New releases – May 2020 (1)

Songs For A Tired City – Songs For A Tired City (digital, self-released)

Indian musicians Shiv Ahuja (Eurorack synthesizer and tape loops) and Jayant Manchanda (computer with Max/MSP) composed here a minimalistic ambient album that often includes voice samples, glitches, drones, sometimes gentle beats. A music that sometimes evokes some lost radio transmissions and forgotten post-industrial soundscapes. [cdrk]


group A – Circulation (vinyl, digital, mecanica)

The Japanese duo group A comes back with a new album, such as the previous one (70 + a), while they keep their uniqueness, industrial music influences as well is 1970s-1980s minimalist electronic music spread through their compositions : tiny bits of Cabaret Voltaire, SPK or Tolerance references here and there.
This new album is also more instrumental than what they released before. [cdrk]


KMRU – Continual (digital, self-released)

Two new tracks by Kenyan artist KMRU : cinematica ambient with field recordings. [cdrk]


Kid Fourteen – Love (Side B) (digital, self-released)

Lebanese singer project led by Khodor Ellaik (ex-Beirut Scum Society) together with Karim Shams and Dani Ghassan released four tracks that didn’t make it on his latest album Love. While electronic (rock ?) Love is still strongly influenced by Suicide, three of the tracks take another direction, quieter but still deeply rooted in the 1970s. [cdrk]


Slikback – Lasakaneku / Tomo LP (vinyl, digital, Hakuna Kulala)

Kenyan artist Slikback comes back with a new LP that includes two of his previous digital releases (Lasakaneku and Tomo as you may have understood) and several more tracks.
Slikback presents a minimalist rhythmical music that contains heavy and deep bass drums, treated voice samples and electronics ; Slikback develops his own style but grabs some influences here and there from trap (on Kite) to hardcore techno (on Zuhura), some touch of gqom or heavily distorted beats and East African rhythmic structures are never far away.
If you are used to what the label SVBKVLT releases, this new LP might be of interest, this new album is less distorted and not as punchy as his collaboration with Chinese musician Hyph11E but nevertheless very interesting. [cdrk]


Dirar Kalash / Joke Lanz / Utku Tavil / Jasper Stadhouders – KALATA​(​JA) at Loophole (digital, self-released)

Intense free improv, noise jazzcore, hatever you name it, well known figures of the Berlin and international scene (Palestine, Switzerland, Turkey, the Netherlands) who really go to the extreme, take Sudden Infant‘s noises, spoken words and screams , BEEATSZ v2.0999e‘s heavy noisegrind drums, Dirar Kalash‘s noise experiments and Jasper Stadhouders‘ distorted free improv guitar, put this in a blender and here we go, all recorded at Loophole, Berlin. [cdrk]


Taku Sugimoto – DDDD (digital, self-released)

Originally released as cassette in 1985, these three tracks were composed with guitar, objects, tape. Sound experimentations, free improvisation and sometimes noise. [cdrk]


iPlayAlone – Falling rain (digital, self-released)

Thai guitarist iPlayAlone (Pengboon Don) improvises with guitar and field recordings or do the birds, frogs and insects improvise with him ? [cdrk]


AtheerSoot – Like we’re spinning in a glass Carousel (digital, self-released)

Syrian composer AtheerSoot presents two ambient tracks : Like we’re spinning in a glass Carousel where sad and slightly distorted melodies and drones let you dive into a state of trance until you suddenly wake up next to a river while Let the sea washes it all away brings you back to an eerie and melancholic place. [cdrk]


Omar Fadel Hadi – Horizon (digital, self-released)

13 minutes of relaxing ambient music by Iraqi musician Omar Fadel Hadi. [cdrk]


Asher.Zax – The Last Shall be First (cassette, digital, self-released)

Meira Asher and Eran Sachs (who is also a member of Hyperion Ensemble, Lietterschpich and more), well known politically active Israeli musicians present here an album that explores noise, industrial, experimental music with a touch of power electronics, together with Ben Riftin featured on several tracks.
The album includes L’abolition De La Croix (Antonin Artaud) and Resist my people, resist them, a text by Palestinian poet, photographer, and activist Dareen Tatour.
Asher.Zax directed their machines at the occupation and the anniversaries of: 69 years of Israeli state occupation of Palestine, day 21 of the Palestinian prisoners’ hunger strike, the death of Bobby Sands who died on day 66 of his hunger strike in 1981.” [cdrk]


Yasuyuki Uesugi – I Have A Lot Of Insistence That No One Else Understands (digital, self-released)

Old school noise composed with (very) old and also new gears (such as some Japanese-built JMT synth and effect). The music is very repetitive and gives the impression to the listeners that they are visiting a factory, the sounds are not abrasive but mesmerising, sometimes close to harsh noise wall. [cdrk]


Gen Thalz – 8​=​=​=​0 {o} (digital, self-released)

Filipino composer Gen Thalz presents four tracks whose sound source are electromagnetic noises of laptop and cellphone. The result is a drone, ambient, lowcase, onkyokei album, if I may summarise it so : extreme minimalism. [cdrk]

New releases – April 2020 (2)

Alternate African Reality – Electronic, electroacoustic and experimental music from Africa and the diaspora (2CD & digital, Syrphe)

Alternate African Reality could be seen as a drastic improvement of 30.2, a compilation released in 2012. The CD included nine artists from Tunisia, Morocco, Algeria, Egypt, Angola, Mauritius, South Africa, Réunion and Madagascar/France. But even if I was very happy with the result, I always thought I should do a deeper research, and another issue I faced was the fact that I didn’t manage to include any women in the project.

Alternate African Reality is musically diverse, including abstract but also beat-oriented music such as ambient, electronica, electroacoustic, noise, singeli, bass music, industrial hip hop, etc.

It includes 32 artists and bands from 24 African countries and the diaspora, and last but not least, 14 women are among those vibrant musicians and composers from South Africa, Nigeria, DRC (Congo), Lesotho, Angola, Morocco, Senegal, Mauritania, Tanzania, Togo, Uganda, eSwatini (Swaziland), South Sudan, Ethiopia/Somalia, Cameroon, Egypt, Mozambique, Rwanda/Belgium, Algeria, Kenya, Zimbabwe, Réunion, Madagascar/France, Ghana/France, Tunisia : Sukitoa o Namau, Mash, Pö, Jako Maron, Robert Machiri, Cobi van Tonder, Aurélie Nyirabikali Lierman, Shadwa Ali, Hibotep, Ibaaku, Emeka Ogbo, Chantelle Gray, Yao Bobby & Simon Grab, Catu Diosis and more ! [cdrk]


Yasuyuki Uesugi – I Deny Others Because My Heart Can’t Afford To Accept Others (digital, self-released)

Japanese artist Yasuyuki Uesugi plays some old school repetitive noise, somehow mechanical and mesmerising, listening to this album is like visiting the core of some gigantic machines. [cdrk]


Sooncrazy – Live at sanen sessions (digital, POTONG JARI)

Powerful harsh noise live session recorded at Kedampunk, in Denpasar (Bali). Not for the average tourist ! [cdrk]


SAABA – Inside out (digital, POTONG JARI)

