New releases

IZ – Kөlêngkê – 影子 Shadow (vinyl, WV Sorcerer Productions, Old Heaven Books)

“IZ is a Kazakh/Chinese band founded by Mamer, “IZ” means “footprint” in Kazakh. “Kөlêngkê 影子 Shadow” was recorded in 2010, when IZ was mutating from Kazakh folk / epics to post-industrial music, this classic album is a mixture of their recent experimental sound and early Kazakh traditional music instruments. Dombra, kobuz, mouth harp, with metal junk percussions. Previously released in CD and tape format, after 7 years, now “Kөlêngkê 影子 Shadow” is re-mastered by James Plotkin and finally released as a beautiful gatefold LP by Old Heaven Books & WV Sorcerer Productions.”
IZ樂隊在當代中國音樂中不可忽視,多年以來由哈薩克傳統音樂一直蛻變到現在的實驗工業聲響,參與過IZ的樂手也涵蓋了當下中國音樂圈很多重要的名字。IZ在不斷的否定自己,也在不斷的變異。除IZ之外,馬木爾和張東還有眾多的分支計劃,出品過大量的唱片,馬木爾個人也十分高產,從國內外的實驗音樂人到新疆乃至中亞多個國家的傳統民族音樂大師,探索的腳步從來沒有停止。《Kөlêngkê 影子》是2011年IZ以三人陣容錄制的唱片,當時IZ正處在從傳統哈薩克音樂到現在的工業噪音的轉變階段,這張專輯同時涵蓋了IZ後期的暴力聲響和早期的民間原聲樂器,獨一無二,也不會再次出現。
時隔7年之後,舊天堂書店攜手遊走在中法之間的音樂廠牌巫唱片/WV Sorcerer Productions將這張經典專輯首次出版為黑膠格式(180克),由著名美國制作人James Plotkin重新制作母帶。
“(WV Sorcerer Productions)


Sun Dawei – 僧侶與藝術家 / Monks & Artists (digital, Shanshui)

Active in the Chinese scene since the early 2000s, Sun Dawei (aka Sulumi, also member of breakcore duo Panda Twin) has since relocated to Osaka, Japan.
This new release is above all a very quiet and ambient album with gentle techno influences on the tracks Cliff / 崖壁 and Replace / 替代. (cdrk)


Fahmi Mursyid – The Actualising Self (digital, self-released)

The Actualising Self is the final year project done in Lai Wei Min’s final year at the NTU School of Art, Design and Media for their specialisation in visual communications. the soundtrack (that contains voice over by Lai Wei Min) has been composed by Fahmi Mursyid (aka Idiologikal) from Bandung, Indonesia. Both mixes featured on this release are meditative ambient tracks, you cal also watch the original audiovisual work on Youtube. (cdrk)


Xu Cheng – IN RED (digital, play rec)

Xu Cheng is an ex-member of Shanghainese noise project Torturing Nurse,  who co-founded in 2017 the label play rec with experimental musician Wang Changcun. The three pieces presented in this release are re-works and adaptations of music composed in 2012, 2013 and 2018. The first piece contains samples of a previous performance together with Huang Lei and Wang Tian, such as in the third piece, Xu Cheng operates in the field of drone and electroacoustic  with a pinch of soft noise ; the second piece was part of a theatre play called Ge Le Mountain (歌乐山) by Yao Bo. Zhao Chuan and co. and is a more meditative work. (cdrk)


Audrey Chen – Runt Vigor (vinyl & digital, Karlrecords)

“Audrey Chen’s long-awaited new solo album “Runt Vigor” is an adventurous sonic exploration of the voice, cello and analog electronics.

