New releases (June 2019)

Yikii – Flower’s Grave・花之墓 (digital, Genome 6.66Mbp)

Japanese project Yikii presents an album that includes elements of distorted techno dark ambient and above all horror film sound track, like a fairytale gone wrong. (cdrk)


KMRU – OT (digital, self-released)

Joseph Kamaru aka KMRU is a field recordist and ambient artist from Nairobi, Kenya. OT is a three-track release based on a same theme that include ambient strings, field recordings and minimalistic glitch and melodies. (cdrk)


Kenji Kihara – Dawn (CDr & digital, eilean rec.)

“Kenji Kihara is a Japanese musician based in Hayama, in Japan, a place surrounded by nature near to the sea and mountains.”
His electronic and ambient works are truly inspired by the sound of nature. His music oscillates between ambient and new age. (cdrk)


Aken’s Sleep – Beauty in Decay (digital, self-released)

Ambient guitar composition by two Egyptian composers : Ali Soliman & Mohammed Ashraf (aka Pie Are Squared), melancholic drones, subtle distortion, and a tiny touch of techno by the end of the release. (cdrk)


Edwin Lo – Field Recordings Archive: The Days in Queen Pier (digital, self-released)

“The recordings speak for themselves on the construction of Central–Wan Chai Bypass.” (In Hong Kong)


維度本身的結構 – Zukunft (digital, Shanshui)

維度本身的結構 one of the monikers of Chinese musician Sun Dawei aka Sulumi. Known for his techno and breakcore projects, Sun Dawei introduces us to a more intimate atmosphere : ambient guitar and electronics. (cdrk)


Don Zilla – From the Cave to the World (digital, Hakuna Kulala)

Two drastically different pieces by Kampala’s composer Don Zilla. The first track explores a dark side of Ugandan bass music, the second one is a twelve-minutes dark ambient piece that sounds like a soundtrack made in a submarine. (cdrk)


Jeritan – Chaos EP (digital, self-released)

Indonesian solo project Jeritan introduces us to a world of harsh noise, glitch and epileptic micro-loops. (cdrk)


Various artists – in his knotty ears, the donkey’s bells would jangle (cassette & digital, AqTushetii)

“in his knotty ears, the donkey’s bells would jangle’ is a selection of music either performed live, bootlegged, composed, or partly developed at AqTushetii artist residency & festival, summer 2018. Mirroring the diversity of the residents that took part, this compilation is an eclectic mix of genres and styles — musique concrete, computer music, Ashiq music, Circassian folk, post-industrial, modular synthesis, electro-acoustic music, tape collage, noise, drone, ambient, audiobook — from different parts of the world: Georgia, Sweden, Australia, Switzerland, North Caucasus, USA, UK.”
Georgian artists include Mess_montage, Vo Ezn, VAZHMARR, TeTe Noise, etc.


Various artists – place : georgia (digital, place)

“place : is country specific – electronic music compilations where the proceeds are donated to local human rights groups. Highlight the local producers, and bring awareness to the social causes that are important to the creative community there.
In May 2018, Georgian police raided multiple popular clubs in Tbilisi, using excessive force against workers and guests. The officially stated reason for the raid is due to recent drug-related deaths and accusations of drug trafficking.
Proceeds from this release will be donated to the Georgian organisation Human Rights Education and Monitoring Center (EMC).
The compilation includes a lot of Georgian artists from the local electronic music scene, mostly techno and ambient : Hanker, Benvol, Natalie Beridze, etc.
More information about the protest that happened in Tbilisi following this link The first protest expressed through massive rave to electronic music in Tbilisi (Georgian Journal).


Theo Nugraha & Tesla Manaf – Sikap Eksploratif (digital, Noise Bombing)

“This composition uses an improvised practice approach. Each artist responds to the sounds that are present and explores the possibilities.”
Sound collage influenced by Indonesian popular music, electroacoustic, free improv, noise, tape experimentation, electronics and film samples. (cdrk)


Dharma – Electric Animism (cassette & digital, self-released)

Dharma, member of famous Singaporean band The Observatory, is a brilliant guitar player, his new release composed with electric guitar, effects and objects i a powerful adventure into drone, free improvised and industrial music. (cdrk)


TENGGER – Spiritual 2 (CD, vinyl & digital, Beyond Beyond is Beyond)

“TENGGER is a traveling musical family, made up of Pan-Asian couple, itta and Marqido, who create their brand of psychedelic New-Age drone magic through the use of harmonium, voice, and toy instruments (played by itta) and analogue synths (played by Marqido). The duo originally started out with the moniker “10” but since the birth of their son RAAI (who joins them on tour and often on stage) in 2012, have called themselves TENGGER (meaning ‘unlimited expanse of sky’ in Mongolian) to mark the expansion of the family. It also means ‘huge sea’ in Hungarian.”
This new album is probably their most ambient and psychedelic release.