Three tracks by Indonesian artist SAABA. The first piece’s beginning slowly starts with a dark loop on top of which layers of noise and crackles are being added step by step turning into noise, a crescendo that leads the listener where it suspected to go : a fantastic harsh noise climax. The second piece is made of  dark repetitive loops, ambient but sinister. The third piece is a classic harsh noise wall piece. [cdrk]


Dirar Kalash and David Birchall – Dynamisms (digital, al-bayān)

Palestinian composer and improviser Dirar Kalash spent several years in Europe, especially in the Netherlands and Germany to study and perform a lot of concerts, solo and with other improvisers. This album includes three tracks recorded with David Birchall (electric guitar) while Dirar, depending on the tracks improvises with electric guitars, violin, electronics or oud. Three tracks, three different atmospheres in the field of jazz, experimental and free improvised music. [cdrk]


Sharif Sehnaoui – Concave​/​Convex (digital, Sounds from the Corridor)

Well-known figure of the Lebanese free improv scene, founder of the yearly festival Irtijal together with improviser Mazen Kerbaj and the labels Al Maslakh and Annihaya, Sharif Sehnaoui recorded two new acoustic guitar pieces this month during the lockdown. [cdrk]


BEEATSZ v2.0999x – You Should Already Know Where This Is Going (minidisc & digital, self-released)

Turkish project BEEATSZ v2.0999x is hyper active as always : “recorded in Berlin, 45+ days into the block on life with logistic support of BUSS: Big & Ugly Soundsystem”, a sound system made to resist the harshest and noisiest music ever produced here.
Expect very short radical noisegrind tracks with a touch of industrial sometimes. [cdrk]


Midori Hirano – And I Am Here (digital, self-released)

Japanese artist Midori Hiran first published this album on Staaltape in 2014.
It mostly consists of short piano pieces, some mixed with field recordings from Europe and Japan and unlike some of her other releases contains almost no electronics.
Here slightly detuned piano creates intimate and ambient atmospheres, tiny postcards sent from some peaceful countrysides. [cdrk]


Sun Dawei – 現時之光 / Light From Now (digital, self-released)

Chinese composer Sun Sawei aka Sulumi presents two versions of an instrumental ambient electronica track, a bit pop, a bit melancholic. [cdrk]


Grisha Shakhnes – the lesser the water the firmer the jelly (digital, self-released)

Israeli composer Grisha Shakhnes aka Mites published three 20+ minutes pieces made of field recordings creating a minimalistic, eerie and sometimes oppressive atmosphere.
Two of the tracks have been recorded at home during the quarantine so rather than sounds of nature or urban traffic, expect more intimate sounds. [cdrk]


Li Nashao – L’intuition d’un devenir (cassette & digital, Senko Issha)

Improvised  electric guitar solo from Taiwan. Two live tracks, between dark free improv and noise, with a touch of space rock here and there. [cdrk]


Kamal Sabran – Obat Bunyi II (digital, self-released)

Malaysian composer Kamal Sabran presents the second part of his Obat Bunyi series.
Meditative ambient music where electronic and folk music blend. Malay and Indian instrumentations meet 1970s minimalistic and psychedelic music without falling deep into nostalgia or new age. Highly recommended. [cdrk]


Individual Distortion – 808acidgrind (digital, self-released)

Individual Distortion mixes various genres for years, from metal to harsh noise. This time as the album title tells it, acid music with cybergrind, hence, acidgrind as a new (?) genre. It starts with gentle acid techno that quickly becomes cybergrind. Interesting hybrid, Indonesia will never cease to surprise me ! [cdrk]


v.a. – Social Isolation (digital, Social Isolation)

“Created and compiled during the last week of March 2020, this compilation brings together the sound of artists in isolation creating music that’s reflective of our collective struggle during the Covid-19 pandemic.”
Fifteen Indian ambient artists (mostly, a few tracks are rhythmical) : PhilterSoup, Corridors, Eashwar Subramanian, Coma Conscience, Swaroopa, Mallo, etc. [cdrk]


v.a. – Social Isolation II (digital, Social Isolation)

“This is the second edition of Social Isolation that was compiled during the first week of April 2020. The compilation brings together the sounds of various artists in confinement and quarantine who are creating music that’s reflective of our collective struggle during the Covid-19 pandemic.”
Twenty Indian ambient artists and a pinch of ambient electronica and techno : Liquid Memoirs, Jayant Manchanda, Bidisha Das, Kaali, Manyu, Yidam and more. [cdrk]


Cenk Ergün & JACK Quartet – Sonare & Celare (digital, self-released)

D. Lippel say about this release : “Turkish-American composer Cenk Ergün writes music that achieves a hypnotic effect through masses of sound, repetition with subtle variation, and microtonality. Sonare & Celare are paired works written for the JACK Quartet that stand in opposition to one another. Sonare is mostly vigorous and loud while Celare is ethereal and soft. Despite the drastic contrasts between the two, both demonstrate Ergün’s fascination with delicate shadings of pitch and subtle shifts in phrase syntax that constantly reveal new vantage points on limited material.”
And there is nothing more to tell, this is a brilliant recording !


hashtag_blacknoise – SANS CoV​-​2 (digital, self-released)

One 27 minute piece by South African noise artist hashtag_blacknoise. Distorted vocal (I suppose a talk by Cyril Ramaphosa), distorted ambient and looped atmospheres. Perfect sound track for a dystopian sci-fi film telling about a pandemic… Oh, wait ! [cdrk]


Sulk Station – Dheere / Deewarein (digital, self-released)

Based in India, Sulk Station is a duo made of Tanvi Rao (vocals) and Rahul Giri (from Nepal, if I’m not mistaken, and living in India), their minimalist production are a mix of ambient electronica and synthpop with traces of Indian classical music. [cdrk]


Thylasine – weight  (digital, self-released)

Thylasine is a duo based in Cape Town, they play music based on cello, electric guitar, electronics and voice. They are heavily influenced by the new wave and post-punk scene from the 1980s, sometimes taking the most abrasive part of it. This new piece, between ambient and new wave is simply fantastic, sad, emotional, if I may give my humble opinion. [cdrk]


Government Alpha / scum – Live At OTOOTO Collaboration with Government Alpha (digital, self-released)

Collaboration between Japanese 1990s noisician Government Alpha and 2010s noisician scum. [cdrk]


Aragorn23 – Selected modular atmospheres vol. 2 (digital, self-released)

“As with my first volume of modular atmospheres, the pieces gathered here represent snapshots of longer sonic spaces created for inner travels.

Each track is composed using generative techniques on a modular synthesiser – once I’ve created a musical space with knobs, buttons and patch cables, I leave the system running, typically for several hours, while I sit with headphones on and allow myself to drift off.

Several of the pieces in this collection were created in the shadow of Covid-19 and the lockdown in South Africa; creating and listening to them has helped me tremendously with remaining grounded and calm. I hope you benefit from them too, in whatever way.

The final track, Lockdown, contains a rather beautiful poem by Franciscan monk, Brother Richard Hendrick. The hour-long mix was created as a soundtrack for my friend Neil’s Covid-19 virtual art exhibition, which you can read more about at 212 Productions.