She began her relationship with sound through the cello and voice over 30 years ago and since the past 15 years, her predominant focus has been her solo work, joining together the extended and inherent vocabularies of the cello, voice and analog electronics.” (Karlrecords)


Konstrukt + Keiji Haino – A Philosophy Warping, Little By Little​ ​That Way Lies A Quagmire (Live) (vinyl & digital, Karlrecords)

“Second album by Turkish free jazz musicians Konstrukt and the Japanese avant-garde / noise icon Keiji Haino, this time recorded live in concert. Celebrating their 10th anniversary these days, Konstrukt have since been creating an impressive catalogue including collaborations / performances with significant musicians like Peter Brötzmann, William Parker, Akira Sakata, Evan Parker, Thurston Moore, Michael Zerang (and more) that gained them an ever growing audience and media attention.” (Karlrecords)


R.A.N. – Şeb​-​i Yelda (vinyl & digital, Karlrecords)

“R.A.N. is the dark electronic / rhythmic ambient music project by Hüma Utku. “Şeb-i Yelda” is available as 12” and download. Hailing from İstanbul and based in Berlin for a couple of years now, Hüma Utku has been a prolific artist lately: as R.A.N. (Roads At Night) she released her debut album ”Her Trembling Ceased”, followed by the remix album ‘Remixed: Stories Retold’ (both 2015, Partapart Records), and contributed several tracks and remixes to various compilations.” (Karlrecords)


Zhu Wen Bo – Duo with Jun-Y Ciao (digital, self-released)

Chinese experimentalist Zhu Wen Bo (clarinet, founder of the cassette label Zoomin’ Night – 燥眠夜) and Jun-Y Ciao (sopranino saxophone), recently published three improvised music pieces performed live and infamous Beijing music venue fRUITYSPACE, in September 2018. (cdrk)


Domadana Kadodi Performers, Sun C, Bamba Pana – Kadodi (vinyl & digital, Nyege Nyege Tapes)

“After almost 15 years of peddling his own cd’s and tapes on the streets of Mbale, Robert Mugamba’s Kadodi finally get a proper introduction to the outside world thanks to the increasingly vital Nyege Nyege Tapes crew. ‘Kadodi’ pairs a transfixing percussive soundtrack with modern electronic contributions from Bamba Pana and Sun C, resulting in another remarkable document from the pearl of Africa.” (Boomkat)


Morego – Solivagant (digital, self-released & D.M.T. Records)

“Morego is the musical project founded by Tehran-based producer Morego Dimmer (aka Xerxes The Dark, Nyctalllz). Known for his cerebral and experimental vein of dark ambient music, Solivagant dips into peculiar, yet cohesive IDM/downtempo strains. Its nine tracks spanning just over 30-minutes, the release feels like an album with an extended player outer shell.” (D.M.T. Records)


BNSU – Brand New Shit Upcoming #1 (digital, Brain Pussyfication)

Noise ? Noisegrind ? Extreme industrial ? The Berlin-based Japanese-Turkish duo (Kazehito Seki : voice & BEEATSZ : drums, electronics) offers us ten radical live tracks recorded at Villa Kuriosum’s Krach Keller in Berlin earlier this year. The album clearly evokes Osaka’s radical japanoise scene of the 1990s, all for the best ! This is a pre-order. (cdrk)


sinin – V1 (digital, self-released)

Bengali electronic musician sinin just released four minimalistic gems, subtle intimate atmosphere that oscillates between gentle ethereal techno and ambient music. Don’t take me wrong, this is not minimal techno, fortunately ! (cdrk)


Jacqueline George (cassette & digital + magazine, Autogenesis)

Jacqueline George is a composer and field recordist from Cairo, Egypt. She is a member of the international collective Salims Salon. For this release (that comes with the first Autogenesis magazine), she was asked “to reflect on her coming to be, crossing individual and collective memory, in order to deliver a sonic piece to serve as a manifest of identity and empowerment.” The result is a sound scape made of field recordings, voices, whispers, cinematic atmospheres. Probably her most accomplished work until now. (cdrk)


v.a. – Anthology of Electroacoustic Lebanese music (CDr & digital, Unexplained Sounds Group)