Various artists – Peninsula Volume 1 (digital, Liquid Frequency)

Liquid Frequency is an Indian label known for its psy trance releases but this time Yidam selected ten artists and duos who play ambient and new age music, among them, drill┼mallo, Subhas Mazumdar, Shivacult, and Coma Conscience. Field recordings, minimalistic atmospheres, drones, electronica, a lot of relaxing music. (cdrk)


Yan Jun – Plays John Cage (cassette, digital, foreign lands)

“Yan Jun is a musician and poet, based in Beijing. His work involves performative music, experimental composition, field recording, improvised music, experimental electronic music and relative presentation of exhibition.
He uses non-musical materials such as the body, blankness, in-situ conditions and everyday noise.
In further, he experiments on structure and concept of music.”


Koeosaeme – OBANIKESHI (vinyl, digital, Orange Milk Records)

Yoshizawa Ryu “Koeosaeme”‘s album is a very nice and diverse composition between collage and modern electroacoustic music that blends violin, sound design, glitch, deconstructed electronic beats and the likes. (cdrk)


aragorn23 – Desert Meditation Drone (digital, self-released)

South African artist aragorn23 aka Asqus composes generative music with modular synthesiser. Desert Meditation Drone is a 23 minutes long ambient piece. (cdrk)


Omar Fadel Hadi – The Room (digital, self-released)

Four compositions by Iraqi musician Omar Fadel Hadi. Mostly ambient, with a touch of post rock for the third track Minimal. (cdrk)


Farouk Adil – Continuum (digital, self-released)

Farouk Adil is an very prolific musician from Iraq who mostly works in the field of ambient music, sometimes techno or electronica and organises small events in Baghdad.
Continuum is a collection of field recordings, a project from The Institution Of Fine Art in Baghdad. (cdrk)


Hüma Utku – Gnosis (vinyl & digital, Karlrecords)

Turkish musician Hüma Utku aka R.A.N. just published her second vinyl on Berlin-based label Karlrecords. Far away from her electronica composition, she now composes hypnotic and ritualistic beats and dark ambient. (cdrk)


Izumi Kawasaki – Moromi (cassette & digital, Gerpfast Record)

Izumi Kawasaki is a Japanese multidisciplinary artist active since the 1990s whose noise career started in 2018. Moromi is her first album. Expect harsh noise and syncopated distorted loops. (cdrk)


Rắn Cạp Đuôi Collective – Degradation (digital, Flaming Pines)

Composed and produced by Zach, with instrumentation by Lam Lam, voice by Lý Trang and Harvey Stauss and engineering by Đỗ Tấn Sĩ, the international project Rắn Cạp Đuôi Collective, based in Ho Chi Minh takes a more abstract direction than their previous album Libyan Circle Voice Simulation. Glitch, ambient, heavy basses. (cdrk)

Asian Music Network, an interview with DJ Sniff, by C-drík.

AMN 2016 artworks-000144010391-glpcx7-t500x500

In 1969, South Korean artist Seok Hee Kang founded the Pan Music Festival where himself and Hwang Byungki performed a piece for daegeum and tape, four years later, in 1973, the Asian Composers League was founded in Hong Kong with the aim of fostering contemporary music which uses both Western and Asian Pacific instruments.
Today in the 21st century, a new generation of composers, free improvisers, noise artists and turntablists cross the barriers again but this time in a less classical and conventional way : Far East Network (FEN), Asian Music Network, and more are reshaping the far east and south east music landscape…