This collection of music is totally free, but if you do wish to pay for it, all proceeds will be donated to local food outreach organisations that serve meals to vulnerable people.” [Aragorn23]


DJ Die Soon – Kappa Slap (vinyl & digital, Morphin Records)

Japanese beat maker DJ Die Soon join force with some great names of the Ugandan and Kenyan radical hip hop and death metal scene : Ecko Bazz, MC Yallah, Lord Spikeheart, as well as British MC Infinite Livez and Japanese MC and spoken word artist MA.
Here is finally the result of some great solo sets and collaborations performed in Jinja (Uganda) during Nyege Nyege Festival 2019 : electronic experimentations, industrial hip hop, distorted dark hop, spoken words, death metal growling, all combine to create this unique LP. [cdrk]


Don & The Multiverses – Up in the air. Suites (digital, self-released)

Don & The Multiverses is an ambient folk musician from Bangkok. This new album includes four tracks made of looped and processed electric guitar, harmonica, and sometimes distant voices. Don & The Multiverses explores ambient and drone atmosphere that could perfectly be featured in a surreal or horror film. [cdrk]


Wukir Suryadi – @home#01 (digital, self-released)

One track composed with a Thai jaw’s harp (pretty similar to the Vietnamese ones) by Indonesian instrument maker Wukir Suryadi (Senyawa). [cdrk]


Ash Koosha – FOREST (digital, self-released)

Based in London, Iranian composer Ash Koosha composed 17 electronic music pieces in the field of electronica and glitch occasionally tinged with some ambient pop and eastern melodies. [cdrk]


the nois society – Transmission (digital, self-released)

From Nepal, Ritesh Maharjan collects sounds from his daily life, experiment with them and seems to like distortion and feedback a lot. He is this time playing with wave transmissions, the result is less noisy than some of his other pieces but nevertheless interesting. [cdrk]


Menzi – Impazamo (cassette & digital, Hakuna Kulala)

Ugandan label dedicated to East African and Congolese electronic music goes down to South Africa, Durban to be precise. Durban is the centre of gqom, a very minimalistic version of kwaito, which is already a pretty minimalistic form of afrohouse, Menzi is one of its pioneers.
I often find that  many gqom artists all sound the same, partly due to the minimalistic aspect of the music but this one is an exception. All typical element of gqom are here : slow, deep, minimalistic, typical toms, voice samples but the darkness of Menzi’s music and the way he manages to turns this into a ritual is impressive and pretty unique, especially in the track GQOM Tera that features Uganda MC Ecko Bazz. [cdrk]


Aurat – Zeher (digital, self-released)

Aurat is a Pakistani-US duo whose music is deeply rooted in the 1980s post-punk scene. There new EP will make you travel in time from pure new wave (Waiting For You, Rehem, Aana) to minimal wave (Nasha), industrial (Saanp) and noise (Aaghaz). [cdrk]


Ytamo – Limited Leaf (digital, Room40)

Ytamo comes from Osaka, her music follows the tradition of minimalistic experimentations of some of the Japanese avant-garde from the 1970s and earls 1980s ( Haruomi Hosono – Coincidental Music or sometimes Phew but more gentle and perhaps a bit more gloomy), a fusion of pop, synthetic melodies, piano, minimalist and repetitive music, arrangements that seem to be out of sync but perfectly work together. [cdrk]


madam data – for Agnes Martin, six architectures in light and water (digital, self-released)

From Singapore, relocated in the USA, madam data presents six very minimalistic drone pieces : “Each piece is either the entirety or an excerpt of a long piece for modular synthesizer. Each had its beginnings in improvisation, but its details were refined over repeated recordings. Further small edits were made on a computer.”
The pieces are dedicated to and thoroughly fit her minimalistic abstract paintings. [cdrk]

New releases – December 2019 (1)

v.a. – VV​-​VA​-​00 (CD & digital, VV​-​VA​/٧٨-٧٧)

VV​-​VA​-​00 is the first release of VV-VA, a new Lebanese label run by Jawad Nawfal aka Munma, also known for his duo Tasjiil Moujahed. This collaboration includes a lot of his collaborations and collaborators, all based in Beirut : Mazen El Sayed (El Rass), Elyse Tabet (_Litter), Sharif Sehnaoui, Jad Atoui and Charbel Haber (Scrambled Eggs). Despite the sometimes very different scenes some of the musicians come from (from hip hop to free improv), the compilation maintains a very good unity, the tracks are for most ambient and electronica, many are instrumental, some include voices. (cdrk)


Serata Keiji – Ambiguous boundaries (digital, AMART)

Very peaceful and relaxing drone and ambient album with a pinch of field recordings ba Japanese composer Serata Keiji. (cdrk)


Normal Brain- Lady Maid (CD, cassette, vinyl, digital, WRWTFWW Records)

“Originally released in 1981 as a limited vinyl pressing of 300 copies on Agi Yuzuru’s fabled experimental label Vanity Records (R.N.A. Organism, Dada, Sympathy Nervous, Tolerance…), Lady Maid is a testament to the creativity of the early 80s’ Japanese electronic and experimental scene, encapsulating a prolific era when audio gear became affordable for musicians to explore sounds in the comfort of their home, free from studio time pressure and major label rules.” (from the labels’ page)


Miftah Bravenda – It’s Alright EP (digital, self-released)

New EP for Tangerang (a town at the outskirt of Jakarta) based Miftah Bravenda. From post-rock to electronic pop music. (cdrk)


Mise_En_Scene – -O​-​R​-​G​-​A​-​N-  (cassette & digital, Crónica)

Mise_En_Scene is an Israeli solo project active for more than a decade.
-O​-​R​-​G​-​A​-​N- is a very minimalistic meditative drone album, except for the fifth track, remixed by sound artist Adam Basanta who provides a glitch/electronica piece. (cdrk)


Sankara Future Dub Resurgence – Drawing On Ancestral Knowledge (digital, Indigenous Resistance)

Excellent industrial dub made in Uganda and the UK. The release includes four heavy bass and distorted dub tracks with political lyrics, recorded in Kampala.
Sankara Future Dub Resurgence is a trio made of Ras Isaacs (percussions), Ras Charles (dj), Kabaka labartin Klacity (vocals) featuring Indonesian guest vocalist Nina and Dhangsha aka Dr Das, Churulian (Asian Dub Foundation) (noisy electronics).
You can watch their video on Vimeo. (cdrk)


Pengboon Don – I play Alone (digital, self-released)

Pengboon Don is one of the few free improvisers in Thailand. This new release contains one improvised piece for guitar, effects and field recordings. (cdrk)


Xu Shaoyang, Fiona Lee, Livia Garcia – live at cafe oto (digital, self-released)

This live recording is a mix of jazz piano and field recordings made in Honk Kong by Fiona Lee during the demonstrations happening in 2019, a field recording collage that you can hear here. (cdrk)


Fiona Lee – Hong Kong 9 June to 12 Sep 2019 (digital, self-released)

“This track is the field recordings on the protest to No Extradition Law in Hong Kong, from 9June 2019 to 12 Sep 2019.
From the first day till now, we Hong Kong people step out to fight for our right and freedom.
This track is including around 7 days recordings during the protest.” (Fiona Lee)