Unlike the title seem to imply, the compilation is not about the electroacoustic music genre but music that blends electronics and acoustics. In any case, this is one more fine selection of artist done by the Italian label Unexplained Sounds Group : Tony Elieh, Marc Codsi, Jad Atoui, Youmna Saba, Fadi Tabal, Joseph Doumet, Sharif Sehnaoui, and more. Post-rock, free improv, musique concrète, ambient, drone, modular synthesis… Some of the biggest names of the Beirut scene on one album, there is nothing to complain about ! (cdrk)


v.a. – Girih: Iranian Sound Artists Volumes I – IV (cassette & digital, Zabte Sote)

This brilliant compilation comes in two different versions (apart of the digital ones) : one box set of four cassettes with booklet and the four cassettes releases individually. I would consider it to be a follow-up of four other great Iranian compilations : Visions of Darkness (Unexplained Sounds Group & Cold Spring, 2017), Dūr Untash (Unexplained Sounds Group, 2017) and Iran experimental underground 016 survey (Unexplained Sounds Group, 2016) and Kollektive 1 (BITROT, 2015) – a compilation published in Tehran which also includes a few foreigners. Nevertheless, Girih does not only explore the dark ambient side of Iran such as the Unexplained Sounds Group one did, they let the listener reflect on the great variety of electronic music that is being produced in Iran and by the Iranian diaspora. 42 pieces and artists in the field of ambient, industrial, techno, electroacoustic, drone, electronica, such as NUM, mHz, 9T Antiope, Pouya Pour-Amin, Saba Alizadeh, Mehdi Jalali, Leila, etc. Not to be missed ! (cdrk)


Vo Ezn – Live at Red Light Radio x Tbilisi (digital, self-released)

Mika Motskobili aka Vo Ezn is a composer, musician, sound artist, painter, video artist and sculptor from Georgia. She works with acoustic sounds, loops, electronics and composes a kind of repetitive music concrète, a form of sound art that evokes little machines operating in a parallel universe. Live at Red Light Radio x Tbilisi is devided in three parts, all recorded live. (cdrk)


Fung | Sudarshan Chandra Kumar | Goh Lee Kwang – Mou Tou Rooftop Artist Run Space, July 21st  (digital, self-released)

Goh Lee Kwang is obviously the most prolific sound artist and improviser in Kuala Lumpur. The live session recorded in two parts with two other improvisers, Sudarshan Chandra Kumar and Fung is in the vein of Lee Kwang’s work but not as repetitive as his latest compositions, still minimalistic but more eclectic, concrete sounds, no-input mixing desk screeching high pitched tones and some “wilder” moments where all three musicians surf around free improvisation for electronics. (cdrk)


Yuen Chee Wai and Ryoko Ono DUO – NEWDUO series 009 (digital, self-released)

The NEWDUO series are improvised duo recordings series initiated by Japanese alto saxophonist artist Ryoko Ono (小埜涼子) who presents this time a collaboration with Singaporean electronic improviser Yuen Chee Wai. Abstract sound art meets free improv. (cdrk)


Barkın Engin & Tuna Pase – Rest (digital, self-released)

Turkish composers Tuna Pase (electronics, flute, voice & glockenspiel) and Barkın Engin (electronics, guitar & glockenspiel) started to play together in 2014. They are now back with a second album, a pleasant mixture of partly improvised, electroacoustic and ambient music with a touch of ethereal pop. As the duo mentions it, improvisation forms  the backbones of the pieces, nevertheless these improvisations lead to neatly composed tracks. (cdrk)


More links about those mentioned artists can be found on Syrphe’s database.

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Back after two years on hold !

