic beats and dark ambient. (cdrk)


Izumi Kawasaki – Moromi (cassette & digital, Gerpfast Record)

Izumi Kawasaki is a Japanese multidisciplinary artist active since the 1990s whose noise career started in 2018. Moromi is her first album. Expect harsh noise and syncopated distorted loops. (cdrk)


Rắn Cạp Đuôi Collective – Degradation (digital, Flaming Pines)

Composed and produced by Zach, with instrumentation by Lam Lam, voice by Lý Trang and Harvey Stauss and engineering by Đỗ Tấn Sĩ, the international project Rắn Cạp Đuôi Collective, based in Ho Chi Minh takes a more abstract direction than their previous album Libyan Circle Voice Simulation. Glitch, ambient, heavy basses. (cdrk)

New releases

 


Forests 森林 – Idol Collapse (vinyl, cassette, Lonely God)

“Left Hand Path presents the second full-length LP, IDOL COLLAPSE, from Forests 森林. Written by Jon Du, Kuo-Hung Tseng, and Zun Long in Taipei, Taiwan. Eight songs in 36 minutes that unfurl like a flower and expand like a mushroom cloud, designed for utter osmosis and total absorption. The helix twists; the loop is closed. The cycle begins anew”

For fan of old school industrial (metal percussions, electronics, guitar, bass, voice) with a tiny SPK and Last Dominion Lost influence, especially on the great track Non-marginal. I release not to be missed !

“Left Hand Path 推出「Forests 森林」第二張黑膠專輯「IDOL COLLAPSE」,收錄Jon Du、國宏及尊龍共同創作,總長 36 分鐘的八首曲目。想像凝視著一朵正在綻放的花,在你回神意識到時已開展成鋪天蓋地的蘑菇雲,這是張有意識地滲透聽者每一絲神經的專輯,既是捻捆的雙螺旋、閉鎖的迴圈,又在每次輪迴產出新聲。”


Pupa – Lies (cassette & digital, Ujikaji Records)

“PUPA is a cooperative of two: Jun and Zeek, names to place in action bubbles in a hypnagogic, homoerotic episode of Batman (and his Boy Wonder) starring Adam West; boys with their toys electronic, ringing the body electric.

The music on Lies has a fuzzy temporality, conjuring an electronica that could have come from 1998 as it could 2018. But if ’90s electronica – growing alongside the early days of the  internet – was a dream of the future rife with utopian possibilities, the music in Lies seems instead to commemorate a laundry list of unrealised dreams. In sound and mood, Pupa are fellow travellers with artists like Boards of Canada, The Caretaker and William Basinski. Lies moves at a ponderous pace, as if surveying the wreckage of time caused by everything that has prevented the promised technological utopia. Tape loops underscore the passing of time as uncluttered elements build with the subtlest of shifts. Tape loops re-released on tape, the Basinsking of the Titanic, repeat a lie enough times and it becomes…”


Xiang – Gateway 出入口 (digital, self-released & Prajnasonic/Atmos)

Chinese composer Xiang presents five minimalistic compositions made of vocal samples, field recordings taken in various locations in France and China, and analogue synthesizer (performed by John Richards and Max Wainwright). The result is a very beautiful cinematic composition that flirts with dark ambient (without the usual clichés), noise drones and industrial music (without current the distorted techno beats trend).


Teenage Granny – Glossolalia (The Harsh Sounds of the Internet)  (cassette & digital, Gerpfast Record)

Filipino electronic artist Teenage Granny got a physical release of her Glossolalia album previously published on her Bandcamp page,
“Glossolalia (The Harsh Sounds of the Internet) is a collection of raw sounds of random Internet data (html files, photos, text, etc). These contents have been converted, translated, and databended into audio using a variety of programs. The result is harsh and defining of our online culture and consumption. The piece shows, however, that with noise coexists sound, in which we may form our own meanings, which in turn form the rhythm of our lives. We struggle to hear through this raucous nebula but through critical subtraction and selection, our plights and intentions will be heard, whether we are speaking for ourselves, or for those without a voice. ”


Das torpedoes / Torturing nurse – Split (lathe cut & digital, foreign lands)

US project Das torpedoes, relocated in Shanghai if I understood well presents a drony, ambient, industrial piece, while Torturing Nurse presents his usual powerful harsh noise.