4lienetic – Abstract (digital, self-released)

4lienetic is a solo project based in Mumbai, India. This new album contains six ambient tracks, mostly electronic but here and there with post-rock or classical music influences, that remind of a film score. (cdrk)


DETHOMEGA – sub singularity (digital, Acid Distribution)

Filipino electronic music composer Dethomega is back with a new album that mixes plunderphonics, ambient, post-industrial, noise electronics that reminds of some music productions from the late 1990s. (cdrk)


madamdata – 3f requiem (digital, self-released)

One long onkyokei track by Singaporean artist madamdata : filtered minimalistic high pitch tones (feedback ?). (cdrk)


Fahmi M. – Climate Change (digital, self-released)

Hyper active Indonesian composer Fahmi M. provides us here some electroacoustic tracks made with modular synth. (cdrk)


BRRR. – Gendam Sukma (part1) (digital, self-released)

BRRR. is Mahamboro, a musician from Jogjakarta, Indonesia. This one track release is inspired by Javanase culture (no gamelan in here !) and rhythmical industrial music. (cdrk)


Arcade Ghoul – Heart of a Statue (digital, self-released)

Hailing from Istanbul, Turkey, Arcade Ghoul released a ten tracks album that oscillates between post-industrial, distorted electronics, rhythmic industrial and lo-fi ambient ballads. (cdrk)


Torturing Nurse / Bobryk – Vutuv / Why (cassette & digital, ЩЫЛ)

Split between Chinese harsh noise performer Torturing Nurse and Ukrainian noise artist Bobryk. (cdrk)


Reza Solatipour – The Gate (cassette, CDr & digital, Eighth Tower Records)

Reza Solatipour is an Iranian dark ambient artist. This new album contains ten dark and cinematic tracks that include many traditional ingredients of the genre : whispering, drones, reverberated choirs, tribal rhythm deeply buried in the background, dark melodies, and so on. (cdrk)


Ecko Bazz – Kyusa Embela (digital, Hakuna Kulala)

Great hip hop made in Kampala, Uganda, Ecko Bazz teams up with UK music producer pq to deliver three dark, distorted and heavy tracks between bass music and industrial hip hop. (cdrk)


Hoshiko Yamane & Mikael Lind – Spaces In Between (CD & digital, Time Released Sound & Time Sensitive Materials)

“Hoshiko Yamane is a classically trained violinist, and a current member of the legendary band Tangerine Dream. She’s also an accomplished composer, and whether releasing and playing under her own name, or as Tukico, her unique sound often features looped strings together with Moog synths and effects.

Mikael Lind has released several albums of experimental ambiances, often drifting between either more classical Warp style electronica, or a modern classically oriented sound. Early this year, Hoshiko and Mikael decided to try to compose two tracks together, mostly out of curiosity. Thrilled by the outcome of the first two songs, they ended up finishing this entire album!” (from the label’s page)


Miki Yui – wigawiga​/​wigawigawiga (casette & digital, Hasana Editions)

“Based in Germany for the last two decades, Japan-born Miki Yui’s music is relatively small in scale but exceptionally rich in texture. She is known for her peculiar minimalistic and organic approach towards sound, balancing a delicate tiny hiss to a distant hum, quirky electronic clicks and field recordings, and sculpted it into unhurried pieces of composition with suspense and narrative tension. wigawiga/wigawigawiga was recorded live earlier this year in her Düsseldorf studio, and is a manifestation of the memory of lived events. An ever-flowing streams, constantly rise and recede, reveal then erase its own traces, fading after having appeared or being awakened, crafting a poem of abstract landscapes.” (from the label’s page)


Das B – Canopy (CD & digital, ТОПОТ)

Das B is an international project founded in 2015 in Berlin and including Lebanese free improv musician Mazen Kerbaj (trumpet), German improviser Magda Mayas (piano), Australian improvisers Mike Majkowski (double bass) and Tony Buck (percussion) well known for playing with The Necks. Excellent team for an excellent result, a perfectly crafted free improv live recording at the Konfrontationen festival in Austria.

New releases – November 2019

v.a. – pɹnsqɐ (digital, Absurd TRAX)

pɹnsqɐ is a compilation of remixes of previous releases of Kelvin T, ASJ, ANNA and Alexmalism published on Hong Kongese label Absurd TRAX.
The tracks mostly cover the local bass and club music genre that is developing in Hong Kong and China for many years now : beat-oriented music with a certain amount of traditional music influences. (cdrk)


Mario Swagga and DJ Silila – Mapenzi Digital (Digital Love) (vinyl & digital, Signrecords)

If you like super fast beats, this one may be for you. Mario Swagga and DJ Silila play singeli music, an electronic music genre coming from Tanzania and influenced by taarab music that sounds more like taarab on speed than anything else. It’s party music, the voice is loud, the rhythm goes up to 180bpm or more. You can get the vinyl through the label here. (cdrk)


33EMYBW – Arthropods (digital, SVBKVLT)

Based in Shanghai, 33EMYBW plays electronic music above all based on rhythms, syncopated samples, she is part of a new generation of Chinese electronic musician who develop an form of local alternative club music such as Zaliva-D, Gooooose, or Mun Sing, grabbing various influences from traditional Chinese music to ryhmical industrial,  bass music, distorted techno and, for some, breakcore.
The album includes one track featuring noise musician and free improviser Li Jianhong and remixes done by Ugandan electronic artist Don Zilla and Uruguayan electronic musician and dj Lechuga Zafiro.


Tusuk Lubang Telinga – Akan Tiba Waktunya Keruntuhan Tata Surya Dan Kumpulan Objek Benda Langit Tidak Lagi Terikat Oleh Gaya Gravitasi. (E​.​P) (digital, self-released)

Just based on the title of Tusuk Lubang Telinga’s latest EP alone, Akan Tiba Waktunya Keruntuhan Tata Surya Dan Kumpulan Objek Benda Langit Tidak Lagi Terikat Oleh Gaya Gravitasi (the time will come when the solar system collapses and everything in the sky is no longer bound by gravity), we know that this EP will take us on an catastrophic journey through space. The solar system is dying and we are powerless.

Ketika Pluto Tidak Lagi Mengorbit Matahari Secara Langsung. (when pluto no longer orbits the sun), the EP’s first track establishes the apocalyptic mood and focuses our attention with a consistent wailing from the Pluto’s barren glacial atmosphere. We can’t quite tell what is happening yet, but it fills us with dread. The cold and unforgiving drones are juxtaposed with the haunted metallic clanging from abandoned satellites crashing into the arctic surface. This ominous soundscape signals the beginning of the end.

By the time the EP transitions to the second track Terbiusnya Bumi Oleh Vaksin Bajakan. (sedate the earth with pirated vaccines) we are greeted with screams for help in the form of harsh feedback and heavy distortion. The solar system is in full collapse. The stars are falling faster and faster. We can only sit back and watch from our vantage point on Earth. Being over medicated has made us comfortable, and nothing we do can stop this attack on everything we cherish. The sky is on fire, our eyes are burning. Grab your loved ones because we are not coming out of this alive. The falling stars come crashing to Earth, it has changed the landscape and threw all the plants out of sorts. We are doomed, but can not process how bad.

