New releases – December 2019 (1)

v.a. – VV​-​VA​-​00 (CD & digital, VV​-​VA​/٧٨-٧٧)

VV​-​VA​-​00 is the first release of VV-VA, a new Lebanese label run by Jawad Nawfal aka Munma, also known for his duo Tasjiil Moujahed. This collaboration includes a lot of his collaborations and collaborators, all based in Beirut : Mazen El Sayed (El Rass), Elyse Tabet (_Litter), Sharif Sehnaoui, Jad Atoui and Charbel Haber (Scrambled Eggs). Despite the sometimes very different scenes some of the musicians come from (from hip hop to free improv), the compilation maintains a very good unity, the tracks are for most ambient and electronica, many are instrumental, some include voices. (cdrk)


Serata Keiji – Ambiguous boundaries (digital, AMART)

Very peaceful and relaxing drone and ambient album with a pinch of field recordings ba Japanese composer Serata Keiji. (cdrk)


Normal Brain- Lady Maid (CD, cassette, vinyl, digital, WRWTFWW Records)

“Originally released in 1981 as a limited vinyl pressing of 300 copies on Agi Yuzuru’s fabled experimental label Vanity Records (R.N.A. Organism, Dada, Sympathy Nervous, Tolerance…), Lady Maid is a testament to the creativity of the early 80s’ Japanese electronic and experimental scene, encapsulating a prolific era when audio gear became affordable for musicians to explore sounds in the comfort of their home, free from studio time pressure and major label rules.” (from the labels’ page)


Miftah Bravenda – It’s Alright EP (digital, self-released)

New EP for Tangerang (a town at the outskirt of Jakarta) based Miftah Bravenda. From post-rock to electronic pop music. (cdrk)


Mise_En_Scene – -O​-​R​-​G​-​A​-​N-  (cassette & digital, Crónica)

Mise_En_Scene is an Israeli solo project active for more than a decade.
-O​-​R​-​G​-​A​-​N- is a very minimalistic meditative drone album, except for the fifth track, remixed by sound artist Adam Basanta who provides a glitch/electronica piece. (cdrk)


Sankara Future Dub Resurgence – Drawing On Ancestral Knowledge (digital, Indigenous Resistance)

Excellent industrial dub made in Uganda and the UK. The release includes four heavy bass and distorted dub tracks with political lyrics, recorded in Kampala.
Sankara Future Dub Resurgence is a trio made of Ras Isaacs (percussions), Ras Charles (dj), Kabaka labartin Klacity (vocals) featuring Indonesian guest vocalist Nina and Dhangsha aka Dr Das, Churulian (Asian Dub Foundation) (noisy electronics).
You can watch their video on Vimeo. (cdrk)


Pengboon Don – I play Alone (digital, self-released)

Pengboon Don is one of the few free improvisers in Thailand. This new release contains one improvised piece for guitar, effects and field recordings. (cdrk)


Xu Shaoyang, Fiona Lee, Livia Garcia – live at cafe oto (digital, self-released)

This live recording is a mix of jazz piano and field recordings made in Honk Kong by Fiona Lee during the demonstrations happening in 2019, a field recording collage that you can hear here. (cdrk)


Fiona Lee – Hong Kong 9 June to 12 Sep 2019 (digital, self-released)

“This track is the field recordings on the protest to No Extradition Law in Hong Kong, from 9June 2019 to 12 Sep 2019.
From the first day till now, we Hong Kong people step out to fight for our right and freedom.
This track is including around 7 days recordings during the protest.” (Fiona Lee)


4lienetic – Abstract (digital, self-released)

4lienetic is a solo project based in Mumbai, India. This new album contains six ambient tracks, mostly electronic but here and there with post-rock or classical music influences, that remind of a film score. (cdrk)


DETHOMEGA – sub singularity (digital, Acid Distribution)

Filipino electronic music composer Dethomega is back with a new album that mixes plunderphonics, ambient, post-industrial, noise electronics that reminds of some music productions from the late 1990s. (cdrk)


madamdata – 3f requiem (digital, self-released)

One long onkyokei track by Singaporean artist madamdata : filtered minimalistic high pitch tones (feedback ?). (cdrk)


Fahmi M. – Climate Change (digital, self-released)

Hyper active Indonesian composer Fahmi M. provides us here some electroacoustic tracks made with modular synth. (cdrk)


BRRR. – Gendam Sukma (part1) (digital, self-released)

BRRR. is Mahamboro, a musician from Jogjakarta, Indonesia. This one track release is inspired by Javanase culture (no gamelan in here !) and rhythmical industrial music. (cdrk)


Arcade Ghoul – Heart of a Statue (digital, self-released)

Hailing from Istanbul, Turkey, Arcade Ghoul released a ten tracks album that oscillates between post-industrial, distorted electronics, rhythmic industrial and lo-fi ambient ballads. (cdrk)


Torturing Nurse / Bobryk – Vutuv / Why (cassette & digital, ЩЫЛ)

Split between Chinese harsh noise performer Torturing Nurse and Ukrainian noise artist Bobryk. (cdrk)


Reza Solatipour – The Gate (cassette, CDr & digital, Eighth Tower Records)

Reza Solatipour is an Iranian dark ambient artist. This new album contains ten dark and cinematic tracks that include many traditional ingredients of the genre : whispering, drones, reverberated choirs, tribal rhythm deeply buried in the background, dark melodies, and so on. (cdrk)


Ecko Bazz – Kyusa Embela (digital, Hakuna Kulala)

Great hip hop made in Kampala, Uganda, Ecko Bazz teams up with UK music producer pq to deliver three dark, distorted and heavy tracks between bass music and industrial hip hop. (cdrk)


Hoshiko Yamane & Mikael Lind – Spaces In Between (CD & digital, Time Released Sound & Time Sensitive Materials)

“Hoshiko Yamane is a classically trained violinist, and a current member of the legendary band Tangerine Dream. She’s also an accomplished composer, and whether releasing and playing under her own name, or as Tukico, her unique sound often features looped strings together with Moog synths and effects.

Mikael Lind has released several albums of experimental ambiances, often drifting between either more classical Warp style electronica, or a modern classically oriented sound. Early this year, Hoshiko and Mikael decided to try to compose two tracks together, mostly out of curiosity. Thrilled by the outcome of the first two songs, they ended up finishing this entire album!” (from the label’s page)


Miki Yui – wigawiga​/​wigawigawiga (casette & digital, Hasana Editions)

“Based in Germany for the last two decades, Japan-born Miki Yui’s music is relatively small in scale but exceptionally rich in texture. She is known for her peculiar minimalistic and organic approach towards sound, balancing a delicate tiny hiss to a distant hum, quirky electronic clicks and field recordings, and sculpted it into unhurried pieces of composition with suspense and narrative tension. wigawiga/wigawigawiga was recorded live earlier this year in her Düsseldorf studio, and is a manifestation of the memory of lived events. An ever-flowing streams, constantly rise and recede, reveal then erase its own traces, fading after having appeared or being awakened, crafting a poem of abstract landscapes.” (from the label’s page)


Das B – Canopy (CD & digital, ТОПОТ)

Das B is an international project founded in 2015 in Berlin and including Lebanese free improv musician Mazen Kerbaj (trumpet), German improviser Magda Mayas (piano), Australian improvisers Mike Majkowski (double bass) and Tony Buck (percussion) well known for playing with The Necks. Excellent team for an excellent result, a perfectly crafted free improv live recording at the Konfrontationen festival in Austria.

