New releases

 


Forests 森林 – Idol Collapse (vinyl, cassette, Lonely God)

“Left Hand Path presents the second full-length LP, IDOL COLLAPSE, from Forests 森林. Written by Jon Du, Kuo-Hung Tseng, and Zun Long in Taipei, Taiwan. Eight songs in 36 minutes that unfurl like a flower and expand like a mushroom cloud, designed for utter osmosis and total absorption. The helix twists; the loop is closed. The cycle begins anew”

For fan of old school industrial (metal percussions, electronics, guitar, bass, voice) with a tiny SPK and Last Dominion Lost influence, especially on the great track Non-marginal. I release not to be missed !

“Left Hand Path 推出「Forests 森林」第二張黑膠專輯「IDOL COLLAPSE」,收錄Jon Du、國宏及尊龍共同創作,總長 36 分鐘的八首曲目。想像凝視著一朵正在綻放的花,在你回神意識到時已開展成鋪天蓋地的蘑菇雲,這是張有意識地滲透聽者每一絲神經的專輯,既是捻捆的雙螺旋、閉鎖的迴圈,又在每次輪迴產出新聲。”


Pupa – Lies (cassette & digital, Ujikaji Records)

“PUPA is a cooperative of two: Jun and Zeek, names to place in action bubbles in a hypnagogic, homoerotic episode of Batman (and his Boy Wonder) starring Adam West; boys with their toys electronic, ringing the body electric.

The music on Lies has a fuzzy temporality, conjuring an electronica that could have come from 1998 as it could 2018. But if ’90s electronica – growing alongside the early days of the  internet – was a dream of the future rife with utopian possibilities, the music in Lies seems instead to commemorate a laundry list of unrealised dreams. In sound and mood, Pupa are fellow travellers with artists like Boards of Canada, The Caretaker and William Basinski. Lies moves at a ponderous pace, as if surveying the wreckage of time caused by everything that has prevented the promised technological utopia. Tape loops underscore the passing of time as uncluttered elements build with the subtlest of shifts. Tape loops re-released on tape, the Basinsking of the Titanic, repeat a lie enough times and it becomes…”


Xiang – Gateway 出入口 (digital, self-released & Prajnasonic/Atmos)

Chinese composer Xiang presents five minimalistic compositions made of vocal samples, field recordings taken in various locations in France and China, and analogue synthesizer (performed by John Richards and Max Wainwright). The result is a very beautiful cinematic composition that flirts with dark ambient (without the usual clichés), noise drones and industrial music (without current the distorted techno beats trend).


Teenage Granny – Glossolalia (The Harsh Sounds of the Internet)  (cassette & digital, Gerpfast Record)

Filipino electronic artist Teenage Granny got a physical release of her Glossolalia album previously published on her Bandcamp page,
“Glossolalia (The Harsh Sounds of the Internet) is a collection of raw sounds of random Internet data (html files, photos, text, etc). These contents have been converted, translated, and databended into audio using a variety of programs. The result is harsh and defining of our online culture and consumption. The piece shows, however, that with noise coexists sound, in which we may form our own meanings, which in turn form the rhythm of our lives. We struggle to hear through this raucous nebula but through critical subtraction and selection, our plights and intentions will be heard, whether we are speaking for ourselves, or for those without a voice. ”


Das torpedoes / Torturing nurse – Split (lathe cut & digital, foreign lands)

US project Das torpedoes, relocated in Shanghai if I understood well presents a drony, ambient, industrial piece, while Torturing Nurse presents his usual powerful harsh noise.


若潭 ruò tán – Live at L’homme Sauvage (CDr, WV Sorcerer Productions)

Chinese project 若潭 ruò tán recorded live at L’homme Sauvage Festival in France in September 2018, one long take (45 minutes) of ritual industrial, noise and dark ambient music.


Pisitakun – SOSLEEP (cassette & digital, Chinabot)

“Created shortly after the death of his father to cancer, Thai artist Pisitakun has combined traditional mourning instruments with harsh noise and techno beats, wrapping them around intimate recordings of the hospital machinery keeping his father alive during his final days.

The result is SOSLEEP, a meditation on the raw, messy chaos of grief. Opening with the sound of a Buddhist monk’s funeral chants, the record’s BMP is led by real recordings of his father heartbeat, turned into electronic blips by the hospital pulse gauge.