Terbentuknya Lahar Mars Menyerupai Kepala Manusia Bertanduk. (mars’ lava resembles a horned human head) is a track that calms us down after the previous heavy assault. However, our moment of peace is short lived. We realize we have reached the red planet, synonymous to hell. Here the buzz sawing drone cuts through the planet, a constant reminder there is no quarter given. In the distance the demonic Martians are constantly at work making ruckus in their torturous industrial factories. Voices wail out, looking for help in a place where there is none. The sawing continues and doesn’t stop. It is pulsing through our brains and begins speeding up. We look around and feel the anxiety brought upon by this nightmarish hellscape. Is this were we went after the end of everything? The floor is lava and we can’t move. Suddenly a horned head emerges, and saws our brains us into a million tiny pieces. We are enveloped with the sawing until we only see red

For the last track Nafl Untuk Bintang Dari pertarungan Mentari Dan Rembulan. (nafl [prayer] for the stars of the sun and moon battles) we emerge from the red and are witness to the final epic battle between our Sun and Moon. Whoever wins, we lose. At first we are instructed to say a prayer. The pulsating rhythms provide us an opportunity to reflect on our last human moments. This was a wild ride, we have seen the end of our solar system. The moon tries to eclipse the sun, but it is too powerful. The Sun engulfs the Moon like a mother welcoming her forgotten child. This sets a chain reaction, and enormous solar bursts begin to explode from the Sun’s surface. All at once there is a bright light and then darkness. It is completely silent, and that is it. (Sean Stellfox)


Dominowe – SiyaThakatha (vinyl & digital, GQOM OH!)

Gqom, a South African music genre more minimalistic than kwaito (really ?), darker but still groovy, Dominowe’s repetitive sequences pushes the listeners into trance (a real trance, not techno trance),  this release differs from a lot of qgom music I heard before, with a clear house touch in the Club Killer track and a pinch of dub in the track Umzabalazo (WE BROKEN). (cdrk)


Sabiwa – DaBa (vinyl & digital, Chinabot)

Sabiwa is an audio-visual artists from Taiwan now based in Berlin, her album’s dreamy atmospheres sometimes remind a bit of Psapp or CocoRosie sometimes but more tortured. You will find many influences in her composition from electronica to sound collage, looped vocals, electroacoustic processing, glitch, ambient and a touch of industrial in the track Enigma. (cdrk)


Daniel Slabosky – Five Minutes (vinyl & digital, Uganda)

“Second E.P. for Tel Aviv / Jerusalem based producer / singer songwriter Daniel Slabosky.
Five Minute delivers 5 euphoric, dark, alienated blend of traditional folkish song writing gently synthesized with some beats added that redefine the boundaries between indie rock and electronic club music.” (from the label’s page)


Maenad & the Ravers – SUNDOWN (CD & digital, self-released)

Formed in Hong Kong in 2017, Maenad and the Ravers is Cecilia, Ming and Wing. Their music is heavily influenced by 1980s new wave and post punk but with a touch of 21st century music here and there.
The album has been produced by Cecilia Nox (the singer and keyboardist) & Eric M.Y. Chan (aka e:ch, from Macao). (cdrk)


KMRU – Variations (Installation) (digital, self-released)

Variations (Installation) is made of field recordings and looped field recordings made in three different cities, and additional electronics . It is part of a three channel sound installation that has been exhibited at Abuja Art Week (Nigeria) in November 2019 and might be presented in March 2020 Nairobi. (cdrk)


gΔitφ – Volcano Jazz (digital, equnatrecord)

Japanese noise drummer Gaitoh sounding like someone drumming on top of an active volcano. (cdrk)


Ouwan Itaru – Breath&Blood (digital, equnatrecord)

If I’m not wrong, another incarnation of Gaitoh. Feedback, noise, growls, deconstructed drums, a lot of energy in here, a work that reminds me of some of Utku Tavil‘s performances. (cdrk)


Nyctalllz – Esion 2 : Dissolve (digital, Zāl Records)

Esion 2 : Dissolve is the second album of Iranian artist Nyctalllz (aka Xerxes The Dark, etc.), the album had previously been released on Amduscias Records in 2008 and has been re-mastered. The music is often more rough than what Morego does as Xerxes The Dark ; apart of dark ambient, some tracks go into noise and ambient industrial. (cdrk)


Ma – Ama (vinyl & digital, Morphine Records)

“MA comes from the rap and hip-hop Tokyo scene, but throughout the years he evolved into a more noisy and experimental beat making. He blends ritualistic ancient Japanese lyrics and vocal methods, on music that he creates using also his voice or field recordings. The result is alienating, weird and haunting but at the same time fascinating and futuristic. MA’s Beehayden is being remixed by Sugai Ken, another outstanding artist and performer from Japan. MA made his first short live performance at Dommune Tokyo in may 2019, revealing his craft and performative side.” (from the label’s page)


Yan Jun & Bani Haykal – Rats in the bright southern sky (vinyl & digital, where is the zeitgeist ?)

A collaboration between two improvisers and poets, Chinese musician Yan Jun (no-input feedback, contact mic) and Singaporean experimentalist Bani Haykal (text, voice, coding. Voice collage, feedback, loops and glitch, minimalist music in the style of Onkyokei. (cdrk)


Hexenoise / brokenchelust (Split)  – Hexenoise / brokenchelust (Split) (digital, self-released)

Two long noisy tracks.
Hexenoise is a power electronics project from Russia, brokenchelust is a death ambient, industrial and noise project from Azerbaijan, this time featuring Queenigar. (cdrk)


Contagious Orgasm – Maschinenfest comp tracks (cassette & digital, raubbau)

Japanese electronica and post-industrial band Contagious Orgasm just published six live tracks recorded between 2001 and 2018 at the defunct Maschinenfest, a festival that took place in the Western part of Germany during twenty years.
This album is part of a collection of live recordings made by artists during the Maschinenfest. (cdrk)


Omar Fadel Hadi – Vanishing Form (digital, self-released)

Omar Fadel Hadi is an Iraqi musician based in Baghdad whose music oscillates between ambient and techno, for this release he recorded two long pieces reminding of 1990s techno, pretty minimal, a bit ethereal and without any harsh compression, Omar definitely takes the opposing view of today’s ultra loud pop music world. (cdrk)


v.a. – Noise A Noise 19​.​3 (digital, Noise À Noise)

Noise À Noise is an Iranian label that just published its third compilation this year. Each one includes a majority of Iranian artists and some foreigners but this one seems to be more dedicated to Iranian artists.
This third volume presents 20 tracks by 20 composers such as Alireza Mirhajebi, Ghodsea, Mohamad Nikpour, Ali Sasha and Zhoobin Askarieh, Parham Izadyar, Owrang, etc.
Dark ambient, electroacoustic, electronica, eerie and experimental music. (cdrk)


v.a. – Anthology Of Persian Experimental Music (digital & CD, Unexplained Sounds Group)