若潭 ruò tán – Live at L’homme Sauvage (CDr, WV Sorcerer Productions)

Chinese project 若潭 ruò tán recorded live at L’homme Sauvage Festival in France in September 2018, one long take (45 minutes) of ritual industrial, noise and dark ambient music.


Pisitakun – SOSLEEP (cassette & digital, Chinabot)

“Created shortly after the death of his father to cancer, Thai artist Pisitakun has combined traditional mourning instruments with harsh noise and techno beats, wrapping them around intimate recordings of the hospital machinery keeping his father alive during his final days.

The result is SOSLEEP, a meditation on the raw, messy chaos of grief. Opening with the sound of a Buddhist monk’s funeral chants, the record’s BMP is led by real recordings of his father heartbeat, turned into electronic blips by the hospital pulse gauge.


Eartaker – Harmonics (vinyl & digital, Bedouin Records)

Japanese trio Eartaker (Goth Trad, Die Suck, Masayuki Imanishi) presents a mixture of dark industrial electronic and doom music. Few parts of the release remind me a bit of Ichiro Tsuji’s project : Dissecting Table blended with a voice closer to the one of Rully Shabara (Senyawa). Their music unique and fantastic mixture doesn’t come as a surprise, knowing that Goth Trad has collaborated with Boris and is part of the dub and drum n bass duo Rebel Familia


Lafidki – Derichan (cassette & digital, Chinabot)

“Saphy Vong was born to Cambodian parents in a Thai refugee camp. He has lived in cities across Europe and Asia, from Paris to Phnom Penh to Riga. These experiences have seeped into his music – a vivid, high energy collision of synths, samples and off-kilter polyrhythms”
“I wanted to give a voice to ethnic minorities, indigenous people, environmental activists who’ve been killed or jailed in Cambodia. I used samples from field recordings of Cambodian tribes, made in 2015 with the help of ethnomusicologist Julien Hairon.”

The interesting result is an electronic music album that navigates between ambient, electronica and traditional music samples.


v.a. – Pop Hits Bootleg Chiptune Compilation (1984​-​2008) (digital, Indochip)

An Indonesian chiptune compilation that include covers of popular hits such as Boys don’t cry (The Cure), Creep (Radiohead), Song 2 (Blur), etc. – Yes, Indonesia, apart of hosting one of the biggest grindcore, punk or noise scene in the whole Asia also hosts a very important chiptune scene, check it out ! Featuring : Astrojo, Chips4breakfast deat. Givana, Giffari Rifki, Gyld, Little Sound Orchestra, Lonely Tunes, Luglio, Patrick Electric, Remedmatika, Shakaboyd.


33EMYBW – Golem (digital, SVBKVLT)

Sinotronic ? 33EMYBW is a member of Chinese duo Duck Fight Goose, her electronic music incorporates a lot of Chinese music elements (but no world music stereotypes !), she is part of a new generation of Chinese composers who managed to blend modern and very dynamic, rhythmical electronic music and an original Chinese influx, such as Zaliva-D, among many others.

You can also watch a video clip made by Fang Yang on Youtube.


Safira Anjani & ɟɐɥɯı ɯnɹsʎıp – Illusion (digital, self-released)

Fahmi Mursyid is a very prolific artist from Indonesia who often collaborates with other musicians, this time pianist and singer Safira Anjani. The three tracks presented in this release bring the listener to an ambient, almost eerie universe, nevertheless delicate and beautiful. You can read more about Fahmi’s work in this article : Eerie, amazing sounds from tape loops, patches – like whales in space by Peter Kirn.


Necromishka – The space between us (CD, digital, self-released)

Necromishka is an Israeli duo that operates in the field of ambient, drone and (noisy) dark folk. Expect blurry atmospheres, distorted instruments and melancholic melodies.


Miteai Narico / Synthmolación – If there was a light, it was gone (digital, No Records)

Japanese artist Miteai Narico composes ambient and drone loops that remind me of Japanese musician Aube, Synthmolación, from Paraguay plays straight in the face noise music.