New releases – November 2019

v.a. – pɹnsqɐ (digital, Absurd TRAX)

pɹnsqɐ is a compilation of remixes of previous releases of Kelvin T, ASJ, ANNA and Alexmalism published on Hong Kongese label Absurd TRAX.
The tracks mostly cover the local bass and club music genre that is developing in Hong Kong and China for many years now : beat-oriented music with a certain amount of traditional music influences. (cdrk)


Mario Swagga and DJ Silila – Mapenzi Digital (Digital Love) (vinyl & digital, Signrecords)

If you like super fast beats, this one may be for you. Mario Swagga and DJ Silila play singeli music, an electronic music genre coming from Tanzania and influenced by taarab music that sounds more like taarab on speed than anything else. It’s party music, the voice is loud, the rhythm goes up to 180bpm or more. You can get the vinyl through the label here. (cdrk)


33EMYBW – Arthropods (digital, SVBKVLT)

Based in Shanghai, 33EMYBW plays electronic music above all based on rhythms, syncopated samples, she is part of a new generation of Chinese electronic musician who develop an form of local alternative club music such as Zaliva-D, Gooooose, or Mun Sing, grabbing various influences from traditional Chinese music to ryhmical industrial,  bass music, distorted techno and, for some, breakcore.
The album includes one track featuring noise musician and free improviser Li Jianhong and remixes done by Ugandan electronic artist Don Zilla and Uruguayan electronic musician and dj Lechuga Zafiro.


Tusuk Lubang Telinga – Akan Tiba Waktunya Keruntuhan Tata Surya Dan Kumpulan Objek Benda Langit Tidak Lagi Terikat Oleh Gaya Gravitasi. (E​.​P) (digital, self-released)

Just based on the title of Tusuk Lubang Telinga’s latest EP alone, Akan Tiba Waktunya Keruntuhan Tata Surya Dan Kumpulan Objek Benda Langit Tidak Lagi Terikat Oleh Gaya Gravitasi (the time will come when the solar system collapses and everything in the sky is no longer bound by gravity), we know that this EP will take us on an catastrophic journey through space. The solar system is dying and we are powerless.

Ketika Pluto Tidak Lagi Mengorbit Matahari Secara Langsung. (when pluto no longer orbits the sun), the EP’s first track establishes the apocalyptic mood and focuses our attention with a consistent wailing from the Pluto’s barren glacial atmosphere. We can’t quite tell what is happening yet, but it fills us with dread. The cold and unforgiving drones are juxtaposed with the haunted metallic clanging from abandoned satellites crashing into the arctic surface. This ominous soundscape signals the beginning of the end.

By the time the EP transitions to the second track Terbiusnya Bumi Oleh Vaksin Bajakan. (sedate the earth with pirated vaccines) we are greeted with screams for help in the form of harsh feedback and heavy distortion. The solar system is in full collapse. The stars are falling faster and faster. We can only sit back and watch from our vantage point on Earth. Being over medicated has made us comfortable, and nothing we do can stop this attack on everything we cherish. The sky is on fire, our eyes are burning. Grab your loved ones because we are not coming out of this alive. The falling stars come crashing to Earth, it has changed the landscape and threw all the plants out of sorts. We are doomed, but can not process how bad.

Terbentuknya Lahar Mars Menyerupai Kepala Manusia Bertanduk. (mars’ lava resembles a horned human head) is a track that calms us down after the previous heavy assault. However, our moment of peace is short lived. We realize we have reached the red planet, synonymous to hell. Here the buzz sawing drone cuts through the planet, a constant reminder there is no quarter given. In the distance the demonic Martians are constantly at work making ruckus in their torturous industrial factories. Voices wail out, looking for help in a place where there is none. The sawing continues and doesn’t stop. It is pulsing through our brains and begins speeding up. We look around and feel the anxiety brought upon by this nightmarish hellscape. Is this were we went after the end of everything? The floor is lava and we can’t move. Suddenly a horned head emerges, and saws our brains us into a million tiny pieces. We are enveloped with the sawing until we only see red

For the last track Nafl Untuk Bintang Dari pertarungan Mentari Dan Rembulan. (nafl [prayer] for the stars of the sun and moon battles) we emerge from the red and are witness to the final epic battle between our Sun and Moon. Whoever wins, we lose. At first we are instructed to say a prayer. The pulsating rhythms provide us an opportunity to reflect on our last human moments. This was a wild ride, we have seen the end of our solar system. The moon tries to eclipse the sun, but it is too powerful. The Sun engulfs the Moon like a mother welcoming her forgotten child. This sets a chain reaction, and enormous solar bursts begin to explode from the Sun’s surface. All at once there is a bright light and then darkness. It is completely silent, and that is it. (Sean Stellfox)


Dominowe – SiyaThakatha (vinyl & digital, GQOM OH!)

Gqom, a South African music genre more minimalistic than kwaito (really ?), darker but still groovy, Dominowe’s repetitive sequences pushes the listeners into trance (a real trance, not techno trance),  this release differs from a lot of qgom music I heard before, with a clear house touch in the Club Killer track and a pinch of dub in the track Umzabalazo (WE BROKEN). (cdrk)


Sabiwa – DaBa (vinyl & digital, Chinabot)

Sabiwa is an audio-visual artists from Taiwan now based in Berlin, her album’s dreamy atmospheres sometimes remind a bit of Psapp or CocoRosie sometimes but more tortured. You will find many influences in her composition from electronica to sound collage, looped vocals, electroacoustic processing, glitch, ambient and a touch of industrial in the track Enigma. (cdrk)


Daniel Slabosky – Five Minutes (vinyl & digital, Uganda)

“Second E.P. for Tel Aviv / Jerusalem based producer / singer songwriter Daniel Slabosky.
Five Minute delivers 5 euphoric, dark, alienated blend of traditional folkish song writing gently synthesized with some beats added that redefine the boundaries between indie rock and electronic club music.” (from the label’s page)


Maenad & the Ravers – SUNDOWN (CD & digital, self-released)

Formed in Hong Kong in 2017, Maenad and the Ravers is Cecilia, Ming and Wing. Their music is heavily influenced by 1980s new wave and post punk but with a touch of 21st century music here and there.
The album has been produced by Cecilia Nox (the singer and keyboardist) & Eric M.Y. Chan (aka e:ch, from Macao). (cdrk)


KMRU – Variations (Installation) (digital, self-released)

Variations (Installation) is made of field recordings and looped field recordings made in three different cities, and additional electronics . It is part of a three channel sound installation that has been exhibited at Abuja Art Week (Nigeria) in November 2019 and might be presented in March 2020 Nairobi. (cdrk)


gΔitφ – Volcano Jazz (digital, equnatrecord)

Japanese noise drummer Gaitoh sounding like someone drumming on top of an active volcano. (cdrk)


Ouwan Itaru – Breath&Blood (digital, equnatrecord)

If I’m not wrong, another incarnation of Gaitoh. Feedback, noise, growls, deconstructed drums, a lot of energy in here, a work that reminds me of some of Utku Tavil‘s performances. (cdrk)


Nyctalllz – Esion 2 : Dissolve (digital, Zāl Records)

Esion 2 : Dissolve is the second album of Iranian artist Nyctalllz (aka Xerxes The Dark, etc.), the album had previously been released on Amduscias Records in 2008 and has been re-mastered. The music is often more rough than what Morego does as Xerxes The Dark ; apart of dark ambient, some tracks go into noise and ambient industrial. (cdrk)


Ma – Ama (vinyl & digital, Morphine Records)

“MA comes from the rap and hip-hop Tokyo scene, but throughout the years he evolved into a more noisy and experimental beat making. He blends ritualistic ancient Japanese lyrics and vocal methods, on music that he creates using also his voice or field recordings. The result is alienating, weird and haunting but at the same time fascinating and futuristic. MA’s Beehayden is being remixed by Sugai Ken, another outstanding artist and performer from Japan. MA made his first short live performance at Dommune Tokyo in may 2019, revealing his craft and performative side.” (from the label’s page)


Yan Jun & Bani Haykal – Rats in the bright southern sky (vinyl & digital, where is the zeitgeist ?)