Eartaker – Harmonics (vinyl & digital, Bedouin Records)

Japanese trio Eartaker (Goth Trad, Die Suck, Masayuki Imanishi) presents a mixture of dark industrial electronic and doom music. Few parts of the release remind me a bit of Ichiro Tsuji’s project : Dissecting Table blended with a voice closer to the one of Rully Shabara (Senyawa). Their music unique and fantastic mixture doesn’t come as a surprise, knowing that Goth Trad has collaborated with Boris and is part of the dub and drum n bass duo Rebel Familia


Lafidki – Derichan (cassette & digital, Chinabot)

“Saphy Vong was born to Cambodian parents in a Thai refugee camp. He has lived in cities across Europe and Asia, from Paris to Phnom Penh to Riga. These experiences have seeped into his music – a vivid, high energy collision of synths, samples and off-kilter polyrhythms”
“I wanted to give a voice to ethnic minorities, indigenous people, environmental activists who’ve been killed or jailed in Cambodia. I used samples from field recordings of Cambodian tribes, made in 2015 with the help of ethnomusicologist Julien Hairon.”

The interesting result is an electronic music album that navigates between ambient, electronica and traditional music samples.


v.a. – Pop Hits Bootleg Chiptune Compilation (1984​-​2008) (digital, Indochip)

An Indonesian chiptune compilation that include covers of popular hits such as Boys don’t cry (The Cure), Creep (Radiohead), Song 2 (Blur), etc. – Yes, Indonesia, apart of hosting one of the biggest grindcore, punk or noise scene in the whole Asia also hosts a very important chiptune scene, check it out ! Featuring : Astrojo, Chips4breakfast deat. Givana, Giffari Rifki, Gyld, Little Sound Orchestra, Lonely Tunes, Luglio, Patrick Electric, Remedmatika, Shakaboyd.


33EMYBW – Golem (digital, SVBKVLT)

Sinotronic ? 33EMYBW is a member of Chinese duo Duck Fight Goose, her electronic music incorporates a lot of Chinese music elements (but no world music stereotypes !), she is part of a new generation of Chinese composers who managed to blend modern and very dynamic, rhythmical electronic music and an original Chinese influx, such as Zaliva-D, among many others.

You can also watch a video clip made by Fang Yang on Youtube.


Safira Anjani & ɟɐɥɯı ɯnɹsʎıp – Illusion (digital, self-released)

Fahmi Mursyid is a very prolific artist from Indonesia who often collaborates with other musicians, this time pianist and singer Safira Anjani. The three tracks presented in this release bring the listener to an ambient, almost eerie universe, nevertheless delicate and beautiful. You can read more about Fahmi’s work in this article : Eerie, amazing sounds from tape loops, patches – like whales in space by Peter Kirn.


Necromishka – The space between us (CD, digital, self-released)

Necromishka is an Israeli duo that operates in the field of ambient, drone and (noisy) dark folk. Expect blurry atmospheres, distorted instruments and melancholic melodies.


Miteai Narico / Synthmolación – If there was a light, it was gone (digital, No Records)

Japanese artist Miteai Narico composes ambient and drone loops that remind me of Japanese musician Aube, Synthmolación, from Paraguay plays straight in the face noise music.

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New releases

IZ – Kөlêngkê – 影子 Shadow (vinyl, WV Sorcerer Productions, Old Heaven Books)

“IZ is a Kazakh/Chinese band founded by Mamer, “IZ” means “footprint” in Kazakh. “Kөlêngkê 影子 Shadow” was recorded in 2010, when IZ was mutating from Kazakh folk / epics to post-industrial music, this classic album is a mixture of their recent experimental sound and early Kazakh traditional music instruments. Dombra, kobuz, mouth harp, with metal junk percussions. Previously released in CD and tape format, after 7 years, now “Kөlêngkê 影子 Shadow” is re-mastered by James Plotkin and finally released as a beautiful gatefold LP by Old Heaven Books & WV Sorcerer Productions.”
IZ樂隊在當代中國音樂中不可忽視,多年以來由哈薩克傳統音樂一直蛻變到現在的實驗工業聲響,參與過IZ的樂手也涵蓋了當下中國音樂圈很多重要的名字。IZ在不斷的否定自己,也在不斷的變異。除IZ之外,馬木爾和張東還有眾多的分支計劃,出品過大量的唱片,馬木爾個人也十分高產,從國內外的實驗音樂人到新疆乃至中亞多個國家的傳統民族音樂大師,探索的腳步從來沒有停止。《Kөlêngkê 影子》是2011年IZ以三人陣容錄制的唱片,當時IZ正處在從傳統哈薩克音樂到現在的工業噪音的轉變階段,這張專輯同時涵蓋了IZ後期的暴力聲響和早期的民間原聲樂器,獨一無二,也不會再次出現。
時隔7年之後,舊天堂書店攜手遊走在中法之間的音樂廠牌巫唱片/WV Sorcerer Productions將這張經典專輯首次出版為黑膠格式(180克),由著名美國制作人James Plotkin重新制作母帶。
“(WV Sorcerer Productions)


