New releases – April 2020 (1)

Koko Uno – Beyinde Raks (1999 – 2009) (cassette & digital, Sitdownandance)

Koko Uno is a Turkish projects that operates in the field of electronica and other forms of danceable music, there is some kind of retro touch that reminds me of various projects such as Felix Kubin or Boards of Canada for example. This is a compilation of tracks recorded between 1999 and 2009, hence the old school vibe I suppose. [cdrk]


Edwin Lo – PALE FIRE (digital, self-released)

PALE FIRE is a two hours twelve minutes twelve seconds ambient and drone music piece made of stretched voices and other sounds by Hongkongese artist Edwin Lo. [cdrk]


Zhoobin Askarieh and Ali Sasha – Beyond Tribes (digital, Noise À Noise)

Zhoobin Askarieh is an instructor and player of native woodwind instruments and the founder-member of Pildam, a digeridoo  project from Tehran. Ali Kafashan a.k.a Ali Sasha, is a composer, arranger and dj. The Iranian duo presents two long improvised music pieces for electronics, effects and didgeridoo without falling in the cheesy or new age music trap.  [cdrk]


v.a. – Noise a Noise 20​.​1 (digital, Noise À Noise)

Iranian label Noise À Noise started to publish a series of compilations last year, here is the first one of the year 2020. As the previous ones, it mostly includes Iranian artists in the field of ambient, dark ambient, drone, electroacoustic music but also a few foreigners from Turkey and Italy. Known and less known names from the scene such as Hadi Bastani, Sohrab Motabar, Alireza Amirhajebi, Başar Ünder, Ali Taram, etc.
It includes a nice and united collection of composition, this time less eclectic, more dedicated to some specific genres than some of the previous volumes. [cdrk]


Ritesh Maharjan – resonance of empty head (digital, the nois society)

Ritesh Maharjan is a prolific musician from Kathmandu, Nepal, who explores noise music, distortion and feedback often with local folk music influences and percussiosn, that sometimes results in lo-fi industrial music pieces. [cdrk]


Takashi Masubuhi and Straytone – 2527 (digital, Zoomin’ Night)

“Takashi Masubuchi (acoustic guitar) and Staytone (modular synthesizer) are musicians based in Tokyo. Both of them are new generation involvers in post onkyo Japanese improvisation music scene, active in Ftarri, Otooto, Permian and other small, quiet, warm spaces. Takashi Masubuchi is also (one of) Permian’s runner, which is specially focus on free improvisation music. This duo has deep collboration for many years. 2527 are some selections from their 2018 recordings in Permian.” [Zoomin’ Night]


BEEATSZ v2.0999f – High Civilisation (cassette, digital, Brain Pussyfication)

Utku Tavil aka BEEATSZ v2.0999f (and other monikers) : no-input mixer circuits controlled with acoustic drums set enhanced with computer effects, voice, screams. Somehow close to noisegrind and noisecore, Utku developes his own style of distorted and fast music genre. [cdrk]


Normal Brain – Lady Maid (CD, cassette, vinyl, digital, WRWTFWW Records)

“Entirely imagined and brought to life by an inspired Yukio Fujimoto, the 6-track opus was conceived with a Korg MS-20, a Korg SQ-10, a Boss Dr. Rhythm DR-55, and…a Texas Instruments Speak & Spell! It’s elegantly minimalist, honest and witty, very playful, cleverly pop, and downright fascinating. The a-side captures the fun side of avant-garde electronica, lo-fi wave, proto-glitch, and IDM, a joyful ride beautifully interrupted by the cinematic mood switch of the b-side – a 20 minute ambient piece flirting with sci-fi, melancholy, and hints of metallic darkness.” [WRWTFWW Records]


Goh Lee Kwang – Clone37 (digital, self-released)

Malaysian composer and improviser Goh Lee Kwang publishes music on an almost daily basis. This 50 minutes composition seems pretty inspired by electronic music and contemporary classical music from the 1960s and 1970s. Very minimalistic, somehow repetitive but not entirely, rough  and melodic at the same time. [cdrk]


Darkness Of Rama – SĮeipnirr (digital, self-released)

One 22 minutes long dark psychedelic music from Singapore. [cdrk]


Jessop&Co. – Aluminium Teeth Supplements (digital, self-released)

Jessop&Co. is a duo from India that composes electronica, electroacoustic and experimental music, their new piece is a minimalistic 18 minutes track clearly inspired by academic electroacoustic music, highly recommended ! [cdrk]


Cedrik Fermont – Recordings for quarantined people and those flying to Mars (digital, Syrphe)

If you find yourself locked in a small space, whether it is because of a quarantine, or you have been jailed or you are sick and cannot move or you travel in the vacuum of space towards Mars or else, you will most likely miss the sounds of nature). [cdrk]


Azu Tiwaline – Draw Me A Silence Part. I (vinyl & digital, I.O.T Records)

Azu Tiwaline comes from the south of Tunisia, she blends electronic music with a pinch of techno and dub with Berber music and rhythms. [cdrk]


Impermanence – Melancholy of the Silent Apparition (digital, self-released)

Very hypnotic dark static drones from Thailand. [cdrk]


VAVABOND, Uneasy Chairs – VAVABOND•Uneasy Chairs (digital, self released)

Chinese electronic glitch music composer and US guitarist Uneasy Chairs remotely composed those four tracks that sometimes remind of a rougher version of Mind Fiber (VAVABOND and Li Jianhong) sometimes close to noise music with the exception of the last track that has a clear folk influence tinged with glitches and tiny noises. [cdrk]


Omar Fadel Hadi – Stillness (digital, self released)

Iraqi ambient music composer Omar Fadel Hadi is back with a new quiet piece made of dreamy drones and recordings of singing birds. [cdrk]


v.a. – HKH Cryosphere (digital, Chinabot)

“Chinabot will release their third annual compilation and 20th release, a 10-track compilation featuring contributions from countries that link the 10 major rivers to the water tower of Asia. The Hindu Kush Himalayas (HKH) encompasses an area of mountains in the eight countries of Afghanistan, Bangladesh, Bhutan, China, India, Myanmar, Nepal, and Pakistan.”

The music ranges from harsh noise (the noise society, from Nepal) to electronica (Ayankoko, from France/Laos) to spooky experimental music with spoken words (Yeshi Dem, Deki Wangmo and Amanda Terry, from Bhutan and Australia), dark ambient (Tavishi, from India, who used sounds generated from the satellite data on the rate of melting of the Hindu Kush Himalayan glacier since the 1970s to make her composition হিন্ডুকুশ আগুনে জ্বলছে (Hindu Kush is on fire)), psychedelic electronic influenced by Hindustani music (Ose | ओस, from India), and more by Laughing Ears (China), Li Yilei (China), Oblique (India), Ly Trang (Vietnam), Ramsha (Pakistan) and worth to notice it, the compilation’s gender ratio is about 50/50.