This compilation was published three years ago in digital format only and is now pressed on CD ; the new digital version includes four more artists who are unfortunately not present on the CD.
Many of the artists are active for years in and ourtside Iran, such as Tehransmission, Umchunga, Nyctalllz, NUM, Spectro Duo, Bicolor, and so on.
The whole CD is more dedicated to dark ambient, electronica, and drone with various influences, from Western music to Persian melodies and even includes an oriental post-rock track by Ostanes. (cdrk)


v.a. – “shelTer” (digital, Müstesna Records)

shelTer is a compilation that includes 25 artists, a lot form Turkey but international ones too in the field of techno, electronica, electro, and other rhythmic electronic genres.
The compilation has been done in order to provide financial support for creating national and international awareness about the trans murders and trans suicides in Turkey (the country has the highest rate of murders of trans people in Europe, and the ninth in the world). The benefits will be donated to “Eylül Cansın Trans Guest House” which was founded by the Istanbul LGBTI Solidarity Association and named after Eylül Cansın, a transgender person who committed suicide January 2015.
Some of the musicians included on the compilation are Houschyar, Emnre Can Swim, Tolouse Low Trax, Anatolian Weapons, Salih Topuz, Neu Verboten, Mahmet Aslan, Mekine U Teksi, Venderstrooik, Osilator, etc. (cdrk)

New releases

 


Forests 森林 – Idol Collapse (vinyl, cassette, Lonely God)

“Left Hand Path presents the second full-length LP, IDOL COLLAPSE, from Forests 森林. Written by Jon Du, Kuo-Hung Tseng, and Zun Long in Taipei, Taiwan. Eight songs in 36 minutes that unfurl like a flower and expand like a mushroom cloud, designed for utter osmosis and total absorption. The helix twists; the loop is closed. The cycle begins anew”

For fan of old school industrial (metal percussions, electronics, guitar, bass, voice) with a tiny SPK and Last Dominion Lost influence, especially on the great track Non-marginal. I release not to be missed !

“Left Hand Path 推出「Forests 森林」第二張黑膠專輯「IDOL COLLAPSE」,收錄Jon Du、國宏及尊龍共同創作,總長 36 分鐘的八首曲目。想像凝視著一朵正在綻放的花,在你回神意識到時已開展成鋪天蓋地的蘑菇雲,這是張有意識地滲透聽者每一絲神經的專輯,既是捻捆的雙螺旋、閉鎖的迴圈,又在每次輪迴產出新聲。”


Pupa – Lies (cassette & digital, Ujikaji Records)

“PUPA is a cooperative of two: Jun and Zeek, names to place in action bubbles in a hypnagogic, homoerotic episode of Batman (and his Boy Wonder) starring Adam West; boys with their toys electronic, ringing the body electric.

The music on Lies has a fuzzy temporality, conjuring an electronica that could have come from 1998 as it could 2018. But if ’90s electronica – growing alongside the early days of the  internet – was a dream of the future rife with utopian possibilities, the music in Lies seems instead to commemorate a laundry list of unrealised dreams. In sound and mood, Pupa are fellow travellers with artists like Boards of Canada, The Caretaker and William Basinski. Lies moves at a ponderous pace, as if surveying the wreckage of time caused by everything that has prevented the promised technological utopia. Tape loops underscore the passing of time as uncluttered elements build with the subtlest of shifts. Tape loops re-released on tape, the Basinsking of the Titanic, repeat a lie enough times and it becomes…”


Xiang – Gateway 出入口 (digital, self-released & Prajnasonic/Atmos)

Chinese composer Xiang presents five minimalistic compositions made of vocal samples, field recordings taken in various locations in France and China, and analogue synthesizer (performed by John Richards and Max Wainwright). The result is a very beautiful cinematic composition that flirts with dark ambient (without the usual clichés), noise drones and industrial music (without current the distorted techno beats trend).


Teenage Granny – Glossolalia (The Harsh Sounds of the Internet)  (cassette & digital, Gerpfast Record)

Filipino electronic artist Teenage Granny got a physical release of her Glossolalia album previously published on her Bandcamp page,
“Glossolalia (The Harsh Sounds of the Internet) is a collection of raw sounds of random Internet data (html files, photos, text, etc). These contents have been converted, translated, and databended into audio using a variety of programs. The result is harsh and defining of our online culture and consumption. The piece shows, however, that with noise coexists sound, in which we may form our own meanings, which in turn form the rhythm of our lives. We struggle to hear through this raucous nebula but through critical subtraction and selection, our plights and intentions will be heard, whether we are speaking for ourselves, or for those without a voice. ”


Das torpedoes / Torturing nurse – Split (lathe cut & digital, foreign lands)

US project Das torpedoes, relocated in Shanghai if I understood well presents a drony, ambient, industrial piece, while Torturing Nurse presents his usual powerful harsh noise.


若潭 ruò tán – Live at L’homme Sauvage (CDr, WV Sorcerer Productions)

Chinese project 若潭 ruò tán recorded live at L’homme Sauvage Festival in France in September 2018, one long take (45 minutes) of ritual industrial, noise and dark ambient music.


Pisitakun – SOSLEEP (cassette & digital, Chinabot)

“Created shortly after the death of his father to cancer, Thai artist Pisitakun has combined traditional mourning instruments with harsh noise and techno beats, wrapping them around intimate recordings of the hospital machinery keeping his father alive during his final days.

The result is SOSLEEP, a meditation on the raw, messy chaos of grief. Opening with the sound of a Buddhist monk’s funeral chants, the record’s BMP is led by real recordings of his father heartbeat, turned into electronic blips by the hospital pulse gauge.


Eartaker – Harmonics (vinyl & digital, Bedouin Records)

Japanese trio Eartaker (Goth Trad, Die Suck, Masayuki Imanishi) presents a mixture of dark industrial electronic and doom music. Few parts of the release remind me a bit of Ichiro Tsuji’s project : Dissecting Table blended with a voice closer to the one of Rully Shabara (Senyawa). Their music unique and fantastic mixture doesn’t come as a surprise, knowing that Goth Trad has collaborated with Boris and is part of the dub and drum n bass duo Rebel Familia


Lafidki – Derichan (cassette & digital, Chinabot)

“Saphy Vong was born to Cambodian parents in a Thai refugee camp. He has lived in cities across Europe and Asia, from Paris to Phnom Penh to Riga. These experiences have seeped into his music – a vivid, high energy collision of synths, samples and off-kilter polyrhythms”
“I wanted to give a voice to ethnic minorities, indigenous people, environmental activists who’ve been killed or jailed in Cambodia. I used samples from field recordings of Cambodian tribes, made in 2015 with the help of ethnomusicologist Julien Hairon.”

The interesting result is an electronic music album that navigates between ambient, electronica and traditional music samples.


v.a. – Pop Hits Bootleg Chiptune Compilation (1984​-​2008) (digital, Indochip)

An Indonesian chiptune compilation that include covers of popular hits such as Boys don’t cry (The Cure), Creep (Radiohead), Song 2 (Blur), etc. – Yes, Indonesia, apart of hosting one of the biggest grindcore, punk or noise scene in the whole Asia also hosts a very important chiptune scene, check it out ! Featuring : Astrojo, Chips4breakfast deat. Givana, Giffari Rifki, Gyld, Little Sound Orchestra, Lonely Tunes, Luglio, Patrick Electric, Remedmatika, Shakaboyd.