Sun Dawei – 僧侶與藝術家 / Monks & Artists (digital, Shanshui)

Active in the Chinese scene since the early 2000s, Sun Dawei (aka Sulumi, also member of breakcore duo Panda Twin) has since relocated to Osaka, Japan.
This new release is above all a very quiet and ambient album with gentle techno influences on the tracks Cliff / 崖壁 and Replace / 替代. (cdrk)


Fahmi Mursyid – The Actualising Self (digital, self-released)

The Actualising Self is the final year project done in Lai Wei Min’s final year at the NTU School of Art, Design and Media for their specialisation in visual communications. the soundtrack (that contains voice over by Lai Wei Min) has been composed by Fahmi Mursyid (aka Idiologikal) from Bandung, Indonesia. Both mixes featured on this release are meditative ambient tracks, you cal also watch the original audiovisual work on Youtube. (cdrk)


Xu Cheng – IN RED (digital, play rec)

Xu Cheng is an ex-member of Shanghainese noise project Torturing Nurse,  who co-founded in 2017 the label play rec with experimental musician Wang Changcun. The three pieces presented in this release are re-works and adaptations of music composed in 2012, 2013 and 2018. The first piece contains samples of a previous performance together with Huang Lei and Wang Tian, such as in the third piece, Xu Cheng operates in the field of drone and electroacoustic  with a pinch of soft noise ; the second piece was part of a theatre play called Ge Le Mountain (歌乐山) by Yao Bo. Zhao Chuan and co. and is a more meditative work. (cdrk)


Audrey Chen – Runt Vigor (vinyl & digital, Karlrecords)

“Audrey Chen’s long-awaited new solo album “Runt Vigor” is an adventurous sonic exploration of the voice, cello and analog electronics.

She began her relationship with sound through the cello and voice over 30 years ago and since the past 15 years, her predominant focus has been her solo work, joining together the extended and inherent vocabularies of the cello, voice and analog electronics.” (Karlrecords)


Konstrukt + Keiji Haino – A Philosophy Warping, Little By Little​ ​That Way Lies A Quagmire (Live) (vinyl & digital, Karlrecords)

“Second album by Turkish free jazz musicians Konstrukt and the Japanese avant-garde / noise icon Keiji Haino, this time recorded live in concert. Celebrating their 10th anniversary these days, Konstrukt have since been creating an impressive catalogue including collaborations / performances with significant musicians like Peter Brötzmann, William Parker, Akira Sakata, Evan Parker, Thurston Moore, Michael Zerang (and more) that gained them an ever growing audience and media attention.” (Karlrecords)


R.A.N. – Şeb​-​i Yelda (vinyl & digital, Karlrecords)

“R.A.N. is the dark electronic / rhythmic ambient music project by Hüma Utku. “Şeb-i Yelda” is available as 12” and download. Hailing from İstanbul and based in Berlin for a couple of years now, Hüma Utku has been a prolific artist lately: as R.A.N. (Roads At Night) she released her debut album ”Her Trembling Ceased”, followed by the remix album ‘Remixed: Stories Retold’ (both 2015, Partapart Records), and contributed several tracks and remixes to various compilations.” (Karlrecords)


Zhu Wen Bo – Duo with Jun-Y Ciao (digital, self-released)

Chinese experimentalist Zhu Wen Bo (clarinet, founder of the cassette label Zoomin’ Night – 燥眠夜) and Jun-Y Ciao (sopranino saxophone), recently published three improvised music pieces performed live and infamous Beijing music venue fRUITYSPACE, in September 2018. (cdrk)