 

New releases – December 2019 (1)

v.a. – VV​-​VA​-​00 (CD & digital, VV​-​VA​/٧٨-٧٧)

VV​-​VA​-​00 is the first release of VV-VA, a new Lebanese label run by Jawad Nawfal aka Munma, also known for his duo Tasjiil Moujahed. This collaboration includes a lot of his collaborations and collaborators, all based in Beirut : Mazen El Sayed (El Rass), Elyse Tabet (_Litter), Sharif Sehnaoui, Jad Atoui and Charbel Haber (Scrambled Eggs). Despite the sometimes very different scenes some of the musicians come from (from hip hop to free improv), the compilation maintains a very good unity, the tracks are for most ambient and electronica, many are instrumental, some include voices. (cdrk)


Serata Keiji – Ambiguous boundaries (digital, AMART)

Very peaceful and relaxing drone and ambient album with a pinch of field recordings ba Japanese composer Serata Keiji. (cdrk)


Normal Brain- Lady Maid (CD, cassette, vinyl, digital, WRWTFWW Records)

“Originally released in 1981 as a limited vinyl pressing of 300 copies on Agi Yuzuru’s fabled experimental label Vanity Records (R.N.A. Organism, Dada, Sympathy Nervous, Tolerance…), Lady Maid is a testament to the creativity of the early 80s’ Japanese electronic and experimental scene, encapsulating a prolific era when audio gear became affordable for musicians to explore sounds in the comfort of their home, free from studio time pressure and major label rules.” (from the labels’ page)


Miftah Bravenda – It’s Alright EP (digital, self-released)

New EP for Tangerang (a town at the outskirt of Jakarta) based Miftah Bravenda. From post-rock to electronic pop music. (cdrk)


Mise_En_Scene – -O​-​R​-​G​-​A​-​N-  (cassette & digital, Crónica)

Mise_En_Scene is an Israeli solo project active for more than a decade.
-O​-​R​-​G​-​A​-​N- is a very minimalistic meditative drone album, except for the fifth track, remixed by sound artist Adam Basanta who provides a glitch/electronica piece. (cdrk)


Sankara Future Dub Resurgence – Drawing On Ancestral Knowledge (digital, Indigenous Resistance)

Excellent industrial dub made in Uganda and the UK. The release includes four heavy bass and distorted dub tracks with political lyrics, recorded in Kampala.
Sankara Future Dub Resurgence is a trio made of Ras Isaacs (percussions), Ras Charles (dj), Kabaka labartin Klacity (vocals) featuring Indonesian guest vocalist Nina and Dhangsha aka Dr Das, Churulian (Asian Dub Foundation) (noisy electronics).
You can watch their video on Vimeo. (cdrk)


Pengboon Don – I play Alone (digital, self-released)

Pengboon Don is one of the few free improvisers in Thailand. This new release contains one improvised piece for guitar, effects and field recordings. (cdrk)


Xu Shaoyang, Fiona Lee, Livia Garcia – live at cafe oto (digital, self-released)

This live recording is a mix of jazz piano and field recordings made in Honk Kong by Fiona Lee during the demonstrations happening in 2019, a field recording collage that you can hear here. (cdrk)


Fiona Lee – Hong Kong 9 June to 12 Sep 2019 (digital, self-released)

“This track is the field recordings on the protest to No Extradition Law in Hong Kong, from 9June 2019 to 12 Sep 2019.
From the first day till now, we Hong Kong people step out to fight for our right and freedom.
This track is including around 7 days recordings during the protest.” (Fiona Lee)


4lienetic – Abstract (digital, self-released)

4lienetic is a solo project based in Mumbai, India. This new album contains six ambient tracks, mostly electronic but here and there with post-rock or classical music influences, that remind of a film score. (cdrk)


DETHOMEGA – sub singularity (digital, Acid Distribution)

Filipino electronic music composer Dethomega is back with a new album that mixes plunderphonics, ambient, post-industrial, noise electronics that reminds of some music productions from the late 1990s. (cdrk)


madamdata – 3f requiem (digital, self-released)

One long onkyokei track by Singaporean artist madamdata : filtered minimalistic high pitch tones (feedback ?). (cdrk)


Fahmi M. – Climate Change (digital, self-released)

Hyper active Indonesian composer Fahmi M. provides us here some electroacoustic tracks made with modular synth. (cdrk)


BRRR. – Gendam Sukma (part1) (digital, self-released)

BRRR. is Mahamboro, a musician from Jogjakarta, Indonesia. This one track release is inspired by Javanase culture (no gamelan in here !) and rhythmical industrial music. (cdrk)


Arcade Ghoul – Heart of a Statue (digital, self-released)

Hailing from Istanbul, Turkey, Arcade Ghoul released a ten tracks album that oscillates between post-industrial, distorted electronics, rhythmic industrial and lo-fi ambient ballads. (cdrk)


Torturing Nurse / Bobryk – Vutuv / Why (cassette & digital, ЩЫЛ)

Split between Chinese harsh noise performer Torturing Nurse and Ukrainian noise artist Bobryk. (cdrk)


Reza Solatipour – The Gate (cassette, CDr & digital, Eighth Tower Records)

Reza Solatipour is an Iranian dark ambient artist. This new album contains ten dark and cinematic tracks that include many traditional ingredients of the genre : whispering, drones, reverberated choirs, tribal rhythm deeply buried in the background, dark melodies, and so on. (cdrk)


Ecko Bazz – Kyusa Embela (digital, Hakuna Kulala)

Great hip hop made in Kampala, Uganda, Ecko Bazz teams up with UK music producer pq to deliver three dark, distorted and heavy tracks between bass music and industrial hip hop. (cdrk)


Hoshiko Yamane & Mikael Lind – Spaces In Between (CD & digital, Time Released Sound & Time Sensitive Materials)

“Hoshiko Yamane is a classically trained violinist, and a current member of the legendary band Tangerine Dream. She’s also an accomplished composer, and whether releasing and playing under her own name, or as Tukico, her unique sound often features looped strings together with Moog synths and effects.

Mikael Lind has released several albums of experimental ambiances, often drifting between either more classical Warp style electronica, or a modern classically oriented sound. Early this year, Hoshiko and Mikael decided to try to compose two tracks together, mostly out of curiosity. Thrilled by the outcome of the first two songs, they ended up finishing this entire album!” (from the label’s page)


Miki Yui – wigawiga​/​wigawigawiga (casette & digital, Hasana Editions)

“Based in Germany for the last two decades, Japan-born Miki Yui’s music is relatively small in scale but exceptionally rich in texture. She is known for her peculiar minimalistic and organic approach towards sound, balancing a delicate tiny hiss to a distant hum, quirky electronic clicks and field recordings, and sculpted it into unhurried pieces of composition with suspense and narrative tension. wigawiga/wigawigawiga was recorded live earlier this year in her Düsseldorf studio, and is a manifestation of the memory of lived events. An ever-flowing streams, constantly rise and recede, reveal then erase its own traces, fading after having appeared or being awakened, crafting a poem of abstract landscapes.” (from the label’s page)


Das B – Canopy (CD & digital, ТОПОТ)

Das B is an international project founded in 2015 in Berlin and including Lebanese free improv musician Mazen Kerbaj (trumpet), German improviser Magda Mayas (piano), Australian improvisers Mike Majkowski (double bass) and Tony Buck (percussion) well known for playing with The Necks. Excellent team for an excellent result, a perfectly crafted free improv live recording at the Konfrontationen festival in Austria.