A collaboration between two improvisers and poets, Chinese musician Yan Jun (no-input feedback, contact mic) and Singaporean experimentalist Bani Haykal (text, voice, coding. Voice collage, feedback, loops and glitch, minimalist music in the style of Onkyokei. (cdrk)


Hexenoise / brokenchelust (Split)  – Hexenoise / brokenchelust (Split) (digital, self-released)

Two long noisy tracks.
Hexenoise is a power electronics project from Russia, brokenchelust is a death ambient, industrial and noise project from Azerbaijan, this time featuring Queenigar. (cdrk)


Contagious Orgasm – Maschinenfest comp tracks (cassette & digital, raubbau)

Japanese electronica and post-industrial band Contagious Orgasm just published six live tracks recorded between 2001 and 2018 at the defunct Maschinenfest, a festival that took place in the Western part of Germany during twenty years.
This album is part of a collection of live recordings made by artists during the Maschinenfest. (cdrk)


Omar Fadel Hadi – Vanishing Form (digital, self-released)

Omar Fadel Hadi is an Iraqi musician based in Baghdad whose music oscillates between ambient and techno, for this release he recorded two long pieces reminding of 1990s techno, pretty minimal, a bit ethereal and without any harsh compression, Omar definitely takes the opposing view of today’s ultra loud pop music world. (cdrk)


v.a. – Noise A Noise 19​.​3 (digital, Noise À Noise)

Noise À Noise is an Iranian label that just published its third compilation this year. Each one includes a majority of Iranian artists and some foreigners but this one seems to be more dedicated to Iranian artists.
This third volume presents 20 tracks by 20 composers such as Alireza Mirhajebi, Ghodsea, Mohamad Nikpour, Ali Sasha and Zhoobin Askarieh, Parham Izadyar, Owrang, etc.
Dark ambient, electroacoustic, electronica, eerie and experimental music. (cdrk)


v.a. – Anthology Of Persian Experimental Music (digital & CD, Unexplained Sounds Group)

This compilation was published three years ago in digital format only and is now pressed on CD ; the new digital version includes four more artists who are unfortunately not present on the CD.
Many of the artists are active for years in and ourtside Iran, such as Tehransmission, Umchunga, Nyctalllz, NUM, Spectro Duo, Bicolor, and so on.
The whole CD is more dedicated to dark ambient, electronica, and drone with various influences, from Western music to Persian melodies and even includes an oriental post-rock track by Ostanes. (cdrk)


v.a. – “shelTer” (digital, Müstesna Records)

shelTer is a compilation that includes 25 artists, a lot form Turkey but international ones too in the field of techno, electronica, electro, and other rhythmic electronic genres.
The compilation has been done in order to provide financial support for creating national and international awareness about the trans murders and trans suicides in Turkey (the country has the highest rate of murders of trans people in Europe, and the ninth in the world). The benefits will be donated to “Eylül Cansın Trans Guest House” which was founded by the Istanbul LGBTI Solidarity Association and named after Eylül Cansın, a transgender person who committed suicide January 2015.
Some of the musicians included on the compilation are Houschyar, Emnre Can Swim, Tolouse Low Trax, Anatolian Weapons, Salih Topuz, Neu Verboten, Mahmet Aslan, Mekine U Teksi, Venderstrooik, Osilator, etc. (cdrk)

New releases – October 2019

Aragorn23 – Selected modular atmospheres vol. 1 (digital, self-released)

South African composer and improviser Aragorn23 presents eleven algorithmic pieces for modular synthesizer.
As the title evokes it, the music is quite ambient and relaxing, each piece developing its own little world. While some pieces would remind of late 1970s and 1980s minimalist ambient music, others sound more contemporary. (cdrk)


Various artists – These Are Our Friends Too (digital, FORWARD)

A project worth to support !
“This album is brought to you by Musicians Unite to End FGM (MUTEFGM) and Tse Tse Fly Middle East. These Are Our Friends Too is a unique album that highlights the work FORWARD does towards ending FGM (female genital mutilation). The album continues FORWARD’s These Are Our Friends project, a collection of poetry from young people from London, Bristol, Manchester and Birmingham that responds to the themes of FGM and its consequences. The first stage of the project resulted in a book of the same name that features more than thirty pieces of work, a short film made with Media Trust, and this new collaboration sees nineteen of the poems re-imagined.

Tse Tse Fly Middle East hand-picked a selection of female artists and musicians, and each one was given a spoken word recording of one of the poems read by members of the FORWARD team and poets from the book. The artists then composed and recorded a sonic background for their designated piece, with the resulting spoken word and experimental music compositions making up this new, nineteen-track set, These Are Our Friends Too.

The album features contributions from some of the foremost female proponents of noise from Egypt, Iran, Turkey, Lebanon, Serbia, Bulgaria and Sweden, as well as UK-based collaborators. And the visceral, uncompromising and unsettling tracks that result reflect the disturbing nature of female genital mutilation.” (Tse Tse Fly Middle East)


Yan Jun & Bani Haykal – Rats in the bright southern sky (vinyl & digital, whereisthezeitgeist?editing office)

These tracks were recorded at NTU Centre for Contemporary Art Residency Studio, in Singapore by prolific composer, poet and organiser Yan Jun (no-input feedback and contact microphones) and Singaporean researcher and composer Bani Haykal (text, voice and coding), then edited by Yan Jun.
The result of this collaboration is an electroacoustic music album in which voice loops and experiments navigate between waves of noises and feedbacks ; high pitched tones and incidental sonic glitches remind of some Toshimaru Nakamura‘s No​-​Input Mixing Board works while Haykal’s voice brings new elements to this form of onkyokei. (cdrk)


H.Takahashi – Sonne und Wasser (vinyl & digital, Where To Now? Records)

Dreamy minimalistic ambient music at the age of new age, tiny melodies, slow tunes made in Tokyo.
Takahashi tells : “I wanted to express the plant that was slow, quiet, powerful, and full of vitality. In an attempt to express the world of one plant, the four songs that make up this album are all based on the first one, ‘Nymphaea’… The melody, chord and tone throughout become familiar, and each change of scene is expressed by subtly changing the arrangement and development of sounds. This is intended for when you want to feel like a plant, or as an indoor soundtrack – I want the music to be played so that it decorates the plants within a room.”


Ouwan Itaru – Conceptual Works  (digital, equnatrecord)

There’s Goh Lee Kwang in Malaysia who releases zillions of tracks per month and then Ouwan Itaru in Japan who releases an insane amount of tracks too.
Free improv noise, very wild drums, guitar, distortion and noise. (cdrk)


Goh Lee Kwang – OnTheNight (digital, self-released)

Long improvisation for electronic, hypnotic, somehow noisy but not on the harsh noise side. (cdrk)


Hiroyuki Ura – Ghost Note (tape & digital, Zoomin’ Night)

If you are familiar with solo drums compositions of Morihide Sawada, this might be of interest. Track one is a half an hour solo for snare, track two for cymbal.
Both minimalistic pieces are performed gently, unlike Ryosuke Kiyasu‘s wild performances for snare. (cdrk)


Yang Haisong – Fictional film music (tape & digital, Zoomin’ Night)