Hello,

After two years and a half on hold, too busy with other projects, I decided to reactivate this blog. This website will be run in parallel with the newsletter of Syrphe that is being sent at least once per month. Running the label, radio shows, composing music, doing some research and writing, as well as organising events keeps me very busy, so publishing or forwarding news, events, and releases here is time consuming for me hence, I’m looking for a collaborator or two if you think you could help, at least for posting some news and short reviews, interviews or new releases from artists from Asia, Africa and perhaps Latin America, feel free to contact me (preferably if you are from or live in Asia/the Mid East/Africa/Latin America), send me a few words about you and what you’d like to do. Reviews/news, perhaps articles would be published in English but could also be bilingual if you master another language such as  Indonesian, Chinese, Arabic, Farsi, Swahili, French, Spanish, etc. There is no money involved, unfortunately, I do this without any budget, I don’t pay myself and buy a lot of the music I speak about, each time I can.

cdrk

Cyprus for Syrphe WordPress_edit

Asian Music Network, an interview with DJ Sniff, by C-drík.

AMN 2016 artworks-000144010391-glpcx7-t500x500

In 1969, South Korean artist Seok Hee Kang founded the Pan Music Festival where himself and Hwang Byungki performed a piece for daegeum and tape, four years later, in 1973, the Asian Composers League was founded in Hong Kong with the aim of fostering contemporary music which uses both Western and Asian Pacific instruments.
Today in the 21st century, a new generation of composers, free improvisers, noise artists and turntablists cross the barriers again but this time in a less classical and conventional way : Far East Network (FEN), Asian Music Network, and more are reshaping the far east and south east music landscape…

19455802553_aa17d5f902_bPhoto by Kuniya Oyamada –  写真 小山田邦哉

The Asian Music Network festival 2015 took place in Tōkyō and Kyōto and was the first avant-garde festival in the region to include such a large variety of artists from east and south east Asia  : dj sniff (Hong Kong), Bin Idris (Bandung), To Die (Yogyakarta), Iman Jimbot (Bandung), Kok Siew Wai (Kuala Lumpur), Leslie Low (Singapore), Yuen Chee Wai (Singapore), Yui-Saowakhon Muangkruan (Bangkok), Nguyễn Hong Giang (Ho Chi Minh), Lương Huệ Trinh (Hanoi), Sachiko M (Tokyo), Tadashi Yonago (Osaka), Tatsuhisa Yamamoto (Tokyo), Kimiya Sato (Tokyo), Shinobu Kawai (Tokyo), Tamura Fumitake (Tokyo), KΣITO (Tokyo), Ai Watanabe (Tokyo), Ryoko Ōno (Nagoya), Ōtomo Yoshihide (Tokyo).

The 2016 festival will be held in Tōkyō, Kōbe and Kyōto, from the 5th until the 12th of February and featuring the following artists : Ōtomo Yoshihide (Tokyo), dj sniff (Hong Kong), Fiona Lee (Hong Kong), Okkyung Lee (New York), Pete TR (Bangkok), Skip Skip Ben Ben (Taipei), Natalie Alexandra Tse (Singapore), Krisna Widiathama (Yogyakarta), Son X (Hanoi), Yong Yandsen (Kuala Lumpur) and guest Japanese artists Umeda Tetsuya, True Oshiro, Takahiro Kawaguchi, Toshio Kajiwara, Doddodo, Yoko Higashino, Mizuuchi Yoshito, Katsura Mouri and more !
Feel free to listen to the following mix prepared by dj sniff that include the 2016 participants and some of their projects while reading the interview.

20094059991_73ac490eb6_bPhoto by Kuniya Oyamada –  写真 小山田邦哉

1. How did you and Yuen Chee Wai got the idea to create the pan Asian network ?

The idea originates from Ōtomo Yoshihide’s long standing work in trying to connect experimental musicians, in mainly East Asia, with Japanese musicians and the public.

Ōtomo worked extensively in Hong Kong during the early 90’s, and since early 2000’s he had been playing in China and Korea which evenly lead to his band FEN with Yan Jun, Ryu Hankil and Yuen Chee Wai. In 2005, he organised the first Asian Meeting Festival which was born out of both an optimism towards new communities enabled by the internet, and fear that it is also accelerating hate speech and xenophobia in Japan. Since my time at STEIM in Amsterdam, I was always trying to invite any Asian musician that was on tour in Europe, and Chee Wai was also active in organising events that featured Asian experimental musicians in Singapore. I moved to Hong Kong in 2012 after finding Europe being utterly dead, and wanting to tour more in Asia.