New releases – November 2019

v.a. – pɹnsqɐ (digital, Absurd TRAX)

pɹnsqɐ is a compilation of remixes of previous releases of Kelvin T, ASJ, ANNA and Alexmalism published on Hong Kongese label Absurd TRAX.
The tracks mostly cover the local bass and club music genre that is developing in Hong Kong and China for many years now : beat-oriented music with a certain amount of traditional music influences. (cdrk)


Mario Swagga and DJ Silila – Mapenzi Digital (Digital Love) (vinyl & digital, Signrecords)

If you like super fast beats, this one may be for you. Mario Swagga and DJ Silila play singeli music, an electronic music genre coming from Tanzania and influenced by taarab music that sounds more like taarab on speed than anything else. It’s party music, the voice is loud, the rhythm goes up to 180bpm or more. You can get the vinyl through the label here. (cdrk)


33EMYBW – Arthropods (digital, SVBKVLT)

Based in Shanghai, 33EMYBW plays electronic music above all based on rhythms, syncopated samples, she is part of a new generation of Chinese electronic musician who develop an form of local alternative club music such as Zaliva-D, Gooooose, or Mun Sing, grabbing various influences from traditional Chinese music to ryhmical industrial,  bass music, distorted techno and, for some, breakcore.
The album includes one track featuring noise musician and free improviser Li Jianhong and remixes done by Ugandan electronic artist Don Zilla and Uruguayan electronic musician and dj Lechuga Zafiro.


Tusuk Lubang Telinga – Akan Tiba Waktunya Keruntuhan Tata Surya Dan Kumpulan Objek Benda Langit Tidak Lagi Terikat Oleh Gaya Gravitasi. (E​.​P) (digital, self-released)

Just based on the title of Tusuk Lubang Telinga’s latest EP alone, Akan Tiba Waktunya Keruntuhan Tata Surya Dan Kumpulan Objek Benda Langit Tidak Lagi Terikat Oleh Gaya Gravitasi (the time will come when the solar system collapses and everything in the sky is no longer bound by gravity), we know that this EP will take us on an catastrophic journey through space. The solar system is dying and we are powerless.

Ketika Pluto Tidak Lagi Mengorbit Matahari Secara Langsung. (when pluto no longer orbits the sun), the EP’s first track establishes the apocalyptic mood and focuses our attention with a consistent wailing from the Pluto’s barren glacial atmosphere. We can’t quite tell what is happening yet, but it fills us with dread. The cold and unforgiving drones are juxtaposed with the haunted metallic clanging from abandoned satellites crashing into the arctic surface. This ominous soundscape signals the beginning of the end.

By the time the EP transitions to the second track Terbiusnya Bumi Oleh Vaksin Bajakan. (sedate the earth with pirated vaccines) we are greeted with screams for help in the form of harsh feedback and heavy distortion. The solar system is in full collapse. The stars are falling faster and faster. We can only sit back and watch from our vantage point on Earth. Being over medicated has made us comfortable, and nothing we do can stop this attack on everything we cherish. The sky is on fire, our eyes are burning. Grab your loved ones because we are not coming out of this alive. The falling stars come crashing to Earth, it has changed the landscape and threw all the plants out of sorts. We are doomed, but can not process how bad.

Terbentuknya Lahar Mars Menyerupai Kepala Manusia Bertanduk. (mars’ lava resembles a horned human head) is a track that calms us down after the previous heavy assault. However, our moment of peace is short lived. We realize we have reached the red planet, synonymous to hell. Here the buzz sawing drone cuts through the planet, a constant reminder there is no quarter given. In the distance the demonic Martians are constantly at work making ruckus in their torturous industrial factories. Voices wail out, looking for help in a place where there is none. The sawing continues and doesn’t stop. It is pulsing through our brains and begins speeding up. We look around and feel the anxiety brought upon by this nightmarish hellscape. Is this were we went after the end of everything? The floor is lava and we can’t move. Suddenly a horned head emerges, and saws our brains us into a million tiny pieces. We are enveloped with the sawing until we only see red

For the last track Nafl Untuk Bintang Dari pertarungan Mentari Dan Rembulan. (nafl [prayer] for the stars of the sun and moon battles) we emerge from the red and are witness to the final epic battle between our Sun and Moon. Whoever wins, we lose. At first we are instructed to say a prayer. The pulsating rhythms provide us an opportunity to reflect on our last human moments. This was a wild ride, we have seen the end of our solar system. The moon tries to eclipse the sun, but it is too powerful. The Sun engulfs the Moon like a mother welcoming her forgotten child. This sets a chain reaction, and enormous solar bursts begin to explode from the Sun’s surface. All at once there is a bright light and then darkness. It is completely silent, and that is it. (Sean Stellfox)


Dominowe – SiyaThakatha (vinyl & digital, GQOM OH!)

Gqom, a South African music genre more minimalistic than kwaito (really ?), darker but still groovy, Dominowe’s repetitive sequences pushes the listeners into trance (a real trance, not techno trance),  this release differs from a lot of qgom music I heard before, with a clear house touch in the Club Killer track and a pinch of dub in the track Umzabalazo (WE BROKEN). (cdrk)


Sabiwa – DaBa (vinyl & digital, Chinabot)

Sabiwa is an audio-visual artists from Taiwan now based in Berlin, her album’s dreamy atmospheres sometimes remind a bit of Psapp or CocoRosie sometimes but more tortured. You will find many influences in her composition from electronica to sound collage, looped vocals, electroacoustic processing, glitch, ambient and a touch of industrial in the track Enigma. (cdrk)


Daniel Slabosky – Five Minutes (vinyl & digital, Uganda)

“Second E.P. for Tel Aviv / Jerusalem based producer / singer songwriter Daniel Slabosky.
Five Minute delivers 5 euphoric, dark, alienated blend of traditional folkish song writing gently synthesized with some beats added that redefine the boundaries between indie rock and electronic club music.” (from the label’s page)


Maenad & the Ravers – SUNDOWN (CD & digital, self-released)

Formed in Hong Kong in 2017, Maenad and the Ravers is Cecilia, Ming and Wing. Their music is heavily influenced by 1980s new wave and post punk but with a touch of 21st century music here and there.
The album has been produced by Cecilia Nox (the singer and keyboardist) & Eric M.Y. Chan (aka e:ch, from Macao). (cdrk)


KMRU – Variations (Installation) (digital, self-released)