Domadana Kadodi Performers, Sun C, Bamba Pana – Kadodi (vinyl & digital, Nyege Nyege Tapes)

“After almost 15 years of peddling his own cd’s and tapes on the streets of Mbale, Robert Mugamba’s Kadodi finally get a proper introduction to the outside world thanks to the increasingly vital Nyege Nyege Tapes crew. ‘Kadodi’ pairs a transfixing percussive soundtrack with modern electronic contributions from Bamba Pana and Sun C, resulting in another remarkable document from the pearl of Africa.” (Boomkat)


Morego – Solivagant (digital, self-released & D.M.T. Records)

“Morego is the musical project founded by Tehran-based producer Morego Dimmer (aka Xerxes The Dark, Nyctalllz). Known for his cerebral and experimental vein of dark ambient music, Solivagant dips into peculiar, yet cohesive IDM/downtempo strains. Its nine tracks spanning just over 30-minutes, the release feels like an album with an extended player outer shell.” (D.M.T. Records)


BNSU – Brand New Shit Upcoming #1 (digital, Brain Pussyfication)

Noise ? Noisegrind ? Extreme industrial ? The Berlin-based Japanese-Turkish duo (Kazehito Seki : voice & BEEATSZ : drums, electronics) offers us ten radical live tracks recorded at Villa Kuriosum’s Krach Keller in Berlin earlier this year. The album clearly evokes Osaka’s radical japanoise scene of the 1990s, all for the best ! This is a pre-order. (cdrk)


sinin – V1 (digital, self-released)

Bengali electronic musician sinin just released four minimalistic gems, subtle intimate atmosphere that oscillates between gentle ethereal techno and ambient music. Don’t take me wrong, this is not minimal techno, fortunately ! (cdrk)


Jacqueline George (cassette & digital + magazine, Autogenesis)

Jacqueline George is a composer and field recordist from Cairo, Egypt. She is a member of the international collective Salims Salon. For this release (that comes with the first Autogenesis magazine), she was asked “to reflect on her coming to be, crossing individual and collective memory, in order to deliver a sonic piece to serve as a manifest of identity and empowerment.” The result is a sound scape made of field recordings, voices, whispers, cinematic atmospheres. Probably her most accomplished work until now. (cdrk)


v.a. – Anthology of Electroacoustic Lebanese music (CDr & digital, Unexplained Sounds Group)

Unlike the title seem to imply, the compilation is not about the electroacoustic music genre but music that blends electronics and acoustics. In any case, this is one more fine selection of artist done by the Italian label Unexplained Sounds Group : Tony Elieh, Marc Codsi, Jad Atoui, Youmna Saba, Fadi Tabal, Joseph Doumet, Sharif Sehnaoui, and more. Post-rock, free improv, musique concrète, ambient, drone, modular synthesis… Some of the biggest names of the Beirut scene on one album, there is nothing to complain about ! (cdrk)


v.a. – Girih: Iranian Sound Artists Volumes I – IV (cassette & digital, Zabte Sote)

This brilliant compilation comes in two different versions (apart of the digital ones) : one box set of four cassettes with booklet and the four cassettes releases individually. I would consider it to be a follow-up of four other great Iranian compilations : Visions of Darkness (Unexplained Sounds Group & Cold Spring, 2017), Dūr Untash (Unexplained Sounds Group, 2017) and Iran experimental underground 016 survey (Unexplained Sounds Group, 2016) and Kollektive 1 (BITROT, 2015) – a compilation published in Tehran which also includes a few foreigners. Nevertheless, Girih does not only explore the dark ambient side of Iran such as the Unexplained Sounds Group one did, they let the listener reflect on the great variety of electronic music that is being produced in Iran and by the Iranian diaspora. 42 pieces and artists in the field of ambient, industrial, techno, electroacoustic, drone, electronica, such as NUM, mHz, 9T Antiope, Pouya Pour-Amin, Saba Alizadeh, Mehdi Jalali, Leila, etc. Not to be missed ! (cdrk)


Vo Ezn – Live at Red Light Radio x Tbilisi (digital, self-released)

Mika Motskobili aka Vo Ezn is a composer, musician, sound artist, painter, video artist and sculptor from Georgia. She works with acoustic sounds, loops, electronics and composes a kind of repetitive music concrète, a form of sound art that evokes little machines operating in a parallel universe. Live at Red Light Radio x Tbilisi is devided in three parts, all recorded live. (cdrk)