2. Do you have more logistic and financial ease and possibilities in Japan than in, let’s say Hong Kong or Singapore ?

For our project Ensembles Asia / Asian Music Network, yes, because we are funded by The Japan Foundation Asia Center (国際交流基金アジアセンター) which is a government cultural body. Ōtomo was invited to lead a new project that focussed on cultural exchange between South East Asia and Japan, and he invited me and Chee Wai. Japan also has a larger audience and generally better infrastructure than Hong Kong or Singapore, so that helps too.

19454000574_83842f32dc_bPhoto by Kuniya Oyamada –  写真 小山田邦哉

3. I noticed that step by step, some networks are being build in Asia, connecting musicians and organisers to each other : Asian Music Network, FEN, Border Movement. Seeking independence ?

It is still a challenge. Generally Asian people would rather work with people from the West for such cultural projects. It has to do with local prestige and also not wanting to be confronted with long history of dispute between neighbouring countries. For us we have to be very careful in running a project supported by Japan in Asia – scars from war don’t disappear that easily.

4. Does living in Hong Kong makes it easier for you to connect people together and travel around than when you were in Japan ?

I don’t know if it makes it easier, but it does give me an identity and edge within the scene. I haven’t lived in Japan for more than half of my life now, so I can get away with being “ignorant” to certain local conversions or political tension – that is quite convenient.

5. Would you organise the festival or some other events in other Asian countries and outside of Asia, such as FEN slowly does ?

Yes, we are trying to do this more. Our vision is that we develop programs and collaborations that take place initially in Japan, but can be brought to other cities. This is very challenging because each country has their own difficulties, but what we keep hearing is that it’s much more difficult than we think for South East Asian artists to connect with each other. We hope we can be a catalyst for new forms of collaboration within the region. Also we would like to bring these artists to Europe and North America as well. This is of course to introduce them to a wider audience but also playing in Western countries significantly helps them back home to receive recognition or funding.

19589047162_005d743b53_bPhoto by Ayane Morishita - 写真 森下綺音



Some recommendations, references and links.

Asian Music Network is part of Ensembles Asia, that also includes Asian Sound Research (a project started in 2014, directed by Japanese musician Sachiko M that focuses on sound art research, including Malaysia, Cambodia, etc.) and Ensembles Asia Orchestra (a project launched in 2014, with the mission of creating a free-form orchestra that engages with people who are not professional musicians. The project is organized by the Japan Foundation Asia Center, with musician Ōtomo Yoshihide as artistic director. Ensembles Asia Orchestra aims to uncover new and unprecedented ways of making music and connecting with people, by sharing the joy of making music and fostering communication with people from elsewhere in Asia – site in Thai, Japanese, Indonesia, Tagalog and English).
You can follow Asian Music Network 2015 on Soundcloud.
And see a few interviews and short live extracts here.

FEN (Far East Network) recently performed at the Festival All Ears in Norway. FEN is an improvised music project group made up of musicians from different parts of Asia. The quartet comprises Ōtomo Yoshihide (Japan), Ryu Hankil (South Korea), Yan Jun (China) and Yuen Chee Wai (Singapore). FEN was started by globally renowned musician Ōtomo Yoshihide and it made its debut in 2008 at MIMI Festival in Marseilles, France. Following its début, FEN has performed extensively throughout Europe and all across Asia.

Border Movement is a platform that aims to encourage interaction between the electronic music scenes of South Asia (Afghanistan, India, Bangladesh, Sri Lanka, Pakistan) and Germany. Border Movement tends to be more on the dance side than FEN and Asian Music Network but includes also a few sound experimentalists.

Syrphe contains a database which included more than 1500 references of artists, venues, radios, labels, magazines, networks working in the field of alternative electronic music, electro-acoustic, free improv, noise, electronica, chiptune, breakcore, industrial, ambient and more, it is regularly updated.

Some pan-Asian compilations (and beyond for one and we need more like this !).