19455802553_aa17d5f902_bPhoto by Kuniya Oyamada –  写真 小山田邦哉

The Asian Music Network festival 2015 took place in Tōkyō and Kyōto and was the first avant-garde festival in the region to include such a large variety of artists from east and south east Asia  : dj sniff (Hong Kong), Bin Idris (Bandung), To Die (Yogyakarta), Iman Jimbot (Bandung), Kok Siew Wai (Kuala Lumpur), Leslie Low (Singapore), Yuen Chee Wai (Singapore), Yui-Saowakhon Muangkruan (Bangkok), Nguyễn Hong Giang (Ho Chi Minh), Lương Huệ Trinh (Hanoi), Sachiko M (Tokyo), Tadashi Yonago (Osaka), Tatsuhisa Yamamoto (Tokyo), Kimiya Sato (Tokyo), Shinobu Kawai (Tokyo), Tamura Fumitake (Tokyo), KΣITO (Tokyo), Ai Watanabe (Tokyo), Ryoko Ōno (Nagoya), Ōtomo Yoshihide (Tokyo).

The 2016 festival will be held in Tōkyō, Kōbe and Kyōto, from the 5th until the 12th of February and featuring the following artists : Ōtomo Yoshihide (Tokyo), dj sniff (Hong Kong), Fiona Lee (Hong Kong), Okkyung Lee (New York), Pete TR (Bangkok), Skip Skip Ben Ben (Taipei), Natalie Alexandra Tse (Singapore), Krisna Widiathama (Yogyakarta), Son X (Hanoi), Yong Yandsen (Kuala Lumpur) and guest Japanese artists Umeda Tetsuya, True Oshiro, Takahiro Kawaguchi, Toshio Kajiwara, Doddodo, Yoko Higashino, Mizuuchi Yoshito, Katsura Mouri and more !
Feel free to listen to the following mix prepared by dj sniff that include the 2016 participants and some of their projects while reading the interview.

20094059991_73ac490eb6_bPhoto by Kuniya Oyamada –  写真 小山田邦哉

1. How did you and Yuen Chee Wai got the idea to create the pan Asian network ?

The idea originates from Ōtomo Yoshihide’s long standing work in trying to connect experimental musicians, in mainly East Asia, with Japanese musicians and the public.

Ōtomo worked extensively in Hong Kong during the early 90’s, and since early 2000’s he had been playing in China and Korea which evenly lead to his band FEN with Yan Jun, Ryu Hankil and Yuen Chee Wai. In 2005, he organised the first Asian Meeting Festival which was born out of both an optimism towards new communities enabled by the internet, and fear that it is also accelerating hate speech and xenophobia in Japan. Since my time at STEIM in Amsterdam, I was always trying to invite any Asian musician that was on tour in Europe, and Chee Wai was also active in organising events that featured Asian experimental musicians in Singapore. I moved to Hong Kong in 2012 after finding Europe being utterly dead, and wanting to tour more in Asia.

2. Do you have more logistic and financial ease and possibilities in Japan than in, let’s say Hong Kong or Singapore ?

For our project Ensembles Asia / Asian Music Network, yes, because we are funded by The Japan Foundation Asia Center (国際交流基金アジアセンター) which is a government cultural body. Ōtomo was invited to lead a new project that focussed on cultural exchange between South East Asia and Japan, and he invited me and Chee Wai. Japan also has a larger audience and generally better infrastructure than Hong Kong or Singapore, so that helps too.

19454000574_83842f32dc_bPhoto by Kuniya Oyamada –  写真 小山田邦哉

3. I noticed that step by step, some networks are being build in Asia, connecting musicians and organisers to each other : Asian Music Network, FEN, Border Movement. Seeking independence ?

It is still a challenge. Generally Asian people would rather work with people from the West for such cultural projects. It has to do with local prestige and also not wanting to be confronted with long history of dispute between neighbouring countries. For us we have to be very careful in running a project supported by Japan in Asia – scars from war don’t disappear that easily.

4. Does living in Hong Kong makes it easier for you to connect people together and travel around than when you were in Japan ?

I don’t know if it makes it easier, but it does give me an identity and edge within the scene. I haven’t lived in Japan for more than half of my life now, so I can get away with being “ignorant” to certain local conversions or political tension – that is quite convenient.

5. Would you organise the festival or some other events in other Asian countries and outside of Asia, such as FEN slowly does ?