Fung | Sudarshan Chandra Kumar | Goh Lee Kwang – Mou Tou Rooftop Artist Run Space, July 21st  (digital, self-released)

Goh Lee Kwang is obviously the most prolific sound artist and improviser in Kuala Lumpur. The live session recorded in two parts with two other improvisers, Sudarshan Chandra Kumar and Fung is in the vein of Lee Kwang’s work but not as repetitive as his latest compositions, still minimalistic but more eclectic, concrete sounds, no-input mixing desk screeching high pitched tones and some “wilder” moments where all three musicians surf around free improvisation for electronics. (cdrk)


Yuen Chee Wai and Ryoko Ono DUO – NEWDUO series 009 (digital, self-released)

The NEWDUO series are improvised duo recordings series initiated by Japanese alto saxophonist artist Ryoko Ono (小埜涼子) who presents this time a collaboration with Singaporean electronic improviser Yuen Chee Wai. Abstract sound art meets free improv. (cdrk)


Barkın Engin & Tuna Pase – Rest (digital, self-released)

Turkish composers Tuna Pase (electronics, flute, voice & glockenspiel) and Barkın Engin (electronics, guitar & glockenspiel) started to play together in 2014. They are now back with a second album, a pleasant mixture of partly improvised, electroacoustic and ambient music with a touch of ethereal pop. As the duo mentions it, improvisation forms  the backbones of the pieces, nevertheless these improvisations lead to neatly composed tracks. (cdrk)


More links about those mentioned artists can be found on Syrphe’s database.

Feminism in electronic and experimental music, the failure of most Westerners.

art of the muses

For a few years now, I see and meet plenty of feminist enthusiasts who try to develop new networks, events, workshops, festivals dedicated to women and feminism in the often male-centric experimental and electronic music scenes, where indeed, most djs represented are men, most famous electro-acoustic composers are males, most power electronics artists are males, most famous electronica artists are males and so on and so forth.

Many of those who call themselves feminists and quite rightly scream and shout that they want more equality, more exposure and recognition and want to offer women more opportunities to access the electronic and experimental music world have for most a western-centric vision of the scene.
Never did I see them promoting female artists in the field of electronic and experimental music who come from Asia and Africa (or even Latin America). The victims of exclusion exactly behave like their oppressors and should definitely admit that their fight is a failure and will remain so unless they include all women of the various scenes (including underground rock, metal, punk, grindcore, etc.), no matter what their ethnicities, nationalities, geographic locations, social classes are.

Of course, I hear some of you fulminating against me, accusing me of disempowering them, telling me : “But we didn’t know ! We never heard about them ! How could we imagine there were women doing this music in those places !?” (sic).
It sounds to me like those men telling :”Seriously ? You know of women building modular synthesizer ? I never imagined that it would be ever possible !”
Zero difference.
This is one of the problems of the Western World, it is so much self-centred that it often lacks of imagination and curiosity (even not going so far away as Asia or Africa, how many times did I hear some being surprised that there are musicians in Sardinia or Kosovo or whatever remote village lost in the Swiss mountains who do play underground music).

Now that we live in a more and more interconnected society, to me it is some kind of pure egotism and a certain form of social racism to imagine that only women (or people in general)  in the west do compose electronic, experimental music or punk, metal, oi, you name it… In the time of the invasive internet where those who want, especially those who pretend to fight for some rights, can search, deeply, all kinds of informations using search engines, social networks, databases, music streaming services, it is a shame to see that those born in the “wrong” place still often remain excluded.

I remember women from some networks I will not name here telling that they wanted full support and promotion for women´s projects but how many of them bought or promoted the works and publications I was telling them about ? How many of them attended the concerts I organised ? Very few ! Some even decided to work in closed circles, excluding men from their networks or activities, even those who supported them from the beginning. Some gave me the feeling that they were working for their own ego, that the feminist fight was an excuse for them to clime higher and reach the peak… I may be wrong, I wish so but this is how I perceive this situation for many years.

Now to conclude this small article, here are a few CD references among many others, and following those, you´ll find a non-exhaustive list of under represented women. The CD list is only a small sample that what is currently existing, of course.