Live at Htein Lin’s Studio / 7000 Padauk, Yangon, Myanmar, (Syrphe, 2014, digital), an compilation of live recording made in Yangon, Myanmar and featuring six artists mostly living there and coming from Asia and Europe. Free download.

Art of the Muses (Syrphe, 2012, CD and digital), an experimental music compilation featuring 10 female composers from far east Asia (Japan, South Korea, Vietnam, Indonesia, Singapore, Malaysia, Taiwan, China, Singapore).

Beyond ignorance and borders (Syrphe, 2007, CD and digital), an African, Middle-Eastern, Asian noise and electronic compilation which includes electronic, experimental and noise artists from 21 Asian and African countries (Vietnam, Hong Kong, Mongolia, Philippines, Thailand, Israel, Taiwan, China, South Korea, Lebanon, Indonesia, Turkey, Egypt, Morocco, Singapore, South Africa, Laos, Tibet, Algeria, United Arab Emirates, Malaysia).

Soundtracks For Bride Of Sevenless (Auscultare Research, 1998, CD), 12 noise and sound artists from Japan, Taiwan, Hong Kong.

Eternal Blue Extreme: An Asian Tribute To Derek Jarman (Somnus, 1994, CD), 9 noise, experimental and industrial artists from Japan, Hong Kong and Taiwan.


If you happen to be in Berlin in early February, I (C-drík) will give a lecture during CTM festival : An introduction to electro-acoustic, noise and experimental music in Africa and Asia, 2 February, 13h, Kunstquartier Studio 1 .

My new essay Power through networking : reshaping the underground electronic and experimental music scenes in East and South East Asia will also be available in CTM Magazine to be out very soon. More info soon !

 

Some news, music and video selection.

Meet the Barcelona DJ Who Played a Set at a Refugee Camp in France, an interview about Filastine and Indonesian singer Nova Ruth who played in Calais.
If you’ve never heard them, you can check this wonderful video clip.

For the Cairo Book-Launch of the Norient Book «Seismographic Sounds – Visions of a New World» (20.11.2015) the contributors Rami Abadir, Bosaina, Maha El Nabawi, Yara Mekawei, Angie Balata and Thomas Burkhalter collected some of their favorite current tracks from Cairo.
The playlist contain tracks that range from post rock to electronica, alternative hip hop, ambient and so on.

CTM4
CTM 2016 will host a special edition of the “Seismographic Sounds. Visions of a New World” exhibition, created with Norient (International Network for Local and Global Sounds and Media Culture), an innovative network that explores issues of globalisation and digitisation. For the exhibition’s presentation within CTM 2016, Norient and CTM curated additional works by Pedro Reyes, Tianzhuo Chen, Raed Yassin, Svetlana Maraš, Urs Hofer and hands on sound. More info here.

onebeat2016
Onebeat artist application 2016
Applications for the fall 2016 program open on January 4, 2016, and are due by February 5, 2016, 5:00 p.m. EST.
Applicants must be 19 or older at the time of the application and 35 or younger at the end of the program (October 2016) and come from one of the following countries :
Algeria, Bangladesh, Belarus, Bolivia, Brazil, Bulgaria, Burma, Colombia, Cuba, Ecuador, Egypt, Ethiopia, Ghana, Haiti, India, Indonesia, Iraq, Japan, Jordan, Kazakhstan, Kenya, Kosovo, Kyrgyzstan, Laos, Lebanon, Malaysia, Morocco, Mozambique, Nigeria, Panama, Pakistan, Palestinian Territories, Philippines, Russia, Senegal, Serbia, Slovak Republic, South Africa, Taiwan, Tajikistan, Tunisia, Turkey, United States, Venezuela, Zimbabwe.

Filipino avant-garde composer Jose Maceda leading an audience in San Francisco in his ritual-music composition “Udlot-Udlot”. Yerba Buena Gardens, April, 2003, in English and more mostly in Tagalog.