Variations (Installation) is made of field recordings and looped field recordings made in three different cities, and additional electronics . It is part of a three channel sound installation that has been exhibited at Abuja Art Week (Nigeria) in November 2019 and might be presented in March 2020 Nairobi. (cdrk)


gΔitφ – Volcano Jazz (digital, equnatrecord)

Japanese noise drummer Gaitoh sounding like someone drumming on top of an active volcano. (cdrk)


Ouwan Itaru – Breath&Blood (digital, equnatrecord)

If I’m not wrong, another incarnation of Gaitoh. Feedback, noise, growls, deconstructed drums, a lot of energy in here, a work that reminds me of some of Utku Tavil‘s performances. (cdrk)


Nyctalllz – Esion 2 : Dissolve (digital, Zāl Records)

Esion 2 : Dissolve is the second album of Iranian artist Nyctalllz (aka Xerxes The Dark, etc.), the album had previously been released on Amduscias Records in 2008 and has been re-mastered. The music is often more rough than what Morego does as Xerxes The Dark ; apart of dark ambient, some tracks go into noise and ambient industrial. (cdrk)


Ma – Ama (vinyl & digital, Morphine Records)

“MA comes from the rap and hip-hop Tokyo scene, but throughout the years he evolved into a more noisy and experimental beat making. He blends ritualistic ancient Japanese lyrics and vocal methods, on music that he creates using also his voice or field recordings. The result is alienating, weird and haunting but at the same time fascinating and futuristic. MA’s Beehayden is being remixed by Sugai Ken, another outstanding artist and performer from Japan. MA made his first short live performance at Dommune Tokyo in may 2019, revealing his craft and performative side.” (from the label’s page)


Yan Jun & Bani Haykal – Rats in the bright southern sky (vinyl & digital, where is the zeitgeist ?)

A collaboration between two improvisers and poets, Chinese musician Yan Jun (no-input feedback, contact mic) and Singaporean experimentalist Bani Haykal (text, voice, coding. Voice collage, feedback, loops and glitch, minimalist music in the style of Onkyokei. (cdrk)


Hexenoise / brokenchelust (Split)  – Hexenoise / brokenchelust (Split) (digital, self-released)

Two long noisy tracks.
Hexenoise is a power electronics project from Russia, brokenchelust is a death ambient, industrial and noise project from Azerbaijan, this time featuring Queenigar. (cdrk)


Contagious Orgasm – Maschinenfest comp tracks (cassette & digital, raubbau)

Japanese electronica and post-industrial band Contagious Orgasm just published six live tracks recorded between 2001 and 2018 at the defunct Maschinenfest, a festival that took place in the Western part of Germany during twenty years.
This album is part of a collection of live recordings made by artists during the Maschinenfest. (cdrk)


Omar Fadel Hadi – Vanishing Form (digital, self-released)

Omar Fadel Hadi is an Iraqi musician based in Baghdad whose music oscillates between ambient and techno, for this release he recorded two long pieces reminding of 1990s techno, pretty minimal, a bit ethereal and without any harsh compression, Omar definitely takes the opposing view of today’s ultra loud pop music world. (cdrk)


v.a. – Noise A Noise 19​.​3 (digital, Noise À Noise)

Noise À Noise is an Iranian label that just published its third compilation this year. Each one includes a majority of Iranian artists and some foreigners but this one seems to be more dedicated to Iranian artists.
This third volume presents 20 tracks by 20 composers such as Alireza Mirhajebi, Ghodsea, Mohamad Nikpour, Ali Sasha and Zhoobin Askarieh, Parham Izadyar, Owrang, etc.
Dark ambient, electroacoustic, electronica, eerie and experimental music. (cdrk)


v.a. – Anthology Of Persian Experimental Music (digital & CD, Unexplained Sounds Group)

This compilation was published three years ago in digital format only and is now pressed on CD ; the new digital version includes four more artists who are unfortunately not present on the CD.
Many of the artists are active for years in and ourtside Iran, such as Tehransmission, Umchunga, Nyctalllz, NUM, Spectro Duo, Bicolor, and so on.
The whole CD is more dedicated to dark ambient, electronica, and drone with various influences, from Western music to Persian melodies and even includes an oriental post-rock track by Ostanes. (cdrk)


v.a. – “shelTer” (digital, Müstesna Records)

shelTer is a compilation that includes 25 artists, a lot form Turkey but international ones too in the field of techno, electronica, electro, and other rhythmic electronic genres.
The compilation has been done in order to provide financial support for creating national and international awareness about the trans murders and trans suicides in Turkey (the country has the highest rate of murders of trans people in Europe, and the ninth in the world). The benefits will be donated to “Eylül Cansın Trans Guest House” which was founded by the Istanbul LGBTI Solidarity Association and named after Eylül Cansın, a transgender person who committed suicide January 2015.
Some of the musicians included on the compilation are Houschyar, Emnre Can Swim, Tolouse Low Trax, Anatolian Weapons, Salih Topuz, Neu Verboten, Mahmet Aslan, Mekine U Teksi, Venderstrooik, Osilator, etc. (cdrk)

New releases (June 2019)

Yikii – Flower’s Grave・花之墓 (digital, Genome 6.66Mbp)

Japanese project Yikii presents an album that includes elements of distorted techno dark ambient and above all horror film sound track, like a fairytale gone wrong. (cdrk)


KMRU – OT (digital, self-released)

Joseph Kamaru aka KMRU is a field recordist and ambient artist from Nairobi, Kenya. OT is a three-track release based on a same theme that include ambient strings, field recordings and minimalistic glitch and melodies. (cdrk)


Kenji Kihara – Dawn (CDr & digital, eilean rec.)

“Kenji Kihara is a Japanese musician based in Hayama, in Japan, a place surrounded by nature near to the sea and mountains.”
His electronic and ambient works are truly inspired by the sound of nature. His music oscillates between ambient and new age. (cdrk)


Aken’s Sleep – Beauty in Decay (digital, self-released)

Ambient guitar composition by two Egyptian composers : Ali Soliman & Mohammed Ashraf (aka Pie Are Squared), melancholic drones, subtle distortion, and a tiny touch of techno by the end of the release. (cdrk)


Edwin Lo – Field Recordings Archive: The Days in Queen Pier (digital, self-released)

“The recordings speak for themselves on the construction of Central–Wan Chai Bypass.” (In Hong Kong)


維度本身的結構 – Zukunft (digital, Shanshui)

維度本身的結構 one of the monikers of Chinese musician Sun Dawei aka Sulumi. Known for his techno and breakcore projects, Sun Dawei introduces us to a more intimate atmosphere : ambient guitar and electronics. (cdrk)


Don Zilla – From the Cave to the World (digital, Hakuna Kulala)

Two drastically different pieces by Kampala’s composer Don Zilla. The first track explores a dark side of Ugandan bass music, the second one is a twelve-minutes dark ambient piece that sounds like a soundtrack made in a submarine. (cdrk)


Jeritan – Chaos EP (digital, self-released)

Indonesian solo project Jeritan introduces us to a world of harsh noise, glitch and epileptic micro-loops. (cdrk)


Various artists – in his knotty ears, the donkey’s bells would jangle (cassette & digital, AqTushetii)

“in his knotty ears, the donkey’s bells would jangle’ is a selection of music either performed live, bootlegged, composed, or partly developed at AqTushetii artist residency & festival, summer 2018. Mirroring the diversity of the residents that took part, this compilation is an eclectic mix of genres and styles — musique concrete, computer music, Ashiq music, Circassian folk, post-industrial, modular synthesis, electro-acoustic music, tape collage, noise, drone, ambient, audiobook — from different parts of the world: Georgia, Sweden, Australia, Switzerland, North Caucasus, USA, UK.”
Georgian artists include Mess_montage, Vo Ezn, VAZHMARR, TeTe Noise, etc.