Very repetitive ambient experimentation by Chinese composer Yang Haisong.
“Yang Haisong is lead singer of P.K.14, one of the top legendary indie rock bands from China, and he is also the CEO of indie rock label Maybe Mars. Beside these main roles, he also has some side projects including Dear Eloise, After Argument, Blonde Eskimo, collaboration with Xie Yugang (Wang Wen), and his tiny label Share The Obstacles. Yang is a poet, a novelist, and also a music engineer/producer. His work could be found in many Chinese rock bands’ debut album. In these two or three years, Yang involved in some film music projects, but for this cassette album, it does not belong to anyone. In the recording, Yang talks about a fictional movie as while as real life’s concealing and uncertain.” (Zoomin’ Night)


Slikback & Hyph11E – Slip B (digital, SVBKVLT)

I’ve been following parts of the bass music and rhythmic electronic scene in China for a while now and the Kenyan one for a shorter time in the recent years too. I now and then thought that musically speaking there were connections between the work of several of those artists such as Zaliva-D (China) or Slikback (Kenya) for example. And here we go. Here’s a beat-oriented collaboration between Shangainese composer and dj Hyph11E and Nairobi based composer Slikback ! (cdrk)

“SVBKVLT invited Kenyan producer Slikback to China for a 3-week tour and residency in April 2019. During these 3 weeks, Slikback performed in 5 cities (Shenzhen, Shanghai, Hangzhou, Nanjing and Beijing), spending time in the studio with artists throughout the tour. The results of these studio sessions are now being presented in the form of two EPs, to be released simultaneously across the two labels Hakuna Kulala (Uganda) and SVBKVLT (China)”


Slikback / 33EMYBW / Osheyack / Yen Tech – Slip A (digital, Hakuna Kulala)

Released at the same time than Slikback & Hyph11E – Slip B, this release features three pieces of beat and bass music by Slikback & Yen Tech, Slikback & 33EMYBW, Slikback & Osheyack. The musicians started to compose the tracks in China and then finished remotely between Nairobi and Shanghai and present a nice mix of all these artists’s styles. (cdrk)


TENGGER – Shikoku (tape & digital, self-released)

Following a pilgrimage on Shikoku island, the South Korean-Japanese project delivers us a double cassette (contact them for ordering it) that, to my knowledge, doesn’t sound to any of their previous recordings. While the duo (Itta & Marqido) performed a mix of noise and psychedelic improvised music at its very beginning (back then called 10) and dived deeper into (partly electronic) psychedelic music, this new release first four tracks are made of field recordings of people (praying at a buddhist temple ?), bells and so on, pitched in some cases ; the five other ones are very minimalistic and meditative recordings of bells (I suppose tsurigane) and silence. (cdrk)


СРАНЪ & brokenchelust – Split (digital, self-released)

СРАНЪ, a Russian punk and grindcore project from Tolyatti, Russia shares this release with noisegrind artist brokenchelust from Baku, Azerbaijan.
Expect a lot of distorted sounds. (cdrk)


Rey Sapienz – Mushoro (tape & digital, Hakuna Kulala)

While Congolese artist Rey Sapienz tends to be hip hop oriented live, his second release on the Ugandan label introduces us to a lot of instrumental pieces (but a few sung tracks are also included, sometimes more sung than rapped), slow beats with various influences from mutant dancehall to electronica. This release could be a modern version of Noir et Blanc this electronic afropop gem published in 1983 by Hector Zazou, Bony Bikaye and CY1. (cdrk)


MC Yallah x Debmaster (tape & digital, Hakuna Kulala)

Amazing collaboration between Ugandan-born, Kenyan-based MC Yallah and French distorted hip hop composer Debmaster.
Live or in the studio, MC Yallah is simply amazing, her voice, flow and energy – it is only unfortunately I don’t understand Swahili ! The release explores distorted and industrial hip hop, as well as electro hip hop and bass music, dark deep and slow but heavy beats. (cdrk)


Yao Bobby & Simon Grab – Diamonds (vinyl & digital, Lavalava Records)

Togolese -Swiss collaboration by Yao Bobby and Simon Grab who have collaborated in Togo and Switzerland for 15 years and this release is a blast : industrial hip hop and that will change your view on dancehall, feedback and no-input mixing desk, distorted bass, political lyrics sung in French, English and Ewe. And the EP includes… two remixes by Asian Dub Foundation (yes, the 1990s band) member Dhangsha aka Dr Das and Churulian (who also joins them live for the best !). (cdrk)

New releases (June 2019)

Yikii – Flower’s Grave・花之墓 (digital, Genome 6.66Mbp)

Japanese project Yikii presents an album that includes elements of distorted techno dark ambient and above all horror film sound track, like a fairytale gone wrong. (cdrk)


KMRU – OT (digital, self-released)

Joseph Kamaru aka KMRU is a field recordist and ambient artist from Nairobi, Kenya. OT is a three-track release based on a same theme that include ambient strings, field recordings and minimalistic glitch and melodies. (cdrk)


Kenji Kihara – Dawn (CDr & digital, eilean rec.)

“Kenji Kihara is a Japanese musician based in Hayama, in Japan, a place surrounded by nature near to the sea and mountains.”
His electronic and ambient works are truly inspired by the sound of nature. His music oscillates between ambient and new age. (cdrk)


Aken’s Sleep – Beauty in Decay (digital, self-released)

Ambient guitar composition by two Egyptian composers : Ali Soliman & Mohammed Ashraf (aka Pie Are Squared), melancholic drones, subtle distortion, and a tiny touch of techno by the end of the release. (cdrk)


Edwin Lo – Field Recordings Archive: The Days in Queen Pier (digital, self-released)

“The recordings speak for themselves on the construction of Central–Wan Chai Bypass.” (In Hong Kong)


維度本身的結構 – Zukunft (digital, Shanshui)

維度本身的結構 one of the monikers of Chinese musician Sun Dawei aka Sulumi. Known for his techno and breakcore projects, Sun Dawei introduces us to a more intimate atmosphere : ambient guitar and electronics. (cdrk)


Don Zilla – From the Cave to the World (digital, Hakuna Kulala)

Two drastically different pieces by Kampala’s composer Don Zilla. The first track explores a dark side of Ugandan bass music, the second one is a twelve-minutes dark ambient piece that sounds like a soundtrack made in a submarine. (cdrk)


Jeritan – Chaos EP (digital, self-released)

Indonesian solo project Jeritan introduces us to a world of harsh noise, glitch and epileptic micro-loops. (cdrk)


Various artists – in his knotty ears, the donkey’s bells would jangle (cassette & digital, AqTushetii)

“in his knotty ears, the donkey’s bells would jangle’ is a selection of music either performed live, bootlegged, composed, or partly developed at AqTushetii artist residency & festival, summer 2018. Mirroring the diversity of the residents that took part, this compilation is an eclectic mix of genres and styles — musique concrete, computer music, Ashiq music, Circassian folk, post-industrial, modular synthesis, electro-acoustic music, tape collage, noise, drone, ambient, audiobook — from different parts of the world: Georgia, Sweden, Australia, Switzerland, North Caucasus, USA, UK.”
Georgian artists include Mess_montage, Vo Ezn, VAZHMARR, TeTe Noise, etc.


Various artists – place : georgia (digital, place)

“place : is country specific – electronic music compilations where the proceeds are donated to local human rights groups. Highlight the local producers, and bring awareness to the social causes that are important to the creative community there.
In May 2018, Georgian police raided multiple popular clubs in Tbilisi, using excessive force against workers and guests. The officially stated reason for the raid is due to recent drug-related deaths and accusations of drug trafficking.
Proceeds from this release will be donated to the Georgian organisation Human Rights Education and Monitoring Center (EMC).
The compilation includes a lot of Georgian artists from the local electronic music scene, mostly techno and ambient : Hanker, Benvol, Natalie Beridze, etc.
More information about the protest that happened in Tbilisi following this link The first protest expressed through massive rave to electronic music in Tbilisi (Georgian Journal).