33EMYBW – Golem (digital, SVBKVLT)

Sinotronic ? 33EMYBW is a member of Chinese duo Duck Fight Goose, her electronic music incorporates a lot of Chinese music elements (but no world music stereotypes !), she is part of a new generation of Chinese composers who managed to blend modern and very dynamic, rhythmical electronic music and an original Chinese influx, such as Zaliva-D, among many others.

You can also watch a video clip made by Fang Yang on Youtube.


Safira Anjani & ɟɐɥɯı ɯnɹsʎıp – Illusion (digital, self-released)

Fahmi Mursyid is a very prolific artist from Indonesia who often collaborates with other musicians, this time pianist and singer Safira Anjani. The three tracks presented in this release bring the listener to an ambient, almost eerie universe, nevertheless delicate and beautiful. You can read more about Fahmi’s work in this article : Eerie, amazing sounds from tape loops, patches – like whales in space by Peter Kirn.


Necromishka – The space between us (CD, digital, self-released)

Necromishka is an Israeli duo that operates in the field of ambient, drone and (noisy) dark folk. Expect blurry atmospheres, distorted instruments and melancholic melodies.


Miteai Narico / Synthmolación – If there was a light, it was gone (digital, No Records)

Japanese artist Miteai Narico composes ambient and drone loops that remind me of Japanese musician Aube, Synthmolación, from Paraguay plays straight in the face noise music.

Feminism in electronic and experimental music, the failure of most Westerners.

art of the muses

For a few years now, I see and meet plenty of feminist enthusiasts who try to develop new networks, events, workshops, festivals dedicated to women and feminism in the often male-centric experimental and electronic music scenes, where indeed, most djs represented are men, most famous electro-acoustic composers are males, most power electronics artists are males, most famous electronica artists are males and so on and so forth.

Many of those who call themselves feminists and quite rightly scream and shout that they want more equality, more exposure and recognition and want to offer women more opportunities to access the electronic and experimental music world have for most a western-centric vision of the scene.
Never did I see them promoting female artists in the field of electronic and experimental music who come from Asia and Africa (or even Latin America). The victims of exclusion exactly behave like their oppressors and should definitely admit that their fight is a failure and will remain so unless they include all women of the various scenes (including underground rock, metal, punk, grindcore, etc.), no matter what their ethnicities, nationalities, geographic locations, social classes are.

Of course, I hear some of you fulminating against me, accusing me of disempowering them, telling me : “But we didn’t know ! We never heard about them ! How could we imagine there were women doing this music in those places !?” (sic).
It sounds to me like those men telling :”Seriously ? You know of women building modular synthesizer ? I never imagined that it would be ever possible !”
Zero difference.
This is one of the problems of the Western World, it is so much self-centred that it often lacks of imagination and curiosity (even not going so far away as Asia or Africa, how many times did I hear some being surprised that there are musicians in Sardinia or Kosovo or whatever remote village lost in the Swiss mountains who do play underground music).

Now that we live in a more and more interconnected society, to me it is some kind of pure egotism and a certain form of social racism to imagine that only women (or people in general)  in the west do compose electronic, experimental music or punk, metal, oi, you name it… In the time of the invasive internet where those who want, especially those who pretend to fight for some rights, can search, deeply, all kinds of informations using search engines, social networks, databases, music streaming services, it is a shame to see that those born in the “wrong” place still often remain excluded.

I remember women from some networks I will not name here telling that they wanted full support and promotion for women´s projects but how many of them bought or promoted the works and publications I was telling them about ? How many of them attended the concerts I organised ? Very few ! Some even decided to work in closed circles, excluding men from their networks or activities, even those who supported them from the beginning. Some gave me the feeling that they were working for their own ego, that the feminist fight was an excuse for them to clime higher and reach the peak… I may be wrong, I wish so but this is how I perceive this situation for many years.

Now to conclude this small article, here are a few CD references among many others, and following those, you´ll find a non-exhaustive list of under represented women. The CD list is only a small sample that what is currently existing, of course.

Art of the Muses (CD and digital, Syrphe, 2012, international) with Alice Hui-Sheng Chang [Taiwan], Aki Ito [Japan], Itta [South Korea], Tomoko Sauvage [Japan], Kismett [Singapore], VAVABOND [China], Pei [Taiwan], Verita Shalavita Koapaha [Indonesia], Lương Huệ Trinh [Vietnam], Lau Mun Leng [Malaysia].

Egyptian Females Experimental Music Session (CD, 100Copies, 2013, Egypt) with Asmaa Azzouz, Shorouk El Zomor, Hala Abu Shady, Jacqueline George, Nina El Gebaly, Ola Saad, Yara Mekawei, details on 100Copies.

_Litter – Newfound Grids (CD and digital, Syrphe, 2013, Lebanon)

VAVABOND – HOLOGRAM OF sea (CD and digital, C.F.I Records, 2012, China)

PEI ‎– Normality Envision (CD, Sub Jam, Kwanyin Records, 2007, Taiwan), details and extracts here.

Leila Bela – Angra Manyu (CD, Ellahy Amen Records 2003, Iran/USA), details here.

Hui-Shen Chang Alice – When She Was Asleep (Cassatte, Antifrost, 2011, Taiwan).

Okkyung Lee – Noisy Love Songs (CD, Tzadik, 2010, South Korea), details at Discogs.

And one more western oriented ones that I anyway find worth to mention (and because most feminist activists I talked to in the scene told me they never heard about it and it´s a pretty good one !) :

Women Take Back The Noise (3xCD, UBUIBI, 2006) with Michiko Kawagoe, Dark Muse, BCO Women’s Auxiliary, Passiflora, Suzanne Quincey, Ava Mendoza, Meri von KleinSmid, Analog Tara, Fe-Mail, Experiment Haywire, Hertta Lussu Ässä, Cosey Fanni Tutti, etc.

This non-exhaustive list comes from this database I´m permanently working on, this database contains more than 1500 references for Africa and Asia. I could have added more of them but sorry, my time is limited at the moment !
Note I noticed that the formatting of the list appears incorrectly but I can´t correct it for some odd reasons…)

Algeria :
Rula El Bahr Soundcloud [electronic, sound art, lives in France, see Kamekaz]

Armenia/USA :
Farhadian, Thea Site [electro-acoustic, improv, video, lives in the USA]

China :

Arrebato (Li Huihui) Tudou Douban (豆瓣) Soundcloud (1) Soundcloud (2) Bandcamp [sound art, see lllllllllllHH, Hhiña, Kazorp, Arrebato]
Chen, Audrey MySpace Discogs [sound art, improv, free jazz, lives in Germany]
Chen Yi Discogs [electro-acoustic, classical, lives in the USA ?][1984]
Pan Daijing Soundcloud Tumblr Instagram [noise, industrial, ambient]
Shenggy (Cosmic Shenggy) MySpace1 Myspace2 Rock In China Discogs [sound art, noise, minimal techno, see White]
VAVABOND (Vavabond) Site MySpace Soundcloud Discogs [sound art, ambient, noise]