Art of the Muses (CD and digital, Syrphe, 2012, international) with Alice Hui-Sheng Chang [Taiwan], Aki Ito [Japan], Itta [South Korea], Tomoko Sauvage [Japan], Kismett [Singapore], VAVABOND [China], Pei [Taiwan], Verita Shalavita Koapaha [Indonesia], Lương Huệ Trinh [Vietnam], Lau Mun Leng [Malaysia].

Egyptian Females Experimental Music Session (CD, 100Copies, 2013, Egypt) with Asmaa Azzouz, Shorouk El Zomor, Hala Abu Shady, Jacqueline George, Nina El Gebaly, Ola Saad, Yara Mekawei, details on 100Copies.

_Litter – Newfound Grids (CD and digital, Syrphe, 2013, Lebanon)

VAVABOND – HOLOGRAM OF sea (CD and digital, C.F.I Records, 2012, China)

PEI ‎– Normality Envision (CD, Sub Jam, Kwanyin Records, 2007, Taiwan), details and extracts here.

Leila Bela – Angra Manyu (CD, Ellahy Amen Records 2003, Iran/USA), details here.

Hui-Shen Chang Alice – When She Was Asleep (Cassatte, Antifrost, 2011, Taiwan).

Okkyung Lee – Noisy Love Songs (CD, Tzadik, 2010, South Korea), details at Discogs.

And one more western oriented ones that I anyway find worth to mention (and because most feminist activists I talked to in the scene told me they never heard about it and it´s a pretty good one !) :

Women Take Back The Noise (3xCD, UBUIBI, 2006) with Michiko Kawagoe, Dark Muse, BCO Women’s Auxiliary, Passiflora, Suzanne Quincey, Ava Mendoza, Meri von KleinSmid, Analog Tara, Fe-Mail, Experiment Haywire, Hertta Lussu Ässä, Cosey Fanni Tutti, etc.

This non-exhaustive list comes from this database I´m permanently working on, this database contains more than 1500 references for Africa and Asia. I could have added more of them but sorry, my time is limited at the moment !
Note I noticed that the formatting of the list appears incorrectly but I can´t correct it for some odd reasons…)

Algeria :
Rula El Bahr Soundcloud [electronic, sound art, lives in France, see Kamekaz]

Armenia/USA :
Farhadian, Thea Site [electro-acoustic, improv, video, lives in the USA]

China :

Arrebato (Li Huihui) Tudou Douban (豆瓣) Soundcloud (1) Soundcloud (2) Bandcamp [sound art, see lllllllllllHH, Hhiña, Kazorp, Arrebato]
Chen, Audrey MySpace Discogs [sound art, improv, free jazz, lives in Germany]
Chen Yi Discogs [electro-acoustic, classical, lives in the USA ?][1984]
Pan Daijing Soundcloud Tumblr Instagram [noise, industrial, ambient]
Shenggy (Cosmic Shenggy) MySpace1 Myspace2 Rock In China Discogs [sound art, noise, minimal techno, see White]
VAVABOND (Vavabond) Site MySpace Soundcloud Discogs [sound art, ambient, noise]

Egypt :
Azzouz, Asmaa Discogs [electronic]
Bosaina Site Soundcloud Facebook [electronica, electro-pop]
El Zomor, Shorouk Discogs [electronic]
George, Jacqueline Soundcloud [electronic, sound art]
Abu Shady, Hala Youtube Vimeo [sound art, video art]
Hani, Dina Soundcloud [electronic, field recordings]
Mattar Nahla Site [electro-acoustic, classical]
Mekawei, Yara (Yara Mekawi) Blogspot, Soundcloud, Facebook, MySpace Twitter Tumblr Meetphool [electronic, electro-acoustic, audio-visual, sound installation]
Saad, Ola Soundcloud [sound art]

Hong Kong :
Lee, Fiona Site Vimeo Tumblr Jux Soundcloud [sound art, audiovisual]
Lee, Ingrid Site Discogs [sound art, modern classical, lives in the USA]

India :
Desai, Poulomi Tumblr Facebook Facebook Youtube [audio-visual, sound art, lives in the UK]
Sandunes Site Bandcamp Soundcloud Facebook Twitter Instagram [electronica]

Indonesia :
Menstrual Synthdrone (Dyah “Woro” Isaka) Soundcloud [drone, noise]
Sabrina WordPress [noise]
Sarana Soundcloud Facebook [drone, noise]
Shalavita Koapaha, Verita Bandcamp [contemporary classical]