Theo Nugraha & Tesla Manaf – Sikap Eksploratif (digital, Noise Bombing)

“This composition uses an improvised practice approach. Each artist responds to the sounds that are present and explores the possibilities.”
Sound collage influenced by Indonesian popular music, electroacoustic, free improv, noise, tape experimentation, electronics and film samples. (cdrk)


Dharma – Electric Animism (cassette & digital, self-released)

Dharma, member of famous Singaporean band The Observatory, is a brilliant guitar player, his new release composed with electric guitar, effects and objects i a powerful adventure into drone, free improvised and industrial music. (cdrk)


TENGGER – Spiritual 2 (CD, vinyl & digital, Beyond Beyond is Beyond)

“TENGGER is a traveling musical family, made up of Pan-Asian couple, itta and Marqido, who create their brand of psychedelic New-Age drone magic through the use of harmonium, voice, and toy instruments (played by itta) and analogue synths (played by Marqido). The duo originally started out with the moniker “10” but since the birth of their son RAAI (who joins them on tour and often on stage) in 2012, have called themselves TENGGER (meaning ‘unlimited expanse of sky’ in Mongolian) to mark the expansion of the family. It also means ‘huge sea’ in Hungarian.”
This new album is probably their most ambient and psychedelic release.


Various artists – Peninsula Volume 1 (digital, Liquid Frequency)

Liquid Frequency is an Indian label known for its psy trance releases but this time Yidam selected ten artists and duos who play ambient and new age music, among them, drill┼mallo, Subhas Mazumdar, Shivacult, and Coma Conscience. Field recordings, minimalistic atmospheres, drones, electronica, a lot of relaxing music. (cdrk)


Yan Jun – Plays John Cage (cassette, digital, foreign lands)

“Yan Jun is a musician and poet, based in Beijing. His work involves performative music, experimental composition, field recording, improvised music, experimental electronic music and relative presentation of exhibition.
He uses non-musical materials such as the body, blankness, in-situ conditions and everyday noise.
In further, he experiments on structure and concept of music.”


Koeosaeme – OBANIKESHI (vinyl, digital, Orange Milk Records)

Yoshizawa Ryu “Koeosaeme”‘s album is a very nice and diverse composition between collage and modern electroacoustic music that blends violin, sound design, glitch, deconstructed electronic beats and the likes. (cdrk)


aragorn23 – Desert Meditation Drone (digital, self-released)

South African artist aragorn23 aka Asqus composes generative music with modular synthesiser. Desert Meditation Drone is a 23 minutes long ambient piece. (cdrk)


Omar Fadel Hadi – The Room (digital, self-released)

Four compositions by Iraqi musician Omar Fadel Hadi. Mostly ambient, with a touch of post rock for the third track Minimal. (cdrk)


Farouk Adil – Continuum (digital, self-released)

Farouk Adil is an very prolific musician from Iraq who mostly works in the field of ambient music, sometimes techno or electronica and organises small events in Baghdad.
Continuum is a collection of field recordings, a project from The Institution Of Fine Art in Baghdad. (cdrk)


Hüma Utku – Gnosis (vinyl & digital, Karlrecords)

Turkish musician Hüma Utku aka R.A.N. just published her second vinyl on Berlin-based label Karlrecords. Far away from her electronica composition, she now composes hypnotic and ritualistic beats and dark ambient. (cdrk)


Izumi Kawasaki – Moromi (cassette & digital, Gerpfast Record)

Izumi Kawasaki is a Japanese multidisciplinary artist active since the 1990s whose noise career started in 2018. Moromi is her first album. Expect harsh noise and syncopated distorted loops. (cdrk)


Rắn Cạp Đuôi Collective – Degradation (digital, Flaming Pines)

Composed and produced by Zach, with instrumentation by Lam Lam, voice by Lý Trang and Harvey Stauss and engineering by Đỗ Tấn Sĩ, the international project Rắn Cạp Đuôi Collective, based in Ho Chi Minh takes a more abstract direction than their previous album Libyan Circle Voice Simulation. Glitch, ambient, heavy basses. (cdrk)

New releases

IZ – Kөlêngkê – 影子 Shadow (vinyl, WV Sorcerer Productions, Old Heaven Books)

“IZ is a Kazakh/Chinese band founded by Mamer, “IZ” means “footprint” in Kazakh. “Kөlêngkê 影子 Shadow” was recorded in 2010, when IZ was mutating from Kazakh folk / epics to post-industrial music, this classic album is a mixture of their recent experimental sound and early Kazakh traditional music instruments. Dombra, kobuz, mouth harp, with metal junk percussions. Previously released in CD and tape format, after 7 years, now “Kөlêngkê 影子 Shadow” is re-mastered by James Plotkin and finally released as a beautiful gatefold LP by Old Heaven Books & WV Sorcerer Productions.”
IZ樂隊在當代中國音樂中不可忽視,多年以來由哈薩克傳統音樂一直蛻變到現在的實驗工業聲響,參與過IZ的樂手也涵蓋了當下中國音樂圈很多重要的名字。IZ在不斷的否定自己,也在不斷的變異。除IZ之外,馬木爾和張東還有眾多的分支計劃,出品過大量的唱片,馬木爾個人也十分高產,從國內外的實驗音樂人到新疆乃至中亞多個國家的傳統民族音樂大師,探索的腳步從來沒有停止。《Kөlêngkê 影子》是2011年IZ以三人陣容錄制的唱片,當時IZ正處在從傳統哈薩克音樂到現在的工業噪音的轉變階段,這張專輯同時涵蓋了IZ後期的暴力聲響和早期的民間原聲樂器,獨一無二,也不會再次出現。
時隔7年之後,舊天堂書店攜手遊走在中法之間的音樂廠牌巫唱片/WV Sorcerer Productions將這張經典專輯首次出版為黑膠格式(180克),由著名美國制作人James Plotkin重新制作母帶。
“(WV Sorcerer Productions)


Sun Dawei – 僧侶與藝術家 / Monks & Artists (digital, Shanshui)

Active in the Chinese scene since the early 2000s, Sun Dawei (aka Sulumi, also member of breakcore duo Panda Twin) has since relocated to Osaka, Japan.
This new release is above all a very quiet and ambient album with gentle techno influences on the tracks Cliff / 崖壁 and Replace / 替代. (cdrk)


Fahmi Mursyid – The Actualising Self (digital, self-released)

The Actualising Self is the final year project done in Lai Wei Min’s final year at the NTU School of Art, Design and Media for their specialisation in visual communications. the soundtrack (that contains voice over by Lai Wei Min) has been composed by Fahmi Mursyid (aka Idiologikal) from Bandung, Indonesia. Both mixes featured on this release are meditative ambient tracks, you cal also watch the original audiovisual work on Youtube. (cdrk)


Xu Cheng – IN RED (digital, play rec)

Xu Cheng is an ex-member of Shanghainese noise project Torturing Nurse,  who co-founded in 2017 the label play rec with experimental musician Wang Changcun. The three pieces presented in this release are re-works and adaptations of music composed in 2012, 2013 and 2018. The first piece contains samples of a previous performance together with Huang Lei and Wang Tian, such as in the third piece, Xu Cheng operates in the field of drone and electroacoustic  with a pinch of soft noise ; the second piece was part of a theatre play called Ge Le Mountain (歌乐山) by Yao Bo. Zhao Chuan and co. and is a more meditative work. (cdrk)


Audrey Chen – Runt Vigor (vinyl & digital, Karlrecords)

“Audrey Chen’s long-awaited new solo album “Runt Vigor” is an adventurous sonic exploration of the voice, cello and analog electronics.