Yes, we are trying to do this more. Our vision is that we develop programs and collaborations that take place initially in Japan, but can be brought to other cities. This is very challenging because each country has their own difficulties, but what we keep hearing is that it’s much more difficult than we think for South East Asian artists to connect with each other. We hope we can be a catalyst for new forms of collaboration within the region. Also we would like to bring these artists to Europe and North America as well. This is of course to introduce them to a wider audience but also playing in Western countries significantly helps them back home to receive recognition or funding.

19589047162_005d743b53_bPhoto by Ayane Morishita - 写真 森下綺音



Some recommendations, references and links.

Asian Music Network is part of Ensembles Asia, that also includes Asian Sound Research (a project started in 2014, directed by Japanese musician Sachiko M that focuses on sound art research, including Malaysia, Cambodia, etc.) and Ensembles Asia Orchestra (a project launched in 2014, with the mission of creating a free-form orchestra that engages with people who are not professional musicians. The project is organized by the Japan Foundation Asia Center, with musician Ōtomo Yoshihide as artistic director. Ensembles Asia Orchestra aims to uncover new and unprecedented ways of making music and connecting with people, by sharing the joy of making music and fostering communication with people from elsewhere in Asia – site in Thai, Japanese, Indonesia, Tagalog and English).
You can follow Asian Music Network 2015 on Soundcloud.
And see a few interviews and short live extracts here.

FEN (Far East Network) recently performed at the Festival All Ears in Norway. FEN is an improvised music project group made up of musicians from different parts of Asia. The quartet comprises Ōtomo Yoshihide (Japan), Ryu Hankil (South Korea), Yan Jun (China) and Yuen Chee Wai (Singapore). FEN was started by globally renowned musician Ōtomo Yoshihide and it made its debut in 2008 at MIMI Festival in Marseilles, France. Following its début, FEN has performed extensively throughout Europe and all across Asia.

Border Movement is a platform that aims to encourage interaction between the electronic music scenes of South Asia (Afghanistan, India, Bangladesh, Sri Lanka, Pakistan) and Germany. Border Movement tends to be more on the dance side than FEN and Asian Music Network but includes also a few sound experimentalists.

Syrphe contains a database which included more than 1500 references of artists, venues, radios, labels, magazines, networks working in the field of alternative electronic music, electro-acoustic, free improv, noise, electronica, chiptune, breakcore, industrial, ambient and more, it is regularly updated.

Some pan-Asian compilations (and beyond for one and we need more like this !).

Live at Htein Lin’s Studio / 7000 Padauk, Yangon, Myanmar, (Syrphe, 2014, digital), an compilation of live recording made in Yangon, Myanmar and featuring six artists mostly living there and coming from Asia and Europe. Free download.

Art of the Muses (Syrphe, 2012, CD and digital), an experimental music compilation featuring 10 female composers from far east Asia (Japan, South Korea, Vietnam, Indonesia, Singapore, Malaysia, Taiwan, China, Singapore).

Beyond ignorance and borders (Syrphe, 2007, CD and digital), an African, Middle-Eastern, Asian noise and electronic compilation which includes electronic, experimental and noise artists from 21 Asian and African countries (Vietnam, Hong Kong, Mongolia, Philippines, Thailand, Israel, Taiwan, China, South Korea, Lebanon, Indonesia, Turkey, Egypt, Morocco, Singapore, South Africa, Laos, Tibet, Algeria, United Arab Emirates, Malaysia).

Soundtracks For Bride Of Sevenless (Auscultare Research, 1998, CD), 12 noise and sound artists from Japan, Taiwan, Hong Kong.

Eternal Blue Extreme: An Asian Tribute To Derek Jarman (Somnus, 1994, CD), 9 noise, experimental and industrial artists from Japan, Hong Kong and Taiwan.


If you happen to be in Berlin in early February, I (C-drík) will give a lecture during CTM festival : An introduction to electro-acoustic, noise and experimental music in Africa and Asia, 2 February, 13h, Kunstquartier Studio 1 .

My new essay Power through networking : reshaping the underground electronic and experimental music scenes in East and South East Asia will also be available in CTM Magazine to be out very soon. More info soon !