Various artists – place : georgia (digital, place)

“place : is country specific – electronic music compilations where the proceeds are donated to local human rights groups. Highlight the local producers, and bring awareness to the social causes that are important to the creative community there.
In May 2018, Georgian police raided multiple popular clubs in Tbilisi, using excessive force against workers and guests. The officially stated reason for the raid is due to recent drug-related deaths and accusations of drug trafficking.
Proceeds from this release will be donated to the Georgian organisation Human Rights Education and Monitoring Center (EMC).
The compilation includes a lot of Georgian artists from the local electronic music scene, mostly techno and ambient : Hanker, Benvol, Natalie Beridze, etc.
More information about the protest that happened in Tbilisi following this link The first protest expressed through massive rave to electronic music in Tbilisi (Georgian Journal).


Theo Nugraha & Tesla Manaf – Sikap Eksploratif (digital, Noise Bombing)

“This composition uses an improvised practice approach. Each artist responds to the sounds that are present and explores the possibilities.”
Sound collage influenced by Indonesian popular music, electroacoustic, free improv, noise, tape experimentation, electronics and film samples. (cdrk)


Dharma – Electric Animism (cassette & digital, self-released)

Dharma, member of famous Singaporean band The Observatory, is a brilliant guitar player, his new release composed with electric guitar, effects and objects i a powerful adventure into drone, free improvised and industrial music. (cdrk)


TENGGER – Spiritual 2 (CD, vinyl & digital, Beyond Beyond is Beyond)

“TENGGER is a traveling musical family, made up of Pan-Asian couple, itta and Marqido, who create their brand of psychedelic New-Age drone magic through the use of harmonium, voice, and toy instruments (played by itta) and analogue synths (played by Marqido). The duo originally started out with the moniker “10” but since the birth of their son RAAI (who joins them on tour and often on stage) in 2012, have called themselves TENGGER (meaning ‘unlimited expanse of sky’ in Mongolian) to mark the expansion of the family. It also means ‘huge sea’ in Hungarian.”
This new album is probably their most ambient and psychedelic release.


Various artists – Peninsula Volume 1 (digital, Liquid Frequency)

Liquid Frequency is an Indian label known for its psy trance releases but this time Yidam selected ten artists and duos who play ambient and new age music, among them, drill┼mallo, Subhas Mazumdar, Shivacult, and Coma Conscience. Field recordings, minimalistic atmospheres, drones, electronica, a lot of relaxing music. (cdrk)


Yan Jun – Plays John Cage (cassette, digital, foreign lands)

“Yan Jun is a musician and poet, based in Beijing. His work involves performative music, experimental composition, field recording, improvised music, experimental electronic music and relative presentation of exhibition.
He uses non-musical materials such as the body, blankness, in-situ conditions and everyday noise.
In further, he experiments on structure and concept of music.”


Koeosaeme – OBANIKESHI (vinyl, digital, Orange Milk Records)

Yoshizawa Ryu “Koeosaeme”‘s album is a very nice and diverse composition between collage and modern electroacoustic music that blends violin, sound design, glitch, deconstructed electronic beats and the likes. (cdrk)


aragorn23 – Desert Meditation Drone (digital, self-released)

South African artist aragorn23 aka Asqus composes generative music with modular synthesiser. Desert Meditation Drone is a 23 minutes long ambient piece. (cdrk)


Omar Fadel Hadi – The Room (digital, self-released)

Four compositions by Iraqi musician Omar Fadel Hadi. Mostly ambient, with a touch of post rock for the third track Minimal. (cdrk)


Farouk Adil – Continuum (digital, self-released)

Farouk Adil is an very prolific musician from Iraq who mostly works in the field of ambient music, sometimes techno or electronica and organises small events in Baghdad.
Continuum is a collection of field recordings, a project from The Institution Of Fine Art in Baghdad. (cdrk)


Hüma Utku – Gnosis (vinyl & digital, Karlrecords)

Turkish musician Hüma Utku aka R.A.N. just published her second vinyl on Berlin-based label Karlrecords. Far away from her electronica composition, she now composes hypnotic and ritualistic beats and dark ambient. (cdrk)


Izumi Kawasaki – Moromi (cassette & digital, Gerpfast Record)

Izumi Kawasaki is a Japanese multidisciplinary artist active since the 1990s whose noise career started in 2018. Moromi is her first album. Expect harsh noise and syncopated distorted loops. (cdrk)


Rắn Cạp Đuôi Collective – Degradation (digital, Flaming Pines)

Composed and produced by Zach, with instrumentation by Lam Lam, voice by Lý Trang and Harvey Stauss and engineering by Đỗ Tấn Sĩ, the international project Rắn Cạp Đuôi Collective, based in Ho Chi Minh takes a more abstract direction than their previous album Libyan Circle Voice Simulation. Glitch, ambient, heavy basses. (cdrk)

Asian Music Network, an interview with DJ Sniff, by C-drík.

AMN 2016 artworks-000144010391-glpcx7-t500x500

In 1969, South Korean artist Seok Hee Kang founded the Pan Music Festival where himself and Hwang Byungki performed a piece for daegeum and tape, four years later, in 1973, the Asian Composers League was founded in Hong Kong with the aim of fostering contemporary music which uses both Western and Asian Pacific instruments.
Today in the 21st century, a new generation of composers, free improvisers, noise artists and turntablists cross the barriers again but this time in a less classical and conventional way : Far East Network (FEN), Asian Music Network, and more are reshaping the far east and south east music landscape…

19455802553_aa17d5f902_bPhoto by Kuniya Oyamada –  写真 小山田邦哉

The Asian Music Network festival 2015 took place in Tōkyō and Kyōto and was the first avant-garde festival in the region to include such a large variety of artists from east and south east Asia  : dj sniff (Hong Kong), Bin Idris (Bandung), To Die (Yogyakarta), Iman Jimbot (Bandung), Kok Siew Wai (Kuala Lumpur), Leslie Low (Singapore), Yuen Chee Wai (Singapore), Yui-Saowakhon Muangkruan (Bangkok), Nguyễn Hong Giang (Ho Chi Minh), Lương Huệ Trinh (Hanoi), Sachiko M (Tokyo), Tadashi Yonago (Osaka), Tatsuhisa Yamamoto (Tokyo), Kimiya Sato (Tokyo), Shinobu Kawai (Tokyo), Tamura Fumitake (Tokyo), KΣITO (Tokyo), Ai Watanabe (Tokyo), Ryoko Ōno (Nagoya), Ōtomo Yoshihide (Tokyo).