She began her relationship with sound through the cello and voice over 30 years ago and since the past 15 years, her predominant focus has been her solo work, joining together the extended and inherent vocabularies of the cello, voice and analog electronics.” (Karlrecords)


Konstrukt + Keiji Haino – A Philosophy Warping, Little By Little​ ​That Way Lies A Quagmire (Live) (vinyl & digital, Karlrecords)

“Second album by Turkish free jazz musicians Konstrukt and the Japanese avant-garde / noise icon Keiji Haino, this time recorded live in concert. Celebrating their 10th anniversary these days, Konstrukt have since been creating an impressive catalogue including collaborations / performances with significant musicians like Peter Brötzmann, William Parker, Akira Sakata, Evan Parker, Thurston Moore, Michael Zerang (and more) that gained them an ever growing audience and media attention.” (Karlrecords)


R.A.N. – Şeb​-​i Yelda (vinyl & digital, Karlrecords)

“R.A.N. is the dark electronic / rhythmic ambient music project by Hüma Utku. “Şeb-i Yelda” is available as 12” and download. Hailing from İstanbul and based in Berlin for a couple of years now, Hüma Utku has been a prolific artist lately: as R.A.N. (Roads At Night) she released her debut album ”Her Trembling Ceased”, followed by the remix album ‘Remixed: Stories Retold’ (both 2015, Partapart Records), and contributed several tracks and remixes to various compilations.” (Karlrecords)


Zhu Wen Bo – Duo with Jun-Y Ciao (digital, self-released)

Chinese experimentalist Zhu Wen Bo (clarinet, founder of the cassette label Zoomin’ Night – 燥眠夜) and Jun-Y Ciao (sopranino saxophone), recently published three improvised music pieces performed live and infamous Beijing music venue fRUITYSPACE, in September 2018. (cdrk)


Domadana Kadodi Performers, Sun C, Bamba Pana – Kadodi (vinyl & digital, Nyege Nyege Tapes)

“After almost 15 years of peddling his own cd’s and tapes on the streets of Mbale, Robert Mugamba’s Kadodi finally get a proper introduction to the outside world thanks to the increasingly vital Nyege Nyege Tapes crew. ‘Kadodi’ pairs a transfixing percussive soundtrack with modern electronic contributions from Bamba Pana and Sun C, resulting in another remarkable document from the pearl of Africa.” (Boomkat)


Morego – Solivagant (digital, self-released & D.M.T. Records)

“Morego is the musical project founded by Tehran-based producer Morego Dimmer (aka Xerxes The Dark, Nyctalllz). Known for his cerebral and experimental vein of dark ambient music, Solivagant dips into peculiar, yet cohesive IDM/downtempo strains. Its nine tracks spanning just over 30-minutes, the release feels like an album with an extended player outer shell.” (D.M.T. Records)


BNSU – Brand New Shit Upcoming #1 (digital, Brain Pussyfication)

Noise ? Noisegrind ? Extreme industrial ? The Berlin-based Japanese-Turkish duo (Kazehito Seki : voice & BEEATSZ : drums, electronics) offers us ten radical live tracks recorded at Villa Kuriosum’s Krach Keller in Berlin earlier this year. The album clearly evokes Osaka’s radical japanoise scene of the 1990s, all for the best ! This is a pre-order. (cdrk)


sinin – V1 (digital, self-released)

Bengali electronic musician sinin just released four minimalistic gems, subtle intimate atmosphere that oscillates between gentle ethereal techno and ambient music. Don’t take me wrong, this is not minimal techno, fortunately ! (cdrk)


Jacqueline George (cassette & digital + magazine, Autogenesis)

Jacqueline George is a composer and field recordist from Cairo, Egypt. She is a member of the international collective Salims Salon. For this release (that comes with the first Autogenesis magazine), she was asked “to reflect on her coming to be, crossing individual and collective memory, in order to deliver a sonic piece to serve as a manifest of identity and empowerment.” The result is a sound scape made of field recordings, voices, whispers, cinematic atmospheres. Probably her most accomplished work until now. (cdrk)


v.a. – Anthology of Electroacoustic Lebanese music (CDr & digital, Unexplained Sounds Group)

Unlike the title seem to imply, the compilation is not about the electroacoustic music genre but music that blends electronics and acoustics. In any case, this is one more fine selection of artist done by the Italian label Unexplained Sounds Group : Tony Elieh, Marc Codsi, Jad Atoui, Youmna Saba, Fadi Tabal, Joseph Doumet, Sharif Sehnaoui, and more. Post-rock, free improv, musique concrète, ambient, drone, modular synthesis… Some of the biggest names of the Beirut scene on one album, there is nothing to complain about ! (cdrk)


v.a. – Girih: Iranian Sound Artists Volumes I – IV (cassette & digital, Zabte Sote)

This brilliant compilation comes in two different versions (apart of the digital ones) : one box set of four cassettes with booklet and the four cassettes releases individually. I would consider it to be a follow-up of four other great Iranian compilations : Visions of Darkness (Unexplained Sounds Group & Cold Spring, 2017), Dūr Untash (Unexplained Sounds Group, 2017) and Iran experimental underground 016 survey (Unexplained Sounds Group, 2016) and Kollektive 1 (BITROT, 2015) – a compilation published in Tehran which also includes a few foreigners. Nevertheless, Girih does not only explore the dark ambient side of Iran such as the Unexplained Sounds Group one did, they let the listener reflect on the great variety of electronic music that is being produced in Iran and by the Iranian diaspora. 42 pieces and artists in the field of ambient, industrial, techno, electroacoustic, drone, electronica, such as NUM, mHz, 9T Antiope, Pouya Pour-Amin, Saba Alizadeh, Mehdi Jalali, Leila, etc. Not to be missed ! (cdrk)


Vo Ezn – Live at Red Light Radio x Tbilisi (digital, self-released)

Mika Motskobili aka Vo Ezn is a composer, musician, sound artist, painter, video artist and sculptor from Georgia. She works with acoustic sounds, loops, electronics and composes a kind of repetitive music concrète, a form of sound art that evokes little machines operating in a parallel universe. Live at Red Light Radio x Tbilisi is devided in three parts, all recorded live. (cdrk)


Fung | Sudarshan Chandra Kumar | Goh Lee Kwang – Mou Tou Rooftop Artist Run Space, July 21st  (digital, self-released)

Goh Lee Kwang is obviously the most prolific sound artist and improviser in Kuala Lumpur. The live session recorded in two parts with two other improvisers, Sudarshan Chandra Kumar and Fung is in the vein of Lee Kwang’s work but not as repetitive as his latest compositions, still minimalistic but more eclectic, concrete sounds, no-input mixing desk screeching high pitched tones and some “wilder” moments where all three musicians surf around free improvisation for electronics. (cdrk)


Yuen Chee Wai and Ryoko Ono DUO – NEWDUO series 009 (digital, self-released)

The NEWDUO series are improvised duo recordings series initiated by Japanese alto saxophonist artist Ryoko Ono (小埜涼子) who presents this time a collaboration with Singaporean electronic improviser Yuen Chee Wai. Abstract sound art meets free improv. (cdrk)


Barkın Engin & Tuna Pase – Rest (digital, self-released)

Turkish composers Tuna Pase (electronics, flute, voice & glockenspiel) and Barkın Engin (electronics, guitar & glockenspiel) started to play together in 2014. They are now back with a second album, a pleasant mixture of partly improvised, electroacoustic and ambient music with a touch of ethereal pop. As the duo mentions it, improvisation forms  the backbones of the pieces, nevertheless these improvisations lead to neatly composed tracks. (cdrk)


More links about those mentioned artists can be found on Syrphe’s database.