CTM Festival 2016 : New geographies

CTM2

Music is now more than ever integrated into the global circulation of ideas, knowledge, people and commodities. Musicians everywhere have increasing access to digital resources that revolutionize music making and distribution. Internet and telecommunications intensify exchanges across existing cultural boundaries. At the same time, extreme regional disparities continue to exist in regards to the participation of minority communities, to political freedom, possibilities for mobility and travel, or when it comes to access to entry points into the dominant music markets.

CTM_3

This year CTM will include many artists from Lebanon, Turkey, Mexico,  China, Indonesia, Japan, Singapore, Egypt, Tunisia, etc.

CTM will also publish a magazine and some talks and lectures will happen in various places in Berlin.

I´m happy to have been invited to write an article for the magazine and give a lecture during the festival too – more about this later this month ; meanwhile you can find plenty of informations, links, music, details and buy your tickets on the CTM website.

 
Le1f [US]     OG Maco [US]     Jlin [US]      Rødhåd [DE]     Visionist [UK]     Gesloten Cirkel [INT]     Nidia Minaj [PT]     Night Lovell [CA]     Mumdance [UK]     nkisi [UK]     KABLAM [SE]     Esplendor Geométrico [ES]     Rabit [UK]     Gaika [UK]     André Bratten [NO]     Buttechno [RU]     zutzut [MX]     Baris K [TR]     Paul Marmota [MX]     Praed [LB/CH]     Slick Shoota [NO]     Hmot [RU]     Thug Entrancer [US]     Takuya Taniguchi [JP]     Why Be [INT]     Resom [DE]     Native Instrument [INT]     gamut inc [DE]     Alienata [DE]     Purpurr Purple [NO]     Charlotte Bendiks [NO]     Low 808 [RU]     Mobile Girl [DE]     Laurent Jeanneau aka Kink Gong [FR]     Beio [CN]     Disco Halal [INT] feat Moscoman, Delfonic, Autarkic & guests     Opium Hum [DE]     Tara Transitory aka One Man Nation [SG/INT]     Mikael Seifu [ET]     and more.

And special projects and commissions:      Rabih Beaini [LB] “The Red Right Hand” with Tommaso Cappellato [IT], Liz Allbee [US], Sharif Sehnaoui [LB], Sam Shalabi [CA/LB], Daniele De Santis [IT/DE], Sofia Jernberg [NO / INT], Rully Shabara [ID], Mazen Kerbaj [LB]     Iancu Dumitrescu & Ana-Maria Avram with Hyperion Ensemble featuring Stephen O’Malley [INT]     Christoph Schlingensief’s “African Twin Towers” re-played by Hanno Leichtmann & Carolin Brandl [DE]     Anna Homler & Steven Warwick – “Breadwoman” [US]     Love Cult & Alina Filippova – “Nada” [RU]     Pedro Reyes — “Disarm (Mechanized)” [MX]

The Chabet Archive: Covering Fifty Years of the Artist’s Materials : 1975 Udlot-udlot by Filipino composer José Maceda

 

Udlot-udlot is a piece by Filipino experimental musician and composer José Maceda. The performance of the piece in 1975 was commissioned by the Cultural Center of the Philippines and the UP Prescounarts. Involving some 800 UP high school students in a public space, the performance was an experimental practice between repression and freedom during the years of martial law in the Philippines. See the images of Udlot-udlot in the Chabet Archive.

Learn more from the talk and tour of the exhibition Udlot-Udlot by Hong Kong-based curator Inti Guerrero on 9 Jan, sign up now here.

SETfest 2016, Tehran Iran – projects proposals

Deadline January 22 2016. Tehran, Iran.
Setfest
SETFest2016 (Tehran, Iran)is now accepting project proposals for its annual event, scheduled for summer 2016. The festival is interested in Audio/visual performances, sound art, lectures and workshops dealing with utilization of new technology in performance. The theme for this year´s events is “New Interactions”; may it be interactions between devices, artist/audience interactions or using technology to find new interactions between mediums. Site also in Farsi.