Egypt :
Azzouz, Asmaa Discogs [electronic]
Bosaina Site Soundcloud Facebook [electronica, electro-pop]
El Zomor, Shorouk Discogs [electronic]
George, Jacqueline Soundcloud [electronic, sound art]
Abu Shady, Hala Youtube Vimeo [sound art, video art]
Hani, Dina Soundcloud [electronic, field recordings]
Mattar Nahla Site [electro-acoustic, classical]
Mekawei, Yara (Yara Mekawi) Blogspot, Soundcloud, Facebook, MySpace Twitter Tumblr Meetphool [electronic, electro-acoustic, audio-visual, sound installation]
Saad, Ola Soundcloud [sound art]

Hong Kong :
Lee, Fiona Site Vimeo Tumblr Jux Soundcloud [sound art, audiovisual]
Lee, Ingrid Site Discogs [sound art, modern classical, lives in the USA]

India :
Desai, Poulomi Tumblr Facebook Facebook Youtube [audio-visual, sound art, lives in the UK]
Sandunes Site Bandcamp Soundcloud Facebook Twitter Instagram [electronica]

Indonesia :
Menstrual Synthdrone (Dyah “Woro” Isaka) Soundcloud [drone, noise]
Sabrina WordPress [noise]
Sarana Soundcloud Facebook [drone, noise]
Shalavita Koapaha, Verita Bandcamp [contemporary classical]

Iran :
Bela, Leila (ليلى بلا) Site MySpace Discogs [noise, sound art, lives in the USA]
Bigdeli Shamloo, Sara Soundcloud Twitter [electronic, sound tracks, lives in France]
Hatam, Farahnaz MySpace [sound art, lives in Germany]
Pazhutan, Honey Haq Site Soundcloud [see vH+] / vent aitcH Plus (vH+, V H +p) Site Soundcloud [ambient, drone, see Honey Haq Pazhutan]

Iraq :
Nadeem, Aida (Aïda Nadeem) Site Soundcloud Twitter Tumblr Wikipedia MySpace Discogs Youtube [electronica, traditional, contemporary lives in Denmark]

Israel :
Asher, Meira Site MySpace [industrial, sound art, lives in the Netherlands]
Elyakim, Dganit MySpace [electro-acoustic, classical]
Olivero, Betty Wikipedia [electro-acoustic, classical]
Rosenbaum, Keren Facebook Discogs [electro-acoustic, jazz, classical]

Lebanon :
Andraos, Joanna Site MySpace [electronica]
Chlela, Liliane (Queen Lil) Site Soundcloud Facebook [ambient, improv, psychedelic, improv, see Hezbel Taleta]
Dally, Rhéa (Rhea Dally) Facebook Soundcloud [chip tune, breakcore, lives in South Africa]
Sehnaoui, Christine MySpace Blogspot [jazz, sound art, lives in France]
Zaven, Cynthia Soundcloud Youtube [improv, modern classical, electronic]

Malaysia :
Kok Siew Wai WordPress Youtube [improv, experimental]
Lau Mun Leng Myspace Discogs WordPress [sound art, video artist and graphic designer]

Philippines :
Barrozo, Teresa Site Soundcloud [classical, electro-acoustic]

Singapore :
Ang, Lydia Soundcloud Youtube ReverbNation [film score, ambient, new age, electro-acoustic]
Cheryl Ong & Vivian Wang Youtube [drone, industrial]
Ding, Debbie Site Soundcloud Twitter [sound art, audiovisual]
Kismett Bandcamp [sound art]
Reiki, Jean (DJ Reiki) Site Bandcamp Soundcloud Twitter Facebook Youtube Mixcloud Indabamusic [ambient, electronica]
Tara Transitory Site MySpace Discogs Facebook [electronica, ambient, sound art, see One Man Nation, lives in Spain and Asia]

South Africa :
Beckmann, Inge MySpace Discogs Facebook [electronic, contemporary]
Isadora Dustmite Junk MySpace Bandcamp Facebook [electro-acoustic, noise, sound art]
Schneider, June [electro-acoustic, multi-media installations][1971 ?]

South Korea :
Itta (있다) https://www.youtube.com/user/TxNxGxRMySpace Facebook Twitter MySpace [sound art, ambient, minimal, member of 10 and Tengger]
Okkyung Lee Site MySpace [classical, improv, sound art, lives in Germany]
Shin, Amy Soundcloud [classical, sound art, post rock, etc., USA/South Korea] – she´s an American of Korean descent who migrated to Seoul.
Ha Jane Facebook [improv, see Pika & Pikasland] – from the US I think but lives in Seoul.

Syria :
Asma Shams (شمس أسمى, Asma Ghanem) Soundcloud [sound art, ambient, lives in Palestine]

Thailand:
Liew Pichanan Niyomkarn Site Souncloud [noise, sound art]

Taiwan :
Anchih Tsai [electro-acoustic] Youtube – unfortunately, she passed away a few months ago.
Betty Apple (ßetty ∆pple, Reiki Jelly, Yi-Ping Cheng, Xiao-Biao, 瀟薄 ) Site Soundcloud Twitter MySpace Tumblr Youtube Vimeo Mixcloud Soundcloud (Reiki Jelly) Facebook [sound art, noise, electronic, techno]
Hui-Chun Lin Site MySpace [improv, sound art, classical, lives in Germany]
Hui-Shen Chang Alice Site [electronica, sound art] – she mostly experiments with her voice when she plays solo.
Kueiju Lin [classical, improv, sound art]
Lai Chi-Hsia Site Soundcloud [sound art]
Pei Site1 Site2 [minimal sound art, onkyokei, lives in Switzerland]
Pei-Yu Shi Youtube Facebook [sound art, electronic, folk, audio-visual]
Luo Chao Yun (駱昭勻) Site MySpace [traditional, classical, improv, sound art]

Tunisia :
Abdelwahed, Deena Site Tumblr Facebook Arabstazy Mixcloud [electronic]
Houaïda (Miss Machine) Soundcloud Facebook [electronica, industrial, noise pop,lives in Germany]

Turkey :
Ah! Kosmos Site Soundcloud Soundkick Facebook Twitter Instagram Last.fm [electronica]
Gürkan, Gülce Özen Site Bandcamp MySpace Soundcloud Vimeo Discogs [electro-acoustic, sound art]
Pase, Tuna MySpace Facebook Soundcloud 1 Soundcloud 2 Soundcloud 3 [electro-acoustic]

Vietnam :
Cao Lan (Cao Thanh Lan) Site [electro-acoustic, sound art, free improv, classical, see Parallel Asteroid, Swiss Army Wife, lives in Germany]
Lương Huệ Trinh (Luong Hue Trinh) Soundcloud MySpace Facebook [sound art, electro-acoustic]
Ngọc Trần Thị Kim (Ngoc Tran Thi Kim) Weebly Youtube [sound art, electro-acoustic, classical]
Nguyễn Nhung (Nguyen Nhung) Site Bandcamp [dark ambient, drone, minimal electronic, noise, electroacoustic, classical, see Sound Awakener][2007]

And a list of female composers from Latin America here, thanks to Alma for providing the link.