Feminism in electronic and experimental music, the failure of most Westerners.

art of the muses

For a few years now, I see and meet plenty of feminist enthusiasts who try to develop new networks, events, workshops, festivals dedicated to women and feminism in the often male-centric experimental and electronic music scenes, where indeed, most djs represented are men, most famous electro-acoustic composers are males, most power electronics artists are males, most famous electronica artists are males and so on and so forth.

Many of those who call themselves feminists and quite rightly scream and shout that they want more equality, more exposure and recognition and want to offer women more opportunities to access the electronic and experimental music world have for most a western-centric vision of the scene.
Never did I see them promoting female artists in the field of electronic and experimental music who come from Asia and Africa (or even Latin America). The victims of exclusion exactly behave like their oppressors and should definitely admit that their fight is a failure and will remain so unless they include all women of the various scenes (including underground rock, metal, punk, grindcore, etc.), no matter what their ethnicities, nationalities, geographic locations, social classes are.

Of course, I hear some of you fulminating against me, accusing me of disempowering them, telling me : “But we didn’t know ! We never heard about them ! How could we imagine there were women doing this music in those places !?” (sic).
It sounds to me like those men telling :”Seriously ? You know of women building modular synthesizer ? I never imagined that it would be ever possible !”
Zero difference.
This is one of the problems of the Western World, it is so much self-centred that it often lacks of imagination and curiosity (even not going so far away as Asia or Africa, how many times did I hear some being surprised that there are musicians in Sardinia or Kosovo or whatever remote village lost in the Swiss mountains who do play underground music).

Now that we live in a more and more interconnected society, to me it is some kind of pure egotism and a certain form of social racism to imagine that only women (or people in general)  in the west do compose electronic, experimental music or punk, metal, oi, you name it… In the time of the invasive internet where those who want, especially those who pretend to fight for some rights, can search, deeply, all kinds of informations using search engines, social networks, databases, music streaming services, it is a shame to see that those born in the “wrong” place still often remain excluded.

I remember women from some networks I will not name here telling that they wanted full support and promotion for women´s projects but how many of them bought or promoted the works and publications I was telling them about ? How many of them attended the concerts I organised ? Very few ! Some even decided to work in closed circles, excluding men from their networks or activities, even those who supported them from the beginning. Some gave me the feeling that they were working for their own ego, that the feminist fight was an excuse for them to clime higher and reach the peak… I may be wrong, I wish so but this is how I perceive this situation for many years.

Now to conclude this small article, here are a few CD references among many others, and following those, you´ll find a non-exhaustive list of under represented women. The CD list is only a small sample that what is currently existing, of course.

Art of the Muses (CD and digital, Syrphe, 2012, international) with Alice Hui-Sheng Chang [Taiwan], Aki Ito [Japan], Itta [South Korea], Tomoko Sauvage [Japan], Kismett [Singapore], VAVABOND [China], Pei [Taiwan], Verita Shalavita Koapaha [Indonesia], Lương Huệ Trinh [Vietnam], Lau Mun Leng [Malaysia].

Egyptian Females Experimental Music Session (CD, 100Copies, 2013, Egypt) with Asmaa Azzouz, Shorouk El Zomor, Hala Abu Shady, Jacqueline George, Nina El Gebaly, Ola Saad, Yara Mekawei, details on 100Copies.

_Litter – Newfound Grids (CD and digital, Syrphe, 2013, Lebanon)

VAVABOND – HOLOGRAM OF sea (CD and digital, C.F.I Records, 2012, China)

PEI ‎– Normality Envision (CD, Sub Jam, Kwanyin Records, 2007, Taiwan), details and extracts here.

Leila Bela – Angra Manyu (CD, Ellahy Amen Records 2003, Iran/USA), details here.

Hui-Shen Chang Alice – When She Was Asleep (Cassatte, Antifrost, 2011, Taiwan).

Okkyung Lee – Noisy Love Songs (CD, Tzadik, 2010, South Korea), details at Discogs.

And one more western oriented ones that I anyway find worth to mention (and because most feminist activists I talked to in the scene told me they never heard about it and it´s a pretty good one !) :

Women Take Back The Noise (3xCD, UBUIBI, 2006) with Michiko Kawagoe, Dark Muse, BCO Women’s Auxiliary, Passiflora, Suzanne Quincey, Ava Mendoza, Meri von KleinSmid, Analog Tara, Fe-Mail, Experiment Haywire, Hertta Lussu Ässä, Cosey Fanni Tutti, etc.

This non-exhaustive list comes from this database I´m permanently working on, this database contains more than 1500 references for Africa and Asia. I could have added more of them but sorry, my time is limited at the moment !
Note I noticed that the formatting of the list appears incorrectly but I can´t correct it for some odd reasons…)

Algeria :
Rula El Bahr Soundcloud [electronic, sound art, lives in France, see Kamekaz]

Armenia/USA :
Farhadian, Thea Site [electro-acoustic, improv, video, lives in the USA]

China :

Arrebato (Li Huihui) Tudou Douban (豆瓣) Soundcloud (1) Soundcloud (2) Bandcamp [sound art, see lllllllllllHH, Hhiña, Kazorp, Arrebato]
Chen, Audrey MySpace Discogs [sound art, improv, free jazz, lives in Germany]
Chen Yi Discogs [electro-acoustic, classical, lives in the USA ?][1984]
Pan Daijing Soundcloud Tumblr Instagram [noise, industrial, ambient]
Shenggy (Cosmic Shenggy) MySpace1 Myspace2 Rock In China Discogs [sound art, noise, minimal techno, see White]
VAVABOND (Vavabond) Site MySpace Soundcloud Discogs [sound art, ambient, noise]

Egypt :
Azzouz, Asmaa Discogs [electronic]
Bosaina Site Soundcloud Facebook [electronica, electro-pop]
El Zomor, Shorouk Discogs [electronic]
George, Jacqueline Soundcloud [electronic, sound art]
Abu Shady, Hala Youtube Vimeo [sound art, video art]
Hani, Dina Soundcloud [electronic, field recordings]
Mattar Nahla Site [electro-acoustic, classical]
Mekawei, Yara (Yara Mekawi) Blogspot, Soundcloud, Facebook, MySpace Twitter Tumblr Meetphool [electronic, electro-acoustic, audio-visual, sound installation]
Saad, Ola Soundcloud [sound art]

Hong Kong :
Lee, Fiona Site Vimeo Tumblr Jux Soundcloud [sound art, audiovisual]
Lee, Ingrid Site Discogs [sound art, modern classical, lives in the USA]

India :
Desai, Poulomi Tumblr Facebook Facebook Youtube [audio-visual, sound art, lives in the UK]
Sandunes Site Bandcamp Soundcloud Facebook Twitter Instagram [electronica]

Indonesia :
Menstrual Synthdrone (Dyah “Woro” Isaka) Soundcloud [drone, noise]
Sabrina WordPress [noise]
Sarana Soundcloud Facebook [drone, noise]
Shalavita Koapaha, Verita Bandcamp [contemporary classical]

Iran :
Bela, Leila (ليلى بلا) Site MySpace Discogs [noise, sound art, lives in the USA]
Bigdeli Shamloo, Sara Soundcloud Twitter [electronic, sound tracks, lives in France]
Hatam, Farahnaz MySpace [sound art, lives in Germany]
Pazhutan, Honey Haq Site Soundcloud [see vH+] / vent aitcH Plus (vH+, V H +p) Site Soundcloud [ambient, drone, see Honey Haq Pazhutan]

Iraq :
Nadeem, Aida (Aïda Nadeem) Site Soundcloud Twitter Tumblr Wikipedia MySpace Discogs Youtube [electronica, traditional, contemporary lives in Denmark]

Israel :
Asher, Meira Site MySpace [industrial, sound art, lives in the Netherlands]
Elyakim, Dganit MySpace [electro-acoustic, classical]
Olivero, Betty Wikipedia [electro-acoustic, classical]
Rosenbaum, Keren Facebook Discogs [electro-acoustic, jazz, classical]