 

Feminism in electronic and experimental music, the failure of most Westerners.

art of the muses

For a few years now, I see and meet plenty of feminist enthusiasts who try to develop new networks, events, workshops, festivals dedicated to women and feminism in the often male-centric experimental and electronic music scenes, where indeed, most djs represented are men, most famous electro-acoustic composers are males, most power electronics artists are males, most famous electronica artists are males and so on and so forth.

Many of those who call themselves feminists and quite rightly scream and shout that they want more equality, more exposure and recognition and want to offer women more opportunities to access the electronic and experimental music world have for most a western-centric vision of the scene.
Never did I see them promoting female artists in the field of electronic and experimental music who come from Asia and Africa (or even Latin America). The victims of exclusion exactly behave like their oppressors and should definitely admit that their fight is a failure and will remain so unless they include all women of the various scenes (including underground rock, metal, punk, grindcore, etc.), no matter what their ethnicities, nationalities, geographic locations, social classes are.

Of course, I hear some of you fulminating against me, accusing me of disempowering them, telling me : “But we didn’t know ! We never heard about them ! How could we imagine there were women doing this music in those places !?” (sic).
It sounds to me like those men telling :”Seriously ? You know of women building modular synthesizer ? I never imagined that it would be ever possible !”
Zero difference.
This is one of the problems of the Western World, it is so much self-centred that it often lacks of imagination and curiosity (even not going so far away as Asia or Africa, how many times did I hear some being surprised that there are musicians in Sardinia or Kosovo or whatever remote village lost in the Swiss mountains who do play underground music).

Now that we live in a more and more interconnected society, to me it is some kind of pure egotism and a certain form of social racism to imagine that only women (or people in general)  in the west do compose electronic, experimental music or punk, metal, oi, you name it… In the time of the invasive internet where those who want, especially those who pretend to fight for some rights, can search, deeply, all kinds of informations using search engines, social networks, databases, music streaming services, it is a shame to see that those born in the “wrong” place still often remain excluded.

I remember women from some networks I will not name here telling that they wanted full support and promotion for women´s projects but how many of them bought or promoted the works and publications I was telling them about ? How many of them attended the concerts I organised ? Very few ! Some even decided to work in closed circles, excluding men from their networks or activities, even those who supported them from the beginning. Some gave me the feeling that they were working for their own ego, that the feminist fight was an excuse for them to clime higher and reach the peak… I may be wrong, I wish so but this is how I perceive this situation for many years.

Now to conclude this small article, here are a few CD references among many others, and following those, you´ll find a non-exhaustive list of under represented women. The CD list is only a small sample that what is currently existing, of course.

Art of the Muses (CD and digital, Syrphe, 2012, international) with Alice Hui-Sheng Chang [Taiwan], Aki Ito [Japan], Itta [South Korea], Tomoko Sauvage [Japan], Kismett [Singapore], VAVABOND [China], Pei [Taiwan], Verita Shalavita Koapaha [Indonesia], Lương Huệ Trinh [Vietnam], Lau Mun Leng [Malaysia].

Egyptian Females Experimental Music Session (CD, 100Copies, 2013, Egypt) with Asmaa Azzouz, Shorouk El Zomor, Hala Abu Shady, Jacqueline George, Nina El Gebaly, Ola Saad, Yara Mekawei, details on 100Copies.

_Litter – Newfound Grids (CD and digital, Syrphe, 2013, Lebanon)

VAVABOND – HOLOGRAM OF sea (CD and digital, C.F.I Records, 2012, China)

PEI ‎– Normality Envision (CD, Sub Jam, Kwanyin Records, 2007, Taiwan), details and extracts here.

Leila Bela – Angra Manyu (CD, Ellahy Amen Records 2003, Iran/USA), details here.

Hui-Shen Chang Alice – When She Was Asleep (Cassatte, Antifrost, 2011, Taiwan).

Okkyung Lee – Noisy Love Songs (CD, Tzadik, 2010, South Korea), details at Discogs.

And one more western oriented ones that I anyway find worth to mention (and because most feminist activists I talked to in the scene told me they never heard about it and it´s a pretty good one !) :

Women Take Back The Noise (3xCD, UBUIBI, 2006) with Michiko Kawagoe, Dark Muse, BCO Women’s Auxiliary, Passiflora, Suzanne Quincey, Ava Mendoza, Meri von KleinSmid, Analog Tara, Fe-Mail, Experiment Haywire, Hertta Lussu Ässä, Cosey Fanni Tutti, etc.