Iran :
Bela, Leila (ليلى بلا) Site MySpace Discogs [noise, sound art, lives in the USA]
Bigdeli Shamloo, Sara Soundcloud Twitter [electronic, sound tracks, lives in France]
Hatam, Farahnaz MySpace [sound art, lives in Germany]
Pazhutan, Honey Haq Site Soundcloud [see vH+] / vent aitcH Plus (vH+, V H +p) Site Soundcloud [ambient, drone, see Honey Haq Pazhutan]

Iraq :
Nadeem, Aida (Aïda Nadeem) Site Soundcloud Twitter Tumblr Wikipedia MySpace Discogs Youtube [electronica, traditional, contemporary lives in Denmark]

Israel :
Asher, Meira Site MySpace [industrial, sound art, lives in the Netherlands]
Elyakim, Dganit MySpace [electro-acoustic, classical]
Olivero, Betty Wikipedia [electro-acoustic, classical]
Rosenbaum, Keren Facebook Discogs [electro-acoustic, jazz, classical]

Lebanon :
Andraos, Joanna Site MySpace [electronica]
Chlela, Liliane (Queen Lil) Site Soundcloud Facebook [ambient, improv, psychedelic, improv, see Hezbel Taleta]
Dally, Rhéa (Rhea Dally) Facebook Soundcloud [chip tune, breakcore, lives in South Africa]
Sehnaoui, Christine MySpace Blogspot [jazz, sound art, lives in France]
Zaven, Cynthia Soundcloud Youtube [improv, modern classical, electronic]

Malaysia :
Kok Siew Wai WordPress Youtube [improv, experimental]
Lau Mun Leng Myspace Discogs WordPress [sound art, video artist and graphic designer]

Philippines :
Barrozo, Teresa Site Soundcloud [classical, electro-acoustic]

Singapore :
Ang, Lydia Soundcloud Youtube ReverbNation [film score, ambient, new age, electro-acoustic]
Cheryl Ong & Vivian Wang Youtube [drone, industrial]
Ding, Debbie Site Soundcloud Twitter [sound art, audiovisual]
Kismett Bandcamp [sound art]
Reiki, Jean (DJ Reiki) Site Bandcamp Soundcloud Twitter Facebook Youtube Mixcloud Indabamusic [ambient, electronica]
Tara Transitory Site MySpace Discogs Facebook [electronica, ambient, sound art, see One Man Nation, lives in Spain and Asia]

South Africa :
Beckmann, Inge MySpace Discogs Facebook [electronic, contemporary]
Isadora Dustmite Junk MySpace Bandcamp Facebook [electro-acoustic, noise, sound art]
Schneider, June [electro-acoustic, multi-media installations][1971 ?]

South Korea :
Itta (있다) https://www.youtube.com/user/TxNxGxRMySpace Facebook Twitter MySpace [sound art, ambient, minimal, member of 10 and Tengger]
Okkyung Lee Site MySpace [classical, improv, sound art, lives in Germany]
Shin, Amy Soundcloud [classical, sound art, post rock, etc., USA/South Korea] – she´s an American of Korean descent who migrated to Seoul.
Ha Jane Facebook [improv, see Pika & Pikasland] – from the US I think but lives in Seoul.

Syria :
Asma Shams (شمس أسمى, Asma Ghanem) Soundcloud [sound art, ambient, lives in Palestine]

Thailand:
Liew Pichanan Niyomkarn Site Souncloud [noise, sound art]

Taiwan :
Anchih Tsai [electro-acoustic] Youtube – unfortunately, she passed away a few months ago.
Betty Apple (ßetty ∆pple, Reiki Jelly, Yi-Ping Cheng, Xiao-Biao, 瀟薄 ) Site Soundcloud Twitter MySpace Tumblr Youtube Vimeo Mixcloud Soundcloud (Reiki Jelly) Facebook [sound art, noise, electronic, techno]
Hui-Chun Lin Site MySpace [improv, sound art, classical, lives in Germany]
Hui-Shen Chang Alice Site [electronica, sound art] – she mostly experiments with her voice when she plays solo.
Kueiju Lin [classical, improv, sound art]
Lai Chi-Hsia Site Soundcloud [sound art]
Pei Site1 Site2 [minimal sound art, onkyokei, lives in Switzerland]
Pei-Yu Shi Youtube Facebook [sound art, electronic, folk, audio-visual]
Luo Chao Yun (駱昭勻) Site MySpace [traditional, classical, improv, sound art]