The 2016 festival will be held in Tōkyō, Kōbe and Kyōto, from the 5th until the 12th of February and featuring the following artists : Ōtomo Yoshihide (Tokyo), dj sniff (Hong Kong), Fiona Lee (Hong Kong), Okkyung Lee (New York), Pete TR (Bangkok), Skip Skip Ben Ben (Taipei), Natalie Alexandra Tse (Singapore), Krisna Widiathama (Yogyakarta), Son X (Hanoi), Yong Yandsen (Kuala Lumpur) and guest Japanese artists Umeda Tetsuya, True Oshiro, Takahiro Kawaguchi, Toshio Kajiwara, Doddodo, Yoko Higashino, Mizuuchi Yoshito, Katsura Mouri and more !
Feel free to listen to the following mix prepared by dj sniff that include the 2016 participants and some of their projects while reading the interview.

20094059991_73ac490eb6_bPhoto by Kuniya Oyamada –  写真 小山田邦哉

1. How did you and Yuen Chee Wai got the idea to create the pan Asian network ?

The idea originates from Ōtomo Yoshihide’s long standing work in trying to connect experimental musicians, in mainly East Asia, with Japanese musicians and the public.

Ōtomo worked extensively in Hong Kong during the early 90’s, and since early 2000’s he had been playing in China and Korea which evenly lead to his band FEN with Yan Jun, Ryu Hankil and Yuen Chee Wai. In 2005, he organised the first Asian Meeting Festival which was born out of both an optimism towards new communities enabled by the internet, and fear that it is also accelerating hate speech and xenophobia in Japan. Since my time at STEIM in Amsterdam, I was always trying to invite any Asian musician that was on tour in Europe, and Chee Wai was also active in organising events that featured Asian experimental musicians in Singapore. I moved to Hong Kong in 2012 after finding Europe being utterly dead, and wanting to tour more in Asia.

2. Do you have more logistic and financial ease and possibilities in Japan than in, let’s say Hong Kong or Singapore ?

For our project Ensembles Asia / Asian Music Network, yes, because we are funded by The Japan Foundation Asia Center (国際交流基金アジアセンター) which is a government cultural body. Ōtomo was invited to lead a new project that focussed on cultural exchange between South East Asia and Japan, and he invited me and Chee Wai. Japan also has a larger audience and generally better infrastructure than Hong Kong or Singapore, so that helps too.

19454000574_83842f32dc_bPhoto by Kuniya Oyamada –  写真 小山田邦哉

3. I noticed that step by step, some networks are being build in Asia, connecting musicians and organisers to each other : Asian Music Network, FEN, Border Movement. Seeking independence ?

It is still a challenge. Generally Asian people would rather work with people from the West for such cultural projects. It has to do with local prestige and also not wanting to be confronted with long history of dispute between neighbouring countries. For us we have to be very careful in running a project supported by Japan in Asia – scars from war don’t disappear that easily.

4. Does living in Hong Kong makes it easier for you to connect people together and travel around than when you were in Japan ?

I don’t know if it makes it easier, but it does give me an identity and edge within the scene. I haven’t lived in Japan for more than half of my life now, so I can get away with being “ignorant” to certain local conversions or political tension – that is quite convenient.

5. Would you organise the festival or some other events in other Asian countries and outside of Asia, such as FEN slowly does ?

Yes, we are trying to do this more. Our vision is that we develop programs and collaborations that take place initially in Japan, but can be brought to other cities. This is very challenging because each country has their own difficulties, but what we keep hearing is that it’s much more difficult than we think for South East Asian artists to connect with each other. We hope we can be a catalyst for new forms of collaboration within the region. Also we would like to bring these artists to Europe and North America as well. This is of course to introduce them to a wider audience but also playing in Western countries significantly helps them back home to receive recognition or funding.

19589047162_005d743b53_bPhoto by Ayane Morishita - 写真 森下綺音



Some recommendations, references and links.

Asian Music Network is part of Ensembles Asia, that also includes Asian Sound Research (a project started in 2014, directed by Japanese musician Sachiko M that focuses on sound art research, including Malaysia, Cambodia, etc.) and Ensembles Asia Orchestra (a project launched in 2014, with the mission of creating a free-form orchestra that engages with people who are not professional musicians. The project is organized by the Japan Foundation Asia Center, with musician Ōtomo Yoshihide as artistic director. Ensembles Asia Orchestra aims to uncover new and unprecedented ways of making music and connecting with people, by sharing the joy of making music and fostering communication with people from elsewhere in Asia – site in Thai, Japanese, Indonesia, Tagalog and English).
You can follow Asian Music Network 2015 on Soundcloud.
And see a few interviews and short live extracts here.

FEN (Far East Network) recently performed at the Festival All Ears in Norway. FEN is an improvised music project group made up of musicians from different parts of Asia. The quartet comprises Ōtomo Yoshihide (Japan), Ryu Hankil (South Korea), Yan Jun (China) and Yuen Chee Wai (Singapore). FEN was started by globally renowned musician Ōtomo Yoshihide and it made its debut in 2008 at MIMI Festival in Marseilles, France. Following its début, FEN has performed extensively throughout Europe and all across Asia.

Border Movement is a platform that aims to encourage interaction between the electronic music scenes of South Asia (Afghanistan, India, Bangladesh, Sri Lanka, Pakistan) and Germany. Border Movement tends to be more on the dance side than FEN and Asian Music Network but includes also a few sound experimentalists.

Syrphe contains a database which included more than 1500 references of artists, venues, radios, labels, magazines, networks working in the field of alternative electronic music, electro-acoustic, free improv, noise, electronica, chiptune, breakcore, industrial, ambient and more, it is regularly updated.

Some pan-Asian compilations (and beyond for one and we need more like this !).

Live at Htein Lin’s Studio / 7000 Padauk, Yangon, Myanmar, (Syrphe, 2014, digital), an compilation of live recording made in Yangon, Myanmar and featuring six artists mostly living there and coming from Asia and Europe. Free download.

Art of the Muses (Syrphe, 2012, CD and digital), an experimental music compilation featuring 10 female composers from far east Asia (Japan, South Korea, Vietnam, Indonesia, Singapore, Malaysia, Taiwan, China, Singapore).