This non-exhaustive list comes from this database I´m permanently working on, this database contains more than 1500 references for Africa and Asia. I could have added more of them but sorry, my time is limited at the moment !
Note I noticed that the formatting of the list appears incorrectly but I can´t correct it for some odd reasons…)

Algeria :
Rula El Bahr Soundcloud [electronic, sound art, lives in France, see Kamekaz]

Armenia/USA :
Farhadian, Thea Site [electro-acoustic, improv, video, lives in the USA]

China :

Arrebato (Li Huihui) Tudou Douban (豆瓣) Soundcloud (1) Soundcloud (2) Bandcamp [sound art, see lllllllllllHH, Hhiña, Kazorp, Arrebato]
Chen, Audrey MySpace Discogs [sound art, improv, free jazz, lives in Germany]
Chen Yi Discogs [electro-acoustic, classical, lives in the USA ?][1984]
Pan Daijing Soundcloud Tumblr Instagram [noise, industrial, ambient]
Shenggy (Cosmic Shenggy) MySpace1 Myspace2 Rock In China Discogs [sound art, noise, minimal techno, see White]
VAVABOND (Vavabond) Site MySpace Soundcloud Discogs [sound art, ambient, noise]

Egypt :
Azzouz, Asmaa Discogs [electronic]
Bosaina Site Soundcloud Facebook [electronica, electro-pop]
El Zomor, Shorouk Discogs [electronic]
George, Jacqueline Soundcloud [electronic, sound art]
Abu Shady, Hala Youtube Vimeo [sound art, video art]
Hani, Dina Soundcloud [electronic, field recordings]
Mattar Nahla Site [electro-acoustic, classical]
Mekawei, Yara (Yara Mekawi) Blogspot, Soundcloud, Facebook, MySpace Twitter Tumblr Meetphool [electronic, electro-acoustic, audio-visual, sound installation]
Saad, Ola Soundcloud [sound art]

Hong Kong :
Lee, Fiona Site Vimeo Tumblr Jux Soundcloud [sound art, audiovisual]
Lee, Ingrid Site Discogs [sound art, modern classical, lives in the USA]

India :
Desai, Poulomi Tumblr Facebook Facebook Youtube [audio-visual, sound art, lives in the UK]
Sandunes Site Bandcamp Soundcloud Facebook Twitter Instagram [electronica]

Indonesia :
Menstrual Synthdrone (Dyah “Woro” Isaka) Soundcloud [drone, noise]
Sabrina WordPress [noise]
Sarana Soundcloud Facebook [drone, noise]
Shalavita Koapaha, Verita Bandcamp [contemporary classical]

Iran :
Bela, Leila (ليلى بلا) Site MySpace Discogs [noise, sound art, lives in the USA]
Bigdeli Shamloo, Sara Soundcloud Twitter [electronic, sound tracks, lives in France]
Hatam, Farahnaz MySpace [sound art, lives in Germany]
Pazhutan, Honey Haq Site Soundcloud [see vH+] / vent aitcH Plus (vH+, V H +p) Site Soundcloud [ambient, drone, see Honey Haq Pazhutan]

Iraq :
Nadeem, Aida (Aïda Nadeem) Site Soundcloud Twitter Tumblr Wikipedia MySpace Discogs Youtube [electronica, traditional, contemporary lives in Denmark]

Israel :
Asher, Meira Site MySpace [industrial, sound art, lives in the Netherlands]
Elyakim, Dganit MySpace [electro-acoustic, classical]
Olivero, Betty Wikipedia [electro-acoustic, classical]
Rosenbaum, Keren Facebook Discogs [electro-acoustic, jazz, classical]

Lebanon :
Andraos, Joanna Site MySpace [electronica]
Chlela, Liliane (Queen Lil) Site Soundcloud Facebook [ambient, improv, psychedelic, improv, see Hezbel Taleta]
Dally, Rhéa (Rhea Dally) Facebook Soundcloud [chip tune, breakcore, lives in South Africa]
Sehnaoui, Christine MySpace Blogspot [jazz, sound art, lives in France]
Zaven, Cynthia Soundcloud Youtube [improv, modern classical, electronic]