Tunisia :
Abdelwahed, Deena Site Tumblr Facebook Arabstazy Mixcloud [electronic]
Houaïda (Miss Machine) Soundcloud Facebook [electronica, industrial, noise pop,lives in Germany]

Turkey :
Ah! Kosmos Site Soundcloud Soundkick Facebook Twitter Instagram Last.fm [electronica]
Gürkan, Gülce Özen Site Bandcamp MySpace Soundcloud Vimeo Discogs [electro-acoustic, sound art]
Pase, Tuna MySpace Facebook Soundcloud 1 Soundcloud 2 Soundcloud 3 [electro-acoustic]

Vietnam :
Cao Lan (Cao Thanh Lan) Site [electro-acoustic, sound art, free improv, classical, see Parallel Asteroid, Swiss Army Wife, lives in Germany]
Lương Huệ Trinh (Luong Hue Trinh) Soundcloud MySpace Facebook [sound art, electro-acoustic]
Ngọc Trần Thị Kim (Ngoc Tran Thi Kim) Weebly Youtube [sound art, electro-acoustic, classical]
Nguyễn Nhung (Nguyen Nhung) Site Bandcamp [dark ambient, drone, minimal electronic, noise, electroacoustic, classical, see Sound Awakener][2007]

And a list of female composers from Latin America here, thanks to Alma for providing the link.

 

CTM Festival 2016 : New geographies

CTM2

Music is now more than ever integrated into the global circulation of ideas, knowledge, people and commodities. Musicians everywhere have increasing access to digital resources that revolutionize music making and distribution. Internet and telecommunications intensify exchanges across existing cultural boundaries. At the same time, extreme regional disparities continue to exist in regards to the participation of minority communities, to political freedom, possibilities for mobility and travel, or when it comes to access to entry points into the dominant music markets.

CTM_3

This year CTM will include many artists from Lebanon, Turkey, Mexico,  China, Indonesia, Japan, Singapore, Egypt, Tunisia, etc.

CTM will also publish a magazine and some talks and lectures will happen in various places in Berlin.

I´m happy to have been invited to write an article for the magazine and give a lecture during the festival too – more about this later this month ; meanwhile you can find plenty of informations, links, music, details and buy your tickets on the CTM website.

 
Le1f [US]     OG Maco [US]     Jlin [US]      Rødhåd [DE]     Visionist [UK]     Gesloten Cirkel [INT]     Nidia Minaj [PT]     Night Lovell [CA]     Mumdance [UK]     nkisi [UK]     KABLAM [SE]     Esplendor Geométrico [ES]     Rabit [UK]     Gaika [UK]     André Bratten [NO]     Buttechno [RU]     zutzut [MX]     Baris K [TR]     Paul Marmota [MX]     Praed [LB/CH]     Slick Shoota [NO]     Hmot [RU]     Thug Entrancer [US]     Takuya Taniguchi [JP]     Why Be [INT]     Resom [DE]     Native Instrument [INT]     gamut inc [DE]     Alienata [DE]     Purpurr Purple [NO]     Charlotte Bendiks [NO]     Low 808 [RU]     Mobile Girl [DE]     Laurent Jeanneau aka Kink Gong [FR]     Beio [CN]     Disco Halal [INT] feat Moscoman, Delfonic, Autarkic & guests     Opium Hum [DE]     Tara Transitory aka One Man Nation [SG/INT]     Mikael Seifu [ET]     and more.

And special projects and commissions:      Rabih Beaini [LB] “The Red Right Hand” with Tommaso Cappellato [IT], Liz Allbee [US], Sharif Sehnaoui [LB], Sam Shalabi [CA/LB], Daniele De Santis [IT/DE], Sofia Jernberg [NO / INT], Rully Shabara [ID], Mazen Kerbaj [LB]     Iancu Dumitrescu & Ana-Maria Avram with Hyperion Ensemble featuring Stephen O’Malley [INT]     Christoph Schlingensief’s “African Twin Towers” re-played by Hanno Leichtmann & Carolin Brandl [DE]     Anna Homler & Steven Warwick – “Breadwoman” [US]     Love Cult & Alina Filippova – “Nada” [RU]     Pedro Reyes — “Disarm (Mechanized)” [MX]