Beyond ignorance and borders (Syrphe, 2007, CD and digital), an African, Middle-Eastern, Asian noise and electronic compilation which includes electronic, experimental and noise artists from 21 Asian and African countries (Vietnam, Hong Kong, Mongolia, Philippines, Thailand, Israel, Taiwan, China, South Korea, Lebanon, Indonesia, Turkey, Egypt, Morocco, Singapore, South Africa, Laos, Tibet, Algeria, United Arab Emirates, Malaysia).

Soundtracks For Bride Of Sevenless (Auscultare Research, 1998, CD), 12 noise and sound artists from Japan, Taiwan, Hong Kong.

Eternal Blue Extreme: An Asian Tribute To Derek Jarman (Somnus, 1994, CD), 9 noise, experimental and industrial artists from Japan, Hong Kong and Taiwan.


If you happen to be in Berlin in early February, I (C-drík) will give a lecture during CTM festival : An introduction to electro-acoustic, noise and experimental music in Africa and Asia, 2 February, 13h, Kunstquartier Studio 1 .

My new essay Power through networking : reshaping the underground electronic and experimental music scenes in East and South East Asia will also be available in CTM Magazine to be out very soon. More info soon !

 

Feminism in electronic and experimental music, the failure of most Westerners.

art of the muses

For a few years now, I see and meet plenty of feminist enthusiasts who try to develop new networks, events, workshops, festivals dedicated to women and feminism in the often male-centric experimental and electronic music scenes, where indeed, most djs represented are men, most famous electro-acoustic composers are males, most power electronics artists are males, most famous electronica artists are males and so on and so forth.

Many of those who call themselves feminists and quite rightly scream and shout that they want more equality, more exposure and recognition and want to offer women more opportunities to access the electronic and experimental music world have for most a western-centric vision of the scene.
Never did I see them promoting female artists in the field of electronic and experimental music who come from Asia and Africa (or even Latin America). The victims of exclusion exactly behave like their oppressors and should definitely admit that their fight is a failure and will remain so unless they include all women of the various scenes (including underground rock, metal, punk, grindcore, etc.), no matter what their ethnicities, nationalities, geographic locations, social classes are.

Of course, I hear some of you fulminating against me, accusing me of disempowering them, telling me : “But we didn’t know ! We never heard about them ! How could we imagine there were women doing this music in those places !?” (sic).
It sounds to me like those men telling :”Seriously ? You know of women building modular synthesizer ? I never imagined that it would be ever possible !”
Zero difference.
This is one of the problems of the Western World, it is so much self-centred that it often lacks of imagination and curiosity (even not going so far away as Asia or Africa, how many times did I hear some being surprised that there are musicians in Sardinia or Kosovo or whatever remote village lost in the Swiss mountains who do play underground music).

Now that we live in a more and more interconnected society, to me it is some kind of pure egotism and a certain form of social racism to imagine that only women (or people in general)  in the west do compose electronic, experimental music or punk, metal, oi, you name it… In the time of the invasive internet where those who want, especially those who pretend to fight for some rights, can search, deeply, all kinds of informations using search engines, social networks, databases, music streaming services, it is a shame to see that those born in the “wrong” place still often remain excluded.

I remember women from some networks I will not name here telling that they wanted full support and promotion for women´s projects but how many of them bought or promoted the works and publications I was telling them about ? How many of them attended the concerts I organised ? Very few ! Some even decided to work in closed circles, excluding men from their networks or activities, even those who supported them from the beginning. Some gave me the feeling that they were working for their own ego, that the feminist fight was an excuse for them to clime higher and reach the peak… I may be wrong, I wish so but this is how I perceive this situation for many years.

Now to conclude this small article, here are a few CD references among many others, and following those, you´ll find a non-exhaustive list of under represented women. The CD list is only a small sample that what is currently existing, of course.

Art of the Muses (CD and digital, Syrphe, 2012, international) with Alice Hui-Sheng Chang [Taiwan], Aki Ito [Japan], Itta [South Korea], Tomoko Sauvage [Japan], Kismett [Singapore], VAVABOND [China], Pei [Taiwan], Verita Shalavita Koapaha [Indonesia], Lương Huệ Trinh [Vietnam], Lau Mun Leng [Malaysia].

Egyptian Females Experimental Music Session (CD, 100Copies, 2013, Egypt) with Asmaa Azzouz, Shorouk El Zomor, Hala Abu Shady, Jacqueline George, Nina El Gebaly, Ola Saad, Yara Mekawei, details on 100Copies.

_Litter – Newfound Grids (CD and digital, Syrphe, 2013, Lebanon)

VAVABOND – HOLOGRAM OF sea (CD and digital, C.F.I Records, 2012, China)

PEI ‎– Normality Envision (CD, Sub Jam, Kwanyin Records, 2007, Taiwan), details and extracts here.

Leila Bela – Angra Manyu (CD, Ellahy Amen Records 2003, Iran/USA), details here.

Hui-Shen Chang Alice – When She Was Asleep (Cassatte, Antifrost, 2011, Taiwan).

Okkyung Lee – Noisy Love Songs (CD, Tzadik, 2010, South Korea), details at Discogs.

And one more western oriented ones that I anyway find worth to mention (and because most feminist activists I talked to in the scene told me they never heard about it and it´s a pretty good one !) :

Women Take Back The Noise (3xCD, UBUIBI, 2006) with Michiko Kawagoe, Dark Muse, BCO Women’s Auxiliary, Passiflora, Suzanne Quincey, Ava Mendoza, Meri von KleinSmid, Analog Tara, Fe-Mail, Experiment Haywire, Hertta Lussu Ässä, Cosey Fanni Tutti, etc.

This non-exhaustive list comes from this database I´m permanently working on, this database contains more than 1500 references for Africa and Asia. I could have added more of them but sorry, my time is limited at the moment !
Note I noticed that the formatting of the list appears incorrectly but I can´t correct it for some odd reasons…)

Algeria :
Rula El Bahr Soundcloud [electronic, sound art, lives in France, see Kamekaz]

Armenia/USA :
Farhadian, Thea Site [electro-acoustic, improv, video, lives in the USA]

China :

Arrebato (Li Huihui) Tudou Douban (豆瓣) Soundcloud (1) Soundcloud (2) Bandcamp [sound art, see lllllllllllHH, Hhiña, Kazorp, Arrebato]
Chen, Audrey MySpace Discogs [sound art, improv, free jazz, lives in Germany]
Chen Yi Discogs [electro-acoustic, classical, lives in the USA ?][1984]
Pan Daijing Soundcloud Tumblr Instagram [noise, industrial, ambient]
Shenggy (Cosmic Shenggy) MySpace1 Myspace2 Rock In China Discogs [sound art, noise, minimal techno, see White]
VAVABOND (Vavabond) Site MySpace Soundcloud Discogs [sound art, ambient, noise]