Malaysia :
Kok Siew Wai WordPress Youtube [improv, experimental]
Lau Mun Leng Myspace Discogs WordPress [sound art, video artist and graphic designer]

Philippines :
Barrozo, Teresa Site Soundcloud [classical, electro-acoustic]

Singapore :
Ang, Lydia Soundcloud Youtube ReverbNation [film score, ambient, new age, electro-acoustic]
Cheryl Ong & Vivian Wang Youtube [drone, industrial]
Ding, Debbie Site Soundcloud Twitter [sound art, audiovisual]
Kismett Bandcamp [sound art]
Reiki, Jean (DJ Reiki) Site Bandcamp Soundcloud Twitter Facebook Youtube Mixcloud Indabamusic [ambient, electronica]
Tara Transitory Site MySpace Discogs Facebook [electronica, ambient, sound art, see One Man Nation, lives in Spain and Asia]

South Africa :
Beckmann, Inge MySpace Discogs Facebook [electronic, contemporary]
Isadora Dustmite Junk MySpace Bandcamp Facebook [electro-acoustic, noise, sound art]
Schneider, June [electro-acoustic, multi-media installations][1971 ?]

South Korea :
Itta (있다) https://www.youtube.com/user/TxNxGxRMySpace Facebook Twitter MySpace [sound art, ambient, minimal, member of 10 and Tengger]
Okkyung Lee Site MySpace [classical, improv, sound art, lives in Germany]
Shin, Amy Soundcloud [classical, sound art, post rock, etc., USA/South Korea] – she´s an American of Korean descent who migrated to Seoul.
Ha Jane Facebook [improv, see Pika & Pikasland] – from the US I think but lives in Seoul.

Syria :
Asma Shams (شمس أسمى, Asma Ghanem) Soundcloud [sound art, ambient, lives in Palestine]

Thailand:
Liew Pichanan Niyomkarn Site Souncloud [noise, sound art]

Taiwan :
Anchih Tsai [electro-acoustic] Youtube – unfortunately, she passed away a few months ago.
Betty Apple (ßetty ∆pple, Reiki Jelly, Yi-Ping Cheng, Xiao-Biao, 瀟薄 ) Site Soundcloud Twitter MySpace Tumblr Youtube Vimeo Mixcloud Soundcloud (Reiki Jelly) Facebook [sound art, noise, electronic, techno]
Hui-Chun Lin Site MySpace [improv, sound art, classical, lives in Germany]
Hui-Shen Chang Alice Site [electronica, sound art] – she mostly experiments with her voice when she plays solo.
Kueiju Lin [classical, improv, sound art]
Lai Chi-Hsia Site Soundcloud [sound art]
Pei Site1 Site2 [minimal sound art, onkyokei, lives in Switzerland]
Pei-Yu Shi Youtube Facebook [sound art, electronic, folk, audio-visual]
Luo Chao Yun (駱昭勻) Site MySpace [traditional, classical, improv, sound art]

Tunisia :
Abdelwahed, Deena Site Tumblr Facebook Arabstazy Mixcloud [electronic]
Houaïda (Miss Machine) Soundcloud Facebook [electronica, industrial, noise pop,lives in Germany]

Turkey :
Ah! Kosmos Site Soundcloud Soundkick Facebook Twitter Instagram Last.fm [electronica]
Gürkan, Gülce Özen Site Bandcamp MySpace Soundcloud Vimeo Discogs [electro-acoustic, sound art]
Pase, Tuna MySpace Facebook Soundcloud 1 Soundcloud 2 Soundcloud 3 [electro-acoustic]

Vietnam :
Cao Lan (Cao Thanh Lan) Site [electro-acoustic, sound art, free improv, classical, see Parallel Asteroid, Swiss Army Wife, lives in Germany]
Lương Huệ Trinh (Luong Hue Trinh) Soundcloud MySpace Facebook [sound art, electro-acoustic]
Ngọc Trần Thị Kim (Ngoc Tran Thi Kim) Weebly Youtube [sound art, electro-acoustic, classical]
Nguyễn Nhung (Nguyen Nhung) Site Bandcamp [dark ambient, drone, minimal electronic, noise, electroacoustic, classical, see Sound Awakener][2007]

And a list of female composers from Latin America here, thanks to Alma for providing the link.