Lebanon :
Andraos, Joanna Site MySpace [electronica]
Chlela, Liliane (Queen Lil) Site Soundcloud Facebook [ambient, improv, psychedelic, improv, see Hezbel Taleta]
Dally, Rhéa (Rhea Dally) Facebook Soundcloud [chip tune, breakcore, lives in South Africa]
Sehnaoui, Christine MySpace Blogspot [jazz, sound art, lives in France]
Zaven, Cynthia Soundcloud Youtube [improv, modern classical, electronic]

Malaysia :
Kok Siew Wai WordPress Youtube [improv, experimental]
Lau Mun Leng Myspace Discogs WordPress [sound art, video artist and graphic designer]

Philippines :
Barrozo, Teresa Site Soundcloud [classical, electro-acoustic]

Singapore :
Ang, Lydia Soundcloud Youtube ReverbNation [film score, ambient, new age, electro-acoustic]
Cheryl Ong & Vivian Wang Youtube [drone, industrial]
Ding, Debbie Site Soundcloud Twitter [sound art, audiovisual]
Kismett Bandcamp [sound art]
Reiki, Jean (DJ Reiki) Site Bandcamp Soundcloud Twitter Facebook Youtube Mixcloud Indabamusic [ambient, electronica]
Tara Transitory Site MySpace Discogs Facebook [electronica, ambient, sound art, see One Man Nation, lives in Spain and Asia]

South Africa :
Beckmann, Inge MySpace Discogs Facebook [electronic, contemporary]
Isadora Dustmite Junk MySpace Bandcamp Facebook [electro-acoustic, noise, sound art]
Schneider, June [electro-acoustic, multi-media installations][1971 ?]

South Korea :
Itta (있다) https://www.youtube.com/user/TxNxGxRMySpace Facebook Twitter MySpace [sound art, ambient, minimal, member of 10 and Tengger]
Okkyung Lee Site MySpace [classical, improv, sound art, lives in Germany]
Shin, Amy Soundcloud [classical, sound art, post rock, etc., USA/South Korea] – she´s an American of Korean descent who migrated to Seoul.
Ha Jane Facebook [improv, see Pika & Pikasland] – from the US I think but lives in Seoul.

Syria :
Asma Shams (شمس أسمى, Asma Ghanem) Soundcloud [sound art, ambient, lives in Palestine]

Thailand:
Liew Pichanan Niyomkarn Site Souncloud [noise, sound art]

Taiwan :
Anchih Tsai [electro-acoustic] Youtube – unfortunately, she passed away a few months ago.
Betty Apple (ßetty ∆pple, Reiki Jelly, Yi-Ping Cheng, Xiao-Biao, 瀟薄 ) Site Soundcloud Twitter MySpace Tumblr Youtube Vimeo Mixcloud Soundcloud (Reiki Jelly) Facebook [sound art, noise, electronic, techno]
Hui-Chun Lin Site MySpace [improv, sound art, classical, lives in Germany]
Hui-Shen Chang Alice Site [electronica, sound art] – she mostly experiments with her voice when she plays solo.
Kueiju Lin [classical, improv, sound art]
Lai Chi-Hsia Site Soundcloud [sound art]
Pei Site1 Site2 [minimal sound art, onkyokei, lives in Switzerland]
Pei-Yu Shi Youtube Facebook [sound art, electronic, folk, audio-visual]
Luo Chao Yun (駱昭勻) Site MySpace [traditional, classical, improv, sound art]

Tunisia :
Abdelwahed, Deena Site Tumblr Facebook Arabstazy Mixcloud [electronic]
Houaïda (Miss Machine) Soundcloud Facebook [electronica, industrial, noise pop,lives in Germany]

Turkey :
Ah! Kosmos Site Soundcloud Soundkick Facebook Twitter Instagram Last.fm [electronica]
Gürkan, Gülce Özen Site Bandcamp MySpace Soundcloud Vimeo Discogs [electro-acoustic, sound art]
Pase, Tuna MySpace Facebook Soundcloud 1 Soundcloud 2 Soundcloud 3 [electro-acoustic]

Vietnam :
Cao Lan (Cao Thanh Lan) Site [electro-acoustic, sound art, free improv, classical, see Parallel Asteroid, Swiss Army Wife, lives in Germany]
Lương Huệ Trinh (Luong Hue Trinh) Soundcloud MySpace Facebook [sound art, electro-acoustic]
Ngọc Trần Thị Kim (Ngoc Tran Thi Kim) Weebly Youtube [sound art, electro-acoustic, classical]
Nguyễn Nhung (Nguyen Nhung) Site Bandcamp [dark ambient, drone, minimal electronic, noise, electroacoustic, classical, see Sound Awakener][2007]

And a list of female composers from Latin America here, thanks to Alma for providing the link.

 

CTM Festival 2016 : New geographies

CTM2

Music is now more than ever integrated into the global circulation of ideas, knowledge, people and commodities. Musicians everywhere have increasing access to digital resources that revolutionize music making and distribution. Internet and telecommunications intensify exchanges across existing cultural boundaries. At the same time, extreme regional disparities continue to exist in regards to the participation of minority communities, to political freedom, possibilities for mobility and travel, or when it comes to access to entry points into the dominant music markets.

CTM_3

This year CTM will include many artists from Lebanon, Turkey, Mexico,  China, Indonesia, Japan, Singapore, Egypt, Tunisia, etc.

CTM will also publish a magazine and some talks and lectures will happen in various places in Berlin.

I´m happy to have been invited to write an article for the magazine and give a lecture during the festival too – more about this later this month ; meanwhile you can find plenty of informations, links, music, details and buy your tickets on the CTM website.

 
Le1f [US]     OG Maco [US]     Jlin [US]      Rødhåd [DE]     Visionist [UK]     Gesloten Cirkel [INT]     Nidia Minaj [PT]     Night Lovell [CA]     Mumdance [UK]     nkisi [UK]     KABLAM [SE]     Esplendor Geométrico [ES]     Rabit [UK]     Gaika [UK]     André Bratten [NO]     Buttechno [RU]     zutzut [MX]     Baris K [TR]     Paul Marmota [MX]     Praed [LB/CH]     Slick Shoota [NO]     Hmot [RU]     Thug Entrancer [US]     Takuya Taniguchi [JP]     Why Be [INT]     Resom [DE]     Native Instrument [INT]     gamut inc [DE]     Alienata [DE]     Purpurr Purple [NO]     Charlotte Bendiks [NO]     Low 808 [RU]     Mobile Girl [DE]     Laurent Jeanneau aka Kink Gong [FR]     Beio [CN]     Disco Halal [INT] feat Moscoman, Delfonic, Autarkic & guests     Opium Hum [DE]     Tara Transitory aka One Man Nation [SG/INT]     Mikael Seifu [ET]     and more.

And special projects and commissions:      Rabih Beaini [LB] “The Red Right Hand” with Tommaso Cappellato [IT], Liz Allbee [US], Sharif Sehnaoui [LB], Sam Shalabi [CA/LB], Daniele De Santis [IT/DE], Sofia Jernberg [NO / INT], Rully Shabara [ID], Mazen Kerbaj [LB]     Iancu Dumitrescu & Ana-Maria Avram with Hyperion Ensemble featuring Stephen O’Malley [INT]     Christoph Schlingensief’s “African Twin Towers” re-played by Hanno Leichtmann & Carolin Brandl [DE]     Anna Homler & Steven Warwick – “Breadwoman” [US]     Love Cult & Alina Filippova – “Nada” [RU]     Pedro Reyes — “Disarm (Mechanized)” [MX]