Egypt :
Azzouz, Asmaa Discogs [electronic]
Bosaina Site Soundcloud Facebook [electronica, electro-pop]
El Zomor, Shorouk Discogs [electronic]
George, Jacqueline Soundcloud [electronic, sound art]
Abu Shady, Hala Youtube Vimeo [sound art, video art]
Hani, Dina Soundcloud [electronic, field recordings]
Mattar Nahla Site [electro-acoustic, classical]
Mekawei, Yara (Yara Mekawi) Blogspot, Soundcloud, Facebook, MySpace Twitter Tumblr Meetphool [electronic, electro-acoustic, audio-visual, sound installation]
Saad, Ola Soundcloud [sound art]

Hong Kong :
Lee, Fiona Site Vimeo Tumblr Jux Soundcloud [sound art, audiovisual]
Lee, Ingrid Site Discogs [sound art, modern classical, lives in the USA]

India :
Desai, Poulomi Tumblr Facebook Facebook Youtube [audio-visual, sound art, lives in the UK]
Sandunes Site Bandcamp Soundcloud Facebook Twitter Instagram [electronica]

Indonesia :
Menstrual Synthdrone (Dyah “Woro” Isaka) Soundcloud [drone, noise]
Sabrina WordPress [noise]
Sarana Soundcloud Facebook [drone, noise]
Shalavita Koapaha, Verita Bandcamp [contemporary classical]

Iran :
Bela, Leila (ليلى بلا) Site MySpace Discogs [noise, sound art, lives in the USA]
Bigdeli Shamloo, Sara Soundcloud Twitter [electronic, sound tracks, lives in France]
Hatam, Farahnaz MySpace [sound art, lives in Germany]
Pazhutan, Honey Haq Site Soundcloud [see vH+] / vent aitcH Plus (vH+, V H +p) Site Soundcloud [ambient, drone, see Honey Haq Pazhutan]

Iraq :
Nadeem, Aida (Aïda Nadeem) Site Soundcloud Twitter Tumblr Wikipedia MySpace Discogs Youtube [electronica, traditional, contemporary lives in Denmark]

Israel :
Asher, Meira Site MySpace [industrial, sound art, lives in the Netherlands]
Elyakim, Dganit MySpace [electro-acoustic, classical]
Olivero, Betty Wikipedia [electro-acoustic, classical]
Rosenbaum, Keren Facebook Discogs [electro-acoustic, jazz, classical]

Lebanon :
Andraos, Joanna Site MySpace [electronica]
Chlela, Liliane (Queen Lil) Site Soundcloud Facebook [ambient, improv, psychedelic, improv, see Hezbel Taleta]
Dally, Rhéa (Rhea Dally) Facebook Soundcloud [chip tune, breakcore, lives in South Africa]
Sehnaoui, Christine MySpace Blogspot [jazz, sound art, lives in France]
Zaven, Cynthia Soundcloud Youtube [improv, modern classical, electronic]

Malaysia :
Kok Siew Wai WordPress Youtube [improv, experimental]
Lau Mun Leng Myspace Discogs WordPress [sound art, video artist and graphic designer]

Philippines :
Barrozo, Teresa Site Soundcloud [classical, electro-acoustic]

Singapore :
Ang, Lydia Soundcloud Youtube ReverbNation [film score, ambient, new age, electro-acoustic]
Cheryl Ong & Vivian Wang Youtube [drone, industrial]
Ding, Debbie Site Soundcloud Twitter [sound art, audiovisual]
Kismett Bandcamp [sound art]
Reiki, Jean (DJ Reiki) Site Bandcamp Soundcloud Twitter Facebook Youtube Mixcloud Indabamusic [ambient, electronica]
Tara Transitory Site MySpace Discogs Facebook [electronica, ambient, sound art, see One Man Nation, lives in Spain and Asia]

South Africa :
Beckmann, Inge MySpace Discogs Facebook [electronic, contemporary]
Isadora Dustmite Junk MySpace Bandcamp Facebook [electro-acoustic, noise, sound art]
Schneider, June [electro-acoustic, multi-media installations][1971 ?]

South Korea :
Itta (있다) https://www.youtube.com/user/TxNxGxRMySpace Facebook Twitter MySpace [sound art, ambient, minimal, member of 10 and Tengger]
Okkyung Lee Site MySpace [classical, improv, sound art, lives in Germany]
Shin, Amy Soundcloud [classical, sound art, post rock, etc., USA/South Korea] – she´s an American of Korean descent who migrated to Seoul.
Ha Jane Facebook [improv, see Pika & Pikasland] – from the US I think but lives in Seoul.

Syria :
Asma Shams (شمس أسمى, Asma Ghanem) Soundcloud [sound art, ambient, lives in Palestine]

Thailand:
Liew Pichanan Niyomkarn Site Souncloud [noise, sound art]

Taiwan :
Anchih Tsai [electro-acoustic] Youtube – unfortunately, she passed away a few months ago.
Betty Apple (ßetty ∆pple, Reiki Jelly, Yi-Ping Cheng, Xiao-Biao, 瀟薄 ) Site Soundcloud Twitter MySpace Tumblr Youtube Vimeo Mixcloud Soundcloud (Reiki Jelly) Facebook [sound art, noise, electronic, techno]
Hui-Chun Lin Site MySpace [improv, sound art, classical, lives in Germany]
Hui-Shen Chang Alice Site [electronica, sound art] – she mostly experiments with her voice when she plays solo.
Kueiju Lin [classical, improv, sound art]
Lai Chi-Hsia Site Soundcloud [sound art]
Pei Site1 Site2 [minimal sound art, onkyokei, lives in Switzerland]
Pei-Yu Shi Youtube Facebook [sound art, electronic, folk, audio-visual]
Luo Chao Yun (駱昭勻) Site MySpace [traditional, classical, improv, sound art]

Tunisia :
Abdelwahed, Deena Site Tumblr Facebook Arabstazy Mixcloud [electronic]
Houaïda (Miss Machine) Soundcloud Facebook [electronica, industrial, noise pop,lives in Germany]

Turkey :
Ah! Kosmos Site Soundcloud Soundkick Facebook Twitter Instagram Last.fm [electronica]
Gürkan, Gülce Özen Site Bandcamp MySpace Soundcloud Vimeo Discogs [electro-acoustic, sound art]
Pase, Tuna MySpace Facebook Soundcloud 1 Soundcloud 2 Soundcloud 3 [electro-acoustic]

Vietnam :
Cao Lan (Cao Thanh Lan) Site [electro-acoustic, sound art, free improv, classical, see Parallel Asteroid, Swiss Army Wife, lives in Germany]
Lương Huệ Trinh (Luong Hue Trinh) Soundcloud MySpace Facebook [sound art, electro-acoustic]
Ngọc Trần Thị Kim (Ngoc Tran Thi Kim) Weebly Youtube [sound art, electro-acoustic, classical]
Nguyễn Nhung (Nguyen Nhung) Site Bandcamp [dark ambient, drone, minimal electronic, noise, electroacoustic, classical, see Sound Awakener][2007]

And a list of female composers from Latin America here, thanks to Alma